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Journey to the West: Conquering the Demons
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Watch Journey to the West: Conquering the Demons with a subscription on Prime Video, rent on Fandango at Home, Apple TV, or buy on Fandango at Home, Apple TV.
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As sweet, silly, action-packed and ridiculous as director Steven Chow's best work, Journey to the West serves up dazzling action sequences while playing its disparate elements against each other with thrilling abandon.
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Film Review: ‘Journey to the West: Conquering the Demons’
By Richard Kuipers
Richard Kuipers
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Visuals are more dazzling than the storytelling in “ Journey to the West: Conquering the Demons.” A qualified return to form for Hong Kong hitmaker Stephen Chow (“Kung Fu Hustle) after mushy sci-fier “CJ7,” this mostly entertaining action-fantasy-comedy about a demon hunter soars when pyrotechnics take centerstage, but is less successful when the focus switches to words. Nevertheless, “Journey” has gone bananas since its Feb. 7 domestic release and looks certain to crack the $200 million mark and overtake “ Lost in Thailand ” as the highest grossing Chinese movie. Commercial potential beyond Chinese-speaking auds appears limited. North American release details are pending.
The pic is the umpteenth movie inspired by Wu Cheng-en’s classic 16th century novel “Journey to the West.” The source material about the arrival of Buddhism in China provided the basis for “A Chinese Odyssey Part One: Pandora’s Box” and “A Chinese Odyssey Part Two: Cinderella,” domestic hits starring Chow as the mischievous Monkey King .
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With Derek Kwok (“Gallants”) credited as associate director, “Journey” follows a simple pattern of elaborate set-pieces followed by brief pauses for reflection and explanation, not all of which are entirely compelling or convincing.
Popular on Variety
The first spectacular sequence shows young demon hunter Xuanzang (Wen Zhang) arriving in a fishing village during a gory, “Jaws”-like attack by the fearsome Water Demon. Chow’s knack for mixing suspense and slapstick is impressively displayed as Xuanzang leaps about rickety walkways and see-sawing bridges resembling the board game “Mouse Trap” before rescuing a baby just inches from becoming the creature’s next meal.
In one of several new ideas brought to the old tale by Chow, Kwok and six other credited writers, sensitive Xuanzang reads nursery rhymes to demons in the hope they will reject the dark side and join him as allies in the quest for spiritual enlightenment. His belief is that these beasties were once good-natured humans that suffered terrible injustice, and a lilting lullaby is all it takes to undo the damage. Watched by villagers as his technique restores the Water Demon to his previous human form as Sand Monk (Lee Sheung-ching), Xuanzang’s moment of glory is stolen by the sudden arrival of Duan ( Shu Qi , “If You Are the One”), a feisty femme demon hunter with radically different ideas on creature control and a flair for showbiz that the nerdy Xuanzang lacks.
Duan invites herself on Xuanzang’s missions to challenge and change other demons — pig K.L. Hog (Chen Bing-qiang) and Sun Wukong, also known as the Monkey King (Huang Bo), an especially tricky customer who’s served 500 years of solitary confinement in a remote cave on orders from Buddha himself. While sequences such as Duan using her “Infinite Flying Rings” to disintegrate Hog’s minions at his restaurant-cum slaughterhouse are filled with razzle-dazzle CGI and exciting 3D effects, talk-based segs between showpieces too often lack the nimble scripting and heartwarming charm that distinguishes Chow’s best work, like 2001’s “Shaolin Soccer.”
The main problem is Duan’s wildly enthusiastic attempts to woo Xuanzang despite his avowed devotion to “a greater love” than what she’s offering. Pushing the opposites-attract notion a bit too far, Duan’s repeated declarations of passion for Xuanzang never ring true, and it remains a mystery why she finds him so irresistible. An early sequence showing Duan and her sexy comrade (Chrissie Chau) conspiring to activate Xuanzang’s libido produces chuckles, but variations on the theme prove far less mirthful.
Although Chow does not appear in the movie, his acting style and screen persona are writ large on the main cast. Shu is dynamite as the all-action Duan, Huang amuses as the eccentric Monkey King, and Taiwanese singer Show Lo scores big laughs as Prince Important, a narcissistic rival demon hunter with an entourage of soon-to-be-superannuated female sidekicks.
Where the helmer’s touch works least is the central role of Xuanzang. Mainland thesp Wen does nothing particularly wrong, but his perf as the nervous greenhorn feels Chow-lite, and his narrowly written character is less lovable than he ought to be. It doesn’t help that Wen sports a ghastly “finger-in-the-light-socket” hairdo more fit for a costume party than a serious young seeker of spiritual fulfillment.
The pic is beautifully designed and photographed in predominantly rich earthy tones by lenser Choi Sung-fai (“ Flying Swords of Dragon Gate”). The orchestral score by regular Chow collaborator Raymond Wong adds plenty of punch to action sequences, but is slightly overused in the dramatic passages. The rest of the technical work is first class. Things conclude with a set-up for a sequel.
Journey to the West: Conquering the Demons
Sai yau: hong mor pin
(Hong Kong-China)
Reviewed at Hoyts Tea Tree Plaza Cinemas, Adelaide, March 4, 2013. Running time: 110 MIN.
An Edko Films (in Hong Kong), Huayi Brothers Media (in China) release of a Village Roadshow Pictures Asia, Chinavision Media Group, Bingo Movie Development, Edko Films production. (International sales: Bingo, Hong Kong.) Produced by Wang Zhongjun, Stephen Chow, Ellen R. Eliasoph, Han Sanping, Dong Ping, Bill Kong. Executive Producer, Chow.
Directed by Stephen Chow. Associate director, Derek Kwok. Screenplay, Chow, Kwok, Huo Xin, Wang Yun, Fung Chih-chiang, Lu Zheng-yu, Lee Sheung-ching, Ivy Kong. Camera (color, widescreen, HD, 3D), Choi Sung-fai; editor, Chan Chi-wai; music, Raymond Wong; production designer, Bruce Yu; art director, Eric Lam; costume designer, Lee Pik-kwan; sound (Dolby Atmos), Zhu Yanfeng; visual effects supervisor, Ken Law; visual effects, Macrograph, Different Digital Design; action choreographer, Ku Huen-chiu; line producer, Ivy Kong; associate producer, Alice Chow; assistant directors, Leung Kwok-fai, Keith Chan Cheung-kei, Ng Ka-pui; second unit camera, Gao Hu.
With: Shu Qi, Wen Zhang, Huang Bo, Show Lo, Lee Sheung-ching, Chen Bing-qiang, Cheng Si-han, Xing Yu, Lu Zheng-yu, Chiu Chi-ling, Yang Di, Chrissie Chau, Ge Hang-yu, Fung Ming-hun, Yeung Lun.
(Mandarin dialogue)
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Journey to the West: Conquering the Demons
Demon hunter Chen Xuanzhang (Wen Zhang) believes that he can purify any demon through love. However, his belief is shaken when his attempt to defeat a demon fish ends in a family's death and a victory for violent demon hunter Duan (Shu Qi). After getting encouragement from his master, Xuanzhang soldiers on to hunting down a demonic hog with the help of Duan, who has fallen in love with Xuanzhang. Despite help from other demon hunters, the hog gets away. As a last resort, Xuanzhang and Duan turn to the help of Sun Wukong (Huang Bo), who has been imprisoned for five centuries for his crimes in heaven.
Columbia Pictures Takes The Monk
Kaige Chen directed this Chinese martial arts film starring Wang Baoqiang, Lin Chi-ling and Fan Wei. It is currently shooting in Xianghe, China.
Journey to the West TV Spot | EXCLUSIVE
Director Stephen Chow returns with this epic fantasy adventure about a young demon hunter, in theaters and VOD March 7.
New Journey to the West Trailer from Director Stephen Chow
This action-adventure centers on a demon hunter who heads west with four mystical creatures. Check out the new poster, In theaters this spring.
Journey to the West Trailer from Kung Fu Hustle Director Stephen Chow
We also have the new poster for this martial arts comedy-fantasy co-directed by Chi-kin Kwok.
Journey to the West: The Demons Strike Back
The Chinese film industry doesn’t produce stars so much as legends. Jackie Chan , Bruce Lee, Chow Yun-Fat , Gong Li , Sammo Hung —they may once have been ordinary mortals hailing from Taiwan, Hong-Kong and elsewhere, but when they started appearing in and creating blockbusters, they left our atmosphere, riding on the raw power of otherworldly charisma and imagination that most of us could only dream of possessing. When these titans come together, it’s always an event. So when Vietnamese-born director Tsui Hark finally teamed up with Stephen Chow , the mad cinematic scientist who gave the world live-action “Looney Tunes” like “ Shaolin Soccer ” and “Kung-Fu Hustle,” it was bound to be an event. Their collaboration, “Journey To The West: The Demons Strike Back,” is a fittingly gargantuan affair, huge enough to fit the ambitions of both auteurs. Chow, the director and writer of series curtain raiser “Journey To The West: Conquering The Demons,” wrote and produced this sequel and ceded the director’s chair to Tsui, the man who’s been sweetly infecting the daydreams of Chinese audiences for 40 years. The result is both a madcap success on its own bizarre terms and an informative distillation of each auteur’s sensibility.
When last we left monk Tang ( Kris Wu ), he had chosen to team up with three vanquished demons to do something productive with his grief over the death of his secret beloved Miss Duan ( Shu Qi ). It’s been a while since they joined forces and the dynamic between Tang the Monkey King (Kenny Lin), Pigsy the horny hog demon (Yang Yiwei), and Sandy the fish demon ( Mengke Bateer ) has grown strained. The Monkey King has little but contempt for his captor/master, and, when we join them, they’re attempting to raise a little money by putting on a sideshow at a carnival (the ADR and the elaborate set bring Fellini to mind). Monkey resents being used as an attraction and deliberately sabotages the performance, but his displays of inhuman strength still dazzle the circus crowd enough that Tang and his crew are allowed to continue unharmed on their way west.
Tang’s mission in life is to tame demons and come closer to a Buddhist ideal, and his three traveling companions are ultimately his way to enlightenment. He has to learn how to best take care of and manage these rampaging monsters of id and misaligned humors. Monkey’s disrespect for Tang is just one more way for the monk to come to terms with his personal failures, but it takes him a while to figure out that the Buddha doesn’t just hand out burdens idly. The four wayward souls encounter several challenges (including a house full of spider women, a petulant king and a tricky minister’s temptations) that serve as lessons in cooperation, selflessness and trust.
From an opening dream sequence that references “The Three Worlds of Gulliver,” it’s clear how well Chow and Tsui understand each other. Chow’s more fluid storytelling is occasionally missed in “Journey To The West: The Demons Strike Back,” but Tsui, who directs like Bill Bruford plays drums, takes stylistic leaps that not even Chow would have dared. The world is a playground and a canvas upon which to finger paint for Tsui. His demons rampage through one gorgeously colorful digital tableau after another, passing otherworldly skies, dizzying parades of set design, and gorgeously icky special effects every few seconds. It’s all escalation all the time, finishing with three mountainous false Buddhas rising from the sea to combat the Monkey King, transformed into a rock monster. Tsui rightly sees nothing as an obstacle to his creativity, and the film feels appropriately monumental and boundless. It’s also very funny to see Tsui taking to the deliberately cartoony sensibility of Chow’s writing, as when characters pummel and kick each other so fast their hands turn into digital clouds, or when arms stretch like rubber bands during combat. Chow integrated this with more sly humor and emotion in the first “Journey To The West,” but Tsui’s clamorous direction makes these flourishes feel like magic tricks, emerging from nowhere and vanishing just as quickly.
