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Long-running French electro-industrial group, founded by audio-visual artist Phillipe Fichot and featuring operatic vocals by Éliane P.

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• Die Form ( French industrial/fetish band )
• Die Form ( Italian experimental / industrial band )

Die Form at Tempio Club, Strambino, Italy

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Die Form at Viridis, San Giuliano Milanese, Italy

• Material Introduction
• Dopo Heidegger
• Vehementem Imaginationem
• L'Unica Possibilità È Il Silenzio
• ERSCHWEIGEN

Die Form at Ex Manifattura Tabacchi, Bologna, Italy

Die form at art noveau, monza, italy, die form at unknown venue, arcore, italy.

• Blanc e Pur

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• Blanc e Pur ( 1 )
• Dopo Heidegger ( 1 )
• ERSCHWEIGEN ( 1 )
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Setlist insider: foster the people.

• Foster the People
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26/01/2018, Dimi BRANDS

2017 was almost like the year of Die Form: not only did this French couple release a brand new album, Baroque Equinox, they also celebrated their 40th anniversary of this musical project that still, after all these years manages to speak to our imagination. So, it was a great honour for the undersigned to be able to get his idols to talk.

Why did you use the album title ‘Baroque Equinox’? As always, there's a part of chance and/or intuition in the choice of the titles. The album was built gradually around images and first ideas which were developped over time. I work with associations of ideas and assemblages, a bit like the Surrealists. Then suddenly the title hit me, during the composition and colour treatment of the cover picture. It represents the excessive and abundant aspect of baroque and certain visions at the time of the equinox, when day and night are equal length, perfect symmetry and duality. Three years ago, Rayon X was an album that showed Die Form where back on track, after a 5 year hiatus. Die Form followed quite quickly with Baroque Equinox, are those all new songs, or still some songs that were already written in the period of absence before Rayon X? All the tracks were especially composed for this project except a few passages coming from “Musique Concrