eminem tour 2009

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Eminem Presents: The Anger Management Tour

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Product Description

Product description.

Mega-platinum recording artist Eminem sticks to the basics in this live performance. There's a bit of talking, a few pyrotechnics, but mostly a lot of rapping (and swearing on the explicit version). Spanning his entire career, starting with The Slim Shady EP, the concert film features 20 tracks recorded in Em's Detroit hometown on the second Anger Management Tour (while in support of The Eminem Show ). The crew from D-12 joins in on several numbers, like "Fight Music" and "Purple Pills--the audience often gets in on the action, too. Highlights include "Without Me," a solo "Stan," and of course, the Moby impersonator. The only "lowlight" is "Drips" (not one of Eminem’s finest moments as a writer). The concert, which took place on the tour's last night, is accompanied by a raucous behind-the-scenes glimpse at this groundbreaking hip-hop event, featuring G-Unit and Obie Trice. --Kathleen C. Fennessy

Product details

• Aspect Ratio ‏ : ‎ 1.78:1
• Is Discontinued By Manufacturer ‏ : ‎ No
• MPAA rating ‏ : ‎ Unrated (Not Rated)
• Product Dimensions ‏ : ‎ 7.75 x 5.75 x 0.5 inches; 3.2 ounces
• Item model number ‏ : ‎ 2240051
• Media Format ‏ : ‎ Closed-captioned, Dolby, Color, Multiple Formats, NTSC
• Run time ‏ : ‎ 1 hour and 15 minutes
• Release date ‏ : ‎ June 28, 2005
• Actors ‏ : ‎ Eminem
• Studio ‏ : ‎ Aftermath
• ASIN ‏ : ‎ B0009R2W82
• Number of discs ‏ : ‎ 1
• #133 in Gangsta & Hardcore Rap & Hip-Hop
• #302 in Pop Rap (CDs & Vinyl)
• #355 in Musicals (Movies & TV)

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Get Clean, Come Back: Eminem’s Return

By Jon Pareles

• May 21, 2009

IN late December 2007 a depressed, writer’s-blocked, pill-popping, opiate-addicted Marshall Mathers, better known as the multimilllion-selling rapper Eminem, overdosed on some new blue pills someone gave him — they were methadone — and collapsed on his bathroom floor. Public statements covered up the reason for his emergency hospitalization and detox, claiming the problem was pneumonia. A month later Mr. Mathers had ramped up his habit again.

But the overdose scared him. Early last year he hospitalized himself, went through rehab and started the full 12-step program of a recovering addict, complete with meetings, a sponsor and a therapist. Mr. Mathers, 36, says he has stayed sober since April 20, 2008.

Far from concealing his addiction battle, he’s making it the center of his comeback. The cover of “Relapse” (Shady/Aftermath/Interscope), the first new Eminem album since 2004, builds his face out of pills, and in some songs he raps, as directly as a rhymer can, about how drugs nearly destroyed him. Elsewhere on the album Eminem resumes — or relapses into — his main alter ego, Slim Shady: the sneering, clownish, paranoid, homophobic, celebrity-stalking compulsive rapist and serial killer who plays his exploits for queasy laughs and mass popularity.

Eminem’s four previous major-label albums of new material — “The Slim Shady LP” in 1999, “The Marshall Mathers LP” in 2000, “The Eminem Show” in 2002 and “Encore” in 2004 — have sold about 30 million copies in the United States, according to Nielsen SoundScan. “Relapse” clings to the formula of its predecessors: it’s partly truth and partly fiction, with personal revelations and sociopathic farce side by side.

“It’s hard core, it’s dark comedy, it’s what Eminem has always been,” said Dr. Dre, his longtime producer, by telephone from his studio in the San Fernando Valley of Southern California. Eminem had been missed; the album’s first single, “Crack a Bottle” — with 50 Cent and Dr. Dre trading verses — went to No. 1 on the Billboard Hot 100 when it was released in February, selling 418,000 downloads in its first week.

“Relapse” is the latest episode in a soap-opera career that has always mingled confession, melodrama, comedy, horror, media baiting, craftsmanship and tabloid-scale hyperbole on every front.

“I don’t know if I’m exposing myself,” Mr. Mathers said by telephone from his studio in Detroit. “I’m kind of just coming clean and exhaling.”

He speaks amiably and coherently, without defensiveness, chatting with the zeal of a recovering addict about both his old excesses and his new clarity and productivity, sounding like someone relieved of a burden. “I was the worst kind of addict, a functioning addict,” he said. “I was so deep into my addiction at one point that I couldn’t picture myself being able to do anything without some kind of drug.”

He has been watching videos of himself onstage and in interviews from his drug days, including one from Black Entertainment Television that he said he has no memory of doing, when Ambien made him so befuddled he couldn’t even respond to simple questions. “I want to see what I looked like when I was on drugs, so I never go back to it,” he said.

In the five years between his own albums, he worked as a producer, making beats for other rappers, and occasionally showed up as a guest rapper; he now calls his verse on “Touch Down,” with the Atlanta rapper T.I., “horrible.”

But last year, just two months out of rehab, Eminem met Dr. Dre met in Orlando, Fla., to try recording. Eminem had been doing what he called “mind exercises” to get himself writing. “I’d stack a bunch of words and just go down the line and try to fill in the blanks and make sense out of them,” he said. “For three or four years I couldn’t do it any more.”

When he was sober, he said, “the wheels started turning again.” Working in Orlando and then in Detroit, Eminem and Dr. Dre recorded hundreds of tracks and finished enough new songs for three albums. They have culled them to two; Eminem plans to release “Relapse 2” before the end of this year. “The deeper I got into my addiction, the tighter the lid got on my creativity,” he said. “When I got sober the lid just came off. In seven months I accomplished more than I could accomplish in three or four years doing drugs.”

From the beginning Mr. Mathers has smeared the boundary between Eminem and Slim Shady. In “97 Bonnie & Clyde” from the 1999 “Slim Shady LP,” the rapper takes along his gurgly baby daughter — named Hailie, like Mr. Mathers’s real daughter (who lives with him in Detroit) — while disposing of her mother’s murdered corpse. The new album traces Eminem’s addictive tendencies to one of his earliest and most frequent targets: “My Mom,” who, the song says, used to mix Valium into his food to make him manageable.

But the music for songs like those is reassuring, even perky. Dr. Dre has long provided clean, crisp tracks that are far from ominous. Often they have the bouncy beat and singsong choruses of kiddie music. That smiley-faced nastiness was enough to make Eminem a target for the censorious, which in turn gave him a new bunch of antagonists to provoke. “It ended up pushing my buttons,” he said. “You’re only going to make me worse now.”

Now, a decade into his major-label career, “I’m done explaining it,” he said. “Here’s my music. Here’s what it is. Get what you get from it. I didn’t get in this game to be a role model.”

Eminem was always an anomaly in hip-hop, not only because he’s white but also because he presents himself as multiple personas — rarely ingratiating, often belligerent or psychotic — rather than a single heroic face. Yet he was accepted within Detroit hip-hop, where he made his reputation in battle raps that were later depicted in the quasi-autobiographical 2002 movie “8 Mile.” (The rapper Proof — his mentor, best friend and “ghetto pass,” as Eminem called him in his 2008 memoir, “The Way I Am” — was shot dead in 2006, and the grief was a factor in Eminem’s addiction.) And he was abetted by the leading hip-hop producer of the ’90s, Dr. Dre, who also helped establish Snoop Dogg.

From the beginning Eminem was perfectly attuned to MTV: making videos full of snide pop-culture sendups and catchy pop hooks as well as news headlines with his marital and legal troubles. (Mr. Mathers has divorced, remarried and re-divorced Kim Scott. His mother, Debbie Mathers-Briggs, sued him in 1999 for defamation for $10 million but later said it was her lawyer’s idea and settled out of court for $25,000, most of it legal fees.)

As Slim Shady, in a tight white T-shirt with his hair bleached blonde, Eminem quickly became an offensive scourge to those who took Shady’s fantasies literally, or worried that others might; that made him a surly antihero to some fans. At the same time he was a pop pinup who made girls squeal. But he stayed in his hometown, Detroit, and never joined the celebrity culture. Although he has a local hip-hop posse, D12, that he remained loyal to (and produced) when he grew famous, he hardly raps about friends or community; Eminem and Slim Shady are loners, estranged from virtually everyone. “Relapse” plays like the work of someone who’s been long isolated, seeing only his family, his pills and a TV; it’s not as funny as past albums.

Both Eminem and Dr. Dre thought hard about how Eminem should re-emerge. And both concluded that the world wanted more Slim Shady. “I talked to my son about it,” said Dr. Dre, “and he was like: ‘The kids want to hear him act the fool. We want to hear him be crazy, we want to hear him be Slim Shady and nothing else.’ ”

“Relapse” sets out to recapture the audience for his previous studio albums by presenting the familiar Eminem, which is to say, a ruckus of multiple personalities. “The album walks a fine line,” Mr. Mathers said. “My fans, and people who genuinely listen to hip-hop and love it for the art form, they know what’s Eminem, what’s Marshall and what’s Shady.”

On the album Eminem is self-consciously autobiographical when he rhymes about himself — sometimes painfully frank, sometimes self-mocking. “Not only is honesty one of the biggest parts of recovery,” Mr. Mathers said. “I’m blessed enough to be able to have an outlet.”

The song “Deja Vu” chronicles that night in December 2007 and the escalating drug habit that led up to it, with Eminem offering and then demolishing his old excuses; he rhymes “pneumonia” with “bologna.” In “Beautiful,” a grudgingly self-affirming song built on a power ballad, he wonders aloud whether he’ll ever rap again; he started writing it during the first day of one attempt at rehab, alone with a pen in a hospital room.

The album revisits Slim Shady’s usual obsessions so thoroughly that it sometimes threatens to become a rerun. It isn’t the first time he’s rapped about abducting women, or used the sound effect of duct tape peeling off the roll. Eminem once again mocks Christopher Reeve, who died in 2004; he has lines about slightly stale targets like Britney Spears, Lindsay Lohan, Kim Kardashian and Sarah Palin. “Once he makes a painting, once he lays a lyric down, it’s impossible to get him to change it,” Dr. Dre said. “If there’s a couple of lines he says on a record that’s not relevant today, it’s, ‘No, that was that painting. That was for that moment.’ “

After five years’ absence Eminem still looms over hip-hop; the rapper Asher Roth devotes a song, “As I Em,” to complaining about being compared to Eminem because both are white. But “We Made You,” the second single from “Relapse,” had middling success on Top 40 radio; some references were dated. Dom Theodore, vice-president for Top 40 pop programming at CBS Radio, had mixed expectations for “Relapse” because Eminem’s hits had always been his humorous ones. “This album tends to be a little darker,” he said. “It’s still edgy, but not in a fun way. But I’d never write him off. You’d be hard pressed to find someone more talented.”

Despite his nine Grammy Awards, many MTV appearances and tens of millions of albums sold, Eminem hasn’t put himself on the celebrity circuit. “If it could just be about the music, I would only do the music,” he said. “I don’t hate the limelight, but I don’t like it.”

In the songs Slim Shady still reacts to celebrities not like a fellow star but like a consumer stoking his crushes and fantasies from images on the airwaves. He just happens to be more extreme.

Confessions and broken taboos aren’t Eminem’s only concerns; he’s also a virtuoso of phonetics. His raps rhyme internal vowel sounds along with the syllables that end words, and he’ll let a chain of sounds take him wherever free-association might lead. “I’m taking celebrity names just out of the air, or just putting them in a hat and mixing them up and drawing a name,” he said. “If your name happens to rhyme with something good, then you might get it too.”

Word sounds are the genesis of “Insane,” a song on “Relapse” that accuses a stepfather of raping him as a child. “It’s pretty much all fiction,” he said. “It’s a perfect example of a rhyme gone bad.”

There are so many references to prescription drugs on “Relapse” that Eminem could have earned product-placement deals from pharmaceutical companies. One reason, he said, is that the trademarked names are memorable words. “In my experience through rehab and the hospital and the overdose with the methadone, I learned so many different names of medications,” he said.

“At the end of the day, it’s just words,” he added. “That’s all it is to me.”

But he also admits that he’s inseparable even from Slim Shady’s darker fantasies or, “obviously, I wouldn’t be able to think of this.” In one song, “Must be the Ganja” — which rhymes “dilemma,” “Dalai Lama” and “Jeffrey Dahmer” — he boasts about being able to name “every serial killer who ever existed” in chronological order along with all the details of their murders. Mr. Mathers said that was him: watching documentaries and writing down information, “dates and times and places.” He was fascinated by “serial killers and their psyche and their mind states.”

He continued, “You listen to these people talk, or you see them, they look so regular. What does a serial killer look like? He don’t look like anything. He looks like you. You could be living next door to one. If I lived next door to you, you could be.”

Was that Slim, or Eminem, or Marshall? “That was Marshall,” he said. “Uh-oh, I mean, that was Shady.”

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• May 19, 2009 Setlist

Eminem Setlist at Sound Board Theater, Detroit, MI, USA

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• 3 a.m. Play Video
• Hello ( Live Debut ) Play Video
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• Crack a Bottle ( Live Debut ) Play Video
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Note: Relapse release party

Edits and Comments

24 activities (last edit by Jazzlobber , 13 Dec 2020, 04:24 Etc/UTC )

Songs on Albums

• Crack a Bottle
• Underground
• We Made You
• Lose Yourself

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Eminem gig timeline.

• May 14 2009 Friday Night with Jonathan Ross London, England Add time Add time
• May 18 2009 BBC Radio 1's Live Lounge London, England Add time Add time
• May 19 2009 Sound Board Theater This Setlist Detroit, MI, USA Add time Add time
• May 20 2009 Jimmy Kimmel Live Los Angeles, CA, USA Add time Add time
• May 31 2009 MTV Movie Awards 2009 Universal City, CA, USA Add time Add time

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What can be said about Eminem that hasn’t already been said? The most successful rapper of all time has sold nearly a quarter of a billion albums and changed the world of music and pop culture forever.

From his less-than-humble beginnings to the pinnacle of notoriety and superstardom, Marshall Mathers has truly seen it all.

Born in 1972 to his mother Debbie and father Bruce, Mathers’ family broke apart soon after forming. His father abandoned his wife and infant son and moved to California. Mathers and his mother moved between Detroit and Missouri, typically changing homes every year or so and living with family members. When he was a teenager, Mathers wrote letters to his father that all came back with “return to sender” marked on them.

For most of Mathers’ youth, he and his mother lived in a poor neighborhood in Detroit, and he was often targeted for bullying. But he had a creative outlet: He loved storytelling. He first dreamt of becoming a comic book artist, but then he discovered rap. The first rap song he ever heard was “Reckless” featuring Ice-T, given to him by his mother’s half-brother Ronnie. Ronnie played a positive role in Mathers’ childhood, mentoring him and giving him emotional support.

Marshall repeated ninth grade three times before dropping out of Lincoln High School at age 17. He had already begun rapping by this time and frequently snuck into the neighboring high school with his friend to compete in freestyle rap battles during lunch. Weekends saw them performing at open mics on West 7 Mile Road, the epicenter of Detroit’s underground rap scene. He spent much of his free time working on rhymes for different words in the English language.

Meanwhile, Mathers fought constantly with his mother, who was described as having a “very suspicious, almost paranoid personality” by a social worker. In 1987, Debbie invited runaway Kim Scott into their home. Marshall and Kim began a tumultuous relationship several years later. By 1988, he had adopted the stage name MC Double M and was recording demo tapes and appearing in music videos. Mathers’ uncle Ronnie committed suicide in 1991, a traumatic experience that caused Mathers to stop speaking for several days.

He formed The Dirty Dozen, also known as D12, in 1996 — the same year he released his debut album, Infinite, which was a commercial failure. DJs who rejected his tracks asked him why he didn’t just go into rock and roll, which fueled him to craft darker, angrier tracks. He and Kim lived in a dangerous neighborhood and were robbed multiple times, and Marshall was working for minimum wage washing dishes. Before Christmas of that year, he had been fired and attempted suicide.

In 1997, Mathers developed an alter ego called Slim Shady and recorded the Slim Shady EP, released by Web Entertainment. The EP attracted some attention, even getting mentioned by hip-hop magazine The Source in 1998.

After placing second in a nationwide rap battle in Los Angeles, Mathers’ EP got noticed by Dr. Dre. The two began working on The Slim Shady LP, which was released in February 1999. It went triple platinum by the end of the year. The album’s violent lyrics were an outlet for Eminem’s anger and frustration, and they struck a strange chord with the public.

The next decade was all his. His second full-length album, The Marshall Mathers LP, came out in May 2000 and sold nearly 2 million copies before the end of its first week. Mathers toured that year with Dr. Dre, Snoop Dogg, and Ice Cube. In 2001, he was the only guest on Jay-Z’s album, The Blueprint.

In May 2002, Eminem released The Eminem Show, the best-selling album of the year with 27 million copies sold worldwide. Encore followed in 2004, showcasing more of his political commentary. His subsequent albums include Relapse, Recovery, The Marshall Mathers LP 2, and, of course, the soundtrack to the semi-autobiographical blockbuster film 8 Mile.

Eminem’s career was relatively quiet in the late 2010s, until the earth-shaking moment he criticized then-President Trump in the 2017 freestyle “The Storm.” This represented a comeback moment for Eminem — his support for Black Americans resonated at a time when social unrest and inequality were becoming highly talked about.

You can catch Eminem’s concerts today—see what this world-changing artist is up to by seeing him live, in-person, at a stage near you.

Live reviews

“EMINEM.” Seeing his name lit across the stage was mind blowing. As if natural instinct, everyone started chanting, ‘EM-IN-EM, EM-IN-EM’, until the legend himself took the stage, wearing a get up that only the King of Rap could pull off.

Without a breathe of a moment, he jumps directly in to rapping, setting the crowd on fire as most of us have been waiting in the stadium for hours, and some of us have been waiting for years. As far back as we can remember, Eminem was there, withstanding the wrath of time and still being able to top the charts many, many years later.

The audience was as real as he is, old, young (too young), male, female and people of all colours were there. I could see it in their eyes, as they threw their hands to the beat and mouthed every word along with him, that at this moment, this is all they have ever wanted. When songs like “Lose Yourself”, “Stan”, “Not Afraid” and a few others were sung, tears flowed freely, because like every other person, those songs were a part of various struggles and difficulties you or someone you are close to have faced. That’s not to say the concert is a downer, no, not at all. Once you’ve wiped your tears away, “Without Me”, “The Real Slim Shady”, “Rap God” and more is performed, to get your body moving, dancing, jumping, flashing, whatever you are in to. Aside from the upbeat tracks, his stage presence is something else, he manages to be filthy and charming all at the same time.

And by the end of the show, you’re speechless. Firstly, because you’re in shock due to the fact that you have never experienced a level of such greatness, and secondly, because your voice is gone as rapping alongside the one and only Eminem, is not as easy as he makes it look.

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Eminem in concert in LA was enough to make me extraordinarily happy, but for him to perform some hits from the Recovery album made the entire night absolutely worth it!! It was nostalgic for him to perform his old hits, taking me back to elementary and junior high school days, but Recovery was the album that solidified my love and appreciation for his artistry, talent and heart!

Em's portion of the show was absolutely fantastic, he is truly a lyrical genius and he never fails to deliever with an energy and intensity that is infectious! I would have been more than happy (and actually would have preferred) if the show was just his performance, but I can fully understand why he would need someone to fill some time to give him a break between his sets. When he performs it feels like he is literally pouring his heart and soul out on the stage and that has to be beyond exhausting for him, hence the need for Rihanna. Her part was ok. The venue (the Rose Bowl) was an experience in itself. Parking wasn't as bad as I was anticipating, but it was very expensive. The arena was packed solid, but I never felt too overwhelmed by people even though I was on the floor. It was just great to be surrounded by people who were enjoying the concert. If you ever have a chance to see Em in concert, I would say, GO!

I have been a huge Eminem fan since he came out with Cleaning Out My Closet, I was very very young at the time so I've been a fan since I was a little kid. I was very much looking forward to my first Eminem concert, and on 8/16 at MetLife Stadium, my dream finally came true. The website said they would start at 7:30, but they didn't start until like 8:40, but the whole concert made up for it. Eminem was amazing, I honestly have no words to describe the experience except that it was very unreal and I had to pinch myself a few times just to make sure this was really happening to me. He played a lot of his songs off his first two albums and then some songs off of Recovery & MMLP2. For anyone who had seats or had Floor B GA, you really missed out on an amazing view & concert. The view from the 200s & 300s probably sucked, they could only probably see Eminem & Rihanna from the jumbo screens. Rihanna was great too, she was very sweet & funny live, as well as sexy & seductive. Eminem was funny and his stage presence was wonderful. This was an experience I'd LOVE to have again, an experience many should get to enjoy and from the amazing view in GA. I do hope he goes on tour again in the next year or so.

Fucking amazing!! Man’s music has saved my life so many times! A real artist and an incredible lyricist... unbaleaveablw how much talent Marshal has. Tears dropped as he sung songs that touched my heart and took me back from the grave... I love him for all he has done for me an my recovery... if only I was able to thank him in person... In rehab they say to believe in power that’s greater than me, as my god. Eminem is that god to me. A powerful man that I know has saved so many lives just from his music. The show was the best show I’ve ever attended. Only issue was I wasn’t quick enough to get a ticket I the pit. I would have rocked up at 6am before the concert just to get into the front row and thank the ma. For everything he has done for my life..

But I don’t think I’ll ever get the chance to thanks him and praise Marshal. But I doubt I’ll

Ever get the chance to express the abundance of help, love and strength I receive when ever I lisfen laying down to his tracks!!! An I doubt he’ll ever truely know how many llivws he has saves and touched!!! 100/10 for the show!!! Bring him back pleaseeee!!!