What “Journey To The West: Demons Strike Back” misses and can’t make up for is a woman’s touch. Shu Qi makes a few welcome appearances in dreams and flashbacks, but they last seconds at most. Tsui doesn’t give Yao Chen as The Minister nor Jelly Lin as Felicity, Tang’s fleeting love interest, enough time on screen for their personalities to develop beyond “agreeably crazy” and “beautiful, sad and submissive.” Shu Qi’s forceful and charming Miss Duan rose above the ludicrous dictates of the character, namely that she found Tang so desirable as a mate that she’d fake murders and kidnappings to be near him. Chen and Lin can’t do much with their characters and Tsui doesn’t leave his camera on them for more than a few seconds per cut, which cuts down on the opportunities to do the kind of ingratiating work Shu did in the first film. Chow lingers longer on his performers as a general rule. Tsui has skies and monsters to conjure; he doesn’t have time for development that isn’t broad and easy to follow. Which may explain why those three female performances, undercut as they are, are the most appealing in the film. The rest of the cast is caught up flailing for the sake of physical comedy bits that are destined to fail, as Chow’s humor is mostly stymied by Tsui’s heavier presence behind the camera. This isn’t an issue when there are demons on screen, as he’s one of the greatest conductors of on-screen chaos alive (just look at his previous feature, “ The Taking of Tiger Mountain ,” a non-stop delight, if you don’t have time to track down his whole joyous oeuvre). The repeated attempts to tell Chow’s jokes (like the repeated duplicated motion spell from the first movie) in incongruous grammar result in many a joyless pratfall.
Nitpicking aside, moviegoers owe it to themselves to check this movie out. It’s got more imagination in one nimble limb than a “Fast & Furious” sequel or a “ Star Wars ” prequel can lay claim to in their whole battered chassis. When the score kicks in and the combatants take to the heavens to wage inventive battle, “Journey To The West: The Demons Strike Back” truly soars. It’s a worthy fusion of two of the film world’s most brilliant stars.
Scout Tafoya
Scout Tafoya is a critic and filmmaker who writes for and edits the arts blog Apocalypse Now and directs both feature length and short films.
- Lin Gengxin as Sun Wukong
- Yao Chen as Guanyin
- Mengke Bateer as Sha Wujing
- Kris Wu as Tang Seng
- Si-Cheun Lee
- Stephen Chow
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Adaptations of Journey to the West
1. The Cave of the Silken Web
2. Princess Iron Fan
3. The Adventures of Sun Wukong
4. Havoc in Heaven
5. The Monkey King and Fruit of Immortality
6. The Monkey King Conquers the Demon
7. Alakazam the Great
8. The Monkey Goes West
9. Princess Iron Fan
10. The Cave of the Silken Web
11. The Land of Many Perfumes
12. Battles with Red Boy
13. The Fantastic Magic Baby
14. Hou wang da zhan tian bing tian jiang
15. Doraemon: Nobita's Version of Saiyuki
16. New Pilgrims to the West
17. Monkey War
18. A Chinese Odyssey: Part One - Pandora's Box
19. A Chinese Odyssey: Part 2 - Cinderella
20. A Chinese Odyssey: Part Three
21. Heavenly Legend
22. A Chinese Tall Story
23. Fire Ball
24. Monkey Magic
25. monkey king vs. er lang shen, more to explore, recently viewed.
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"ONE OF HONG KONG’S MOST POPULAR ACTOR-DIRECTORS EVER… STEPHEN CHOW IS BACK IN BOX-OFFICE STORMING FORM" - The Hollywood Reporter
"A BONAFIDE MASTERPIECE" - The Wrap
"SPECTACULAR" - Variety
"Some of the most outrageous visual effects yet seen in the cinema." - SHOCKYA.COM
"Stephen (Chow) is able to make us feel like giddy children again." - WEGOTTHISCOVERED.COM
"(Stephen) Chow at his weirdest and most entertaining." - AVCLUB.COM
"Hilarious and oddly reverent." - FILMJOURNAL.COM
"Alluring" - NY Post
"Delightful blend of fantasy, action, comedy and romance." - NY Post
"Dazzling" - LA Times
"Jaw-dropping visual inventiveness" - LA Times
"The film finds the sweet spot between spoofy and sincere, rollicking and dark." - LA Times
"Might Be Stephen Chow’s Craziest Movie Yet." - Vulture
"It’s a pageant of eye-popping strangeness." - Vulture
"Rarely is it that a CGI-heavy spectacle such as this could be called both entertaining and inspiring in the same breath, but such is the unexpectedly special magic of Journey to the West." - Slant
"A must watch for any fans of Chinese kung fu films and Stephen Chow." - NERD REACTOR
ABOUT THE FILM
In a world plagued by demons who cause great human suffering, young demon hunter Xuan Zang risks his all to conquer a water demon, a pig demon and the demon of all demons, Sun Wukong. Adhering to his firm belief in giving of one’s self for the greater cause, he embraces the demons as his disciples. However, in order to atone for their own sins and save the common people, the four of them must embark on a journey to the West that’s full of challenges.
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Journey to the West (2014)
Original title: 西遊.
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In 2014, Tsai Ming-Liang was invited to make a film for the MarseilleFID, Marseille International Film Festival. Since he was not familiar with Marseille, he decided to make a film as tourist, capturing the beautiful Mediterranean sunshine in the late summer of that year. He also invited famous French actor, Denis Lavant, to appear alongside Lee Kang-Sheng playing Xuanzang. "Journey to the West" was invited to be the opening short film at the Berlin International Film Festival the same year.
COMMENTS
Journey to the West: Conquering the Demons: Directed by Stephen Chow, Chi-Kin Kwok. With Shu Qi, Zhang Wen, Huang Bo, Show Lo. Tang Sanzang, an aspiring Buddhist hero tries to protect a village from three demons. He develops complex feelings for Miss Duan, the demon hunter who repeatedly helps him, and finally quests to meet the legendary Monkey King.
Journey to the West: Conquering the Demons [1] [4] (Chinese: 西遊·降魔篇) is a 2013 fantasy comedy film co-written and produced by Stephen Chow and co-directed by Chow and Derek Kwok. [5] The movie was first announced in July 2011 and was released on 10 February 2013 in China. [1] The film is a loose comedic re-interpretation of the 16th-century novel Journey to the West, a Chinese ...
The interesting part about Journey to the West is demons also have similar behaviors and habits as human beings, the CCTV version displays this aspect and make the characters more interesting and attractive. 2011 version demonstrated the demon-form of demons too much, which really destroyed the quality.
Rated 4.5/5 Stars • Rated 4.5 out of 5 stars 11/11/21 Full Review dustin d Journey to the West has the same beats as Stephen Chow's earlier film, Kung Fu Hustle, but isn't quite as funny or ...
Journey to the West: Conquering the Demons is 1826 on the JustWatch Daily Streaming Charts today. The movie has moved up the charts by 676 places since yesterday. In the United States, it is currently more popular than Jason Weems: Unknown but less popular than The Blair Witch Project. Rank. Title.
March 7, 2014. 3 min read. "Journey to the West". By turns daffy and dazzling, awkward and artful, "Journey to the West" takes an ancient tale and gives it contemporary flair. In adapting one of the Four Great Classical Novels of 16th-century Chinese literature, co-directors Stephen Chow and Derek Kwok have crafted a rollicking fantasy—a ...
Visuals are more dazzling than the storytelling in "Journey to the West: Conquering the Demons." A qualified return to form for Hong Kong hitmaker Stephen Chow ("Kung Fu Hustle) after mushy ...
Journey to the West: Conquering the Demons (2013) cast and crew credits, including actors, actresses, directors, writers and more. Menu. Movies. Release Calendar Top 250 Movies Most Popular Movies Browse Movies by Genre Top Box Office Showtimes & Tickets Movie News India Movie Spotlight.
Tang Monk brings three disciples on a journey to the West. On the outside, everything seems harmonious. However, tension is present beneath the surface, and their hearts and minds are not in agreement. After a series of demon-capturing events, the monk and his disciples gain mutual understanding of each others' hardships and unease.