I have been a fan of Eminem in 1999, I was leaving 4 meps,right be4 basic training and i was getting picked up at 11am, and i was drinking about 6am and in Chicago there was a video channel that played diff videos 24/7 around 6ish am i saw his video i just don't give af,and i was like hell ya a white boy.Then in basic on a Sunday while some people went 2 church i snuck outta the barreks and bought a walk men cd player and they had the SSLP there so i grabbed that,and that helped get me threw basic training, and when i got 2 my unit i bought a z28 97,and got a system put in it and the MMLP came out and the bass use 2 make my whip shake,but i no lots of what he talks about cuz ive had so many close friends get killed in drive buys lots i no that oded,i was hooked on pills,lot of what he says i feel, like i was the only white kid growing up in my part of chi,so ive been a stan sence be4 stan ever came out, EMIN3M 4LIFE. MICHAEL DAMIEN TIPPIN AKA DJ GAMBINO, STAN

I have been a fan of Eminem in 1999, I was leaving 4 meps,right be4 basic training and i was getting picked up at 11am, and i was drinking about 6am and in Chicago there was a video channel that played diff videos 24/7 around 6ish am i saw his video i just don't give af,and i was like hell ya a white boy.Then in basic on a Sunday while some people went 2 church i snuck outta the barreks and bought a walk men cd player and they had the SSLP there so i grabbed that,and that helped get me threw basic training, and when i got 2 my unit i bought a z28 97,and got a system put in it and the MMLP came out and the bass use 2 make my whip shake,but i no lots of what he talks about cuz ive had so many close friends get killed in drive buys lots i no that oded,i was hooked on pills,lot of what he says i feel, like i was the only white kid growing up in my part of chi,so ive been a stan sence be4 stan ever came out, EMIN3M 4LIFE.

Where do I start, right let’s try.... I’ve been lucky enough to see Eminem 3 Times now, first time was v festival where he was absolutely superb and stole the show. Second was at Wembley, where yet again he smashed it, and too bring out dre was unbelievable and the crowd went insane, personally thought, u are not topping that.... but now to twickenham, where I didn’t think he could possibly get any better or fulfill his thousands and thousands of fans, but how stupid was I haha, not only delivers the best show/concert I’ve ever been to and seen but upped the anti and performs the best I’ve ever seen and I’ve seen a few acts, not to finish there, but brings out not just 50 cent but ed sheeran also and the crowd just goes insane and lifted the roof off....

By far the best performer/performance I’ve been luckily enough to witness

I FINALLY got to see Eminem live after being a fan since day one. What can I say that will do the performance justice? He was AMAZING! Everything that I ever imagined in my mind an Eminem concert would be, well it was 10 times better than that. He was on point with his flow, the sound was awesome, the stage design was great too but honestly I didn't even pay that much attention to that because I was focusing on him the entire time. It was a long time coming for me to see him live and man did he exceed my expectations. Few shows have ever hit that top mark for me and wow he did it. There really are no words that I can say that will give him the credit he deserves for being an amazing artist and performer. All I can say is if you get a chance to watch him, DO IT! You will not be disappointed. I can't wait to be able to watch him again!

Marshal a.k..a Eminem, you are the best music star ever! I listen to your music everyday becuase I love how you put your anger and pain into the words of your songs, "I'm Sorry Mama, I never meant to hurt you, I never meant to make you cry" is one of the best emotional phrases you have used even though you think you have hurt them they will always love you and make sure you are safe. I will always buy your albums when they are released and even try and come to one of your concerts, hopefully meaning I get to meet you and ask for a picture with you and ask you nicely to sign my albums and posters I have. You are my favourite singer of all time. I am your biggest fan ever!

From Curtis

P.S. You are the best, hopefully I get to meet you and that would be the best day of my life I would never forget it and never forget you!

Eminem is epic. Eminem live is mind blowing! Live he performs a great variety of songs from all of his albums, mixing in some of his old stuff which brings feelings of nostalgia with his newer stuff which sounds great. He has got to be one of the best rappers of all time and the fact that he writes all his lyrics himself gives the songs depth and meaning. He's a lyrical genius! Watching him live is a roller coaster of emotions from jumping up and down and going wild to swaying your hands in the air with a sing-a-long. Even though Wembley held thousands he still performed like it was to each and every one of you, interacting with the crowd and showing off his great sense of humor. Eminem is amazing and I would highly recommend seeing him live, there's no feeling like it.

Posters (72)

Past concerts

DTE Energy Music Theatre

Sky Stadium

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