Overview. In a world plagued by demons who cause great human suffering, young demon hunter Tang Sanzang must fight against monstrous demons, as well as contend with a beautiful demon hunting woman on his path to enlightenment. Stephen Chow. Director, Writer. Wang Yun.
Journey to the West: The Demons Strike Back: Directed by Hark Tsui. With Kris Wu, Kenny Lin, Chen Yao, Yun Lin. A monk and his three disciples continue on their journey to battle demons.
Journey to the West, one of the Four Great Classical Novels of Chinese literature, was written in the 16th century and attributed to Wu Cheng'en. Stories and characters were widely used, especially in Beijing opera, and the novel has been adapted many times in modern film, television, stage, and other media.
Immortal Demon Slayer aka Tales of WuKong (2017) and if you want a more comedic POV then check out: Journey to the West (2013) & Journey to the West: The Demons Strike Back (2017) EDIT: also The Forbidden Kingdom (2008) is always a classic and is the movie that got me interested in the story of Sun WuKong. Even though it's not really about him ...
New Journey to the West Trailer from Director Stephen Chow This action-adventure centers on a demon hunter who heads west with four mystical creatures. Check out the new poster, In theaters this ...
Journey to the West (Chinese: 西遊記; pinyin: Xīyóu Jì) is a Chinese novel published in the 16th century during the Ming dynasty and attributed to Wu Cheng'en.It is regarded as one of the great Chinese novels, and has been described as arguably the most popular literary work in East Asia. [2] It is widely known in English-speaking countries through Arthur Waley's 1942 abridged ...
It's got more imagination in one nimble limb than a "Fast & Furious" sequel or a " Star Wars " prequel can lay claim to in their whole battered chassis. When the score kicks in and the combatants take to the heavens to wage inventive battle, "Journey To The West: The Demons Strike Back" truly soars. It's a worthy fusion of two ...
Journey to the West - Metacritic. 2014. PG-13. Magnet Releasing. 1 h 50 m. Summary Young demon hunter Xuan Zang, fearlessly guided by his belief in "giving himself for the greater cause", risks everything and conquers a water demon, a pig demon and the demon of all demons, Sun Wukong. He embraces them as his disciples, and melts them with love.
1. The Cave of the Silken Web. 1927 59m. 6.3 (117) Rate. One of the earliest cinematic adaptation of Chinese classic novel Journey to the West. When seeking for food alone, Tang Xuanzang was kept prisoner by seven spider monsters who took the form of seven beautiful women. The Monkey King and the other two of Xuanzang's disciples managed to ...
ABOUT THE FILM. In a world plagued by demons who cause great human suffering, young demon hunter Xuan Zang risks his all to conquer a water demon, a pig demon and the demon of all demons, Sun Wukong. Adhering to his firm belief in giving of one's self for the greater cause, he embraces the demons as his disciples.
Subscribe to TRAILERS: http://bit.ly/sxaw6hSubscribe to COMING SOON: http://bit.ly/H2vZUnLike us on FACEBOOK: http://goo.gl/dHs73Journey To The West Official...
Director Stephen Chow's action fantasy film Journey to the West is a miss, but a wild, reverent, explosive miss. In This Article. Journey to the West. Magnet Releasing Mar 7, 2014.
https://www.facebook.com/journeytothewestfilmThis is a world plagued by demons, who cause its human inhabitants unspeakable suffering. Young demon hunter Xua...
Since he was not familiar with Marseille, he decided to make a film as tourist, capturing the beautiful Mediterranean sunshine in the late summer of that year. He also invited famous French actor, Denis Lavant, to appear alongside Lee Kang-Sheng playing Xuanzang. "Journey to the West" was invited to be the opening short film at the Berlin ...
Journey to the West (Chinese: 西遊; pinyin: Xīyóu) is a 2014 French-Taiwanese film directed by Tsai Ming-liang.The title is inspired by the 16th century Chinese literary classic of the same name.It had its world premiere at the Panorama section of the 64th Berlin International Film Festival in February 2014. [1] It is an entry in Tsai's "Walker series" of films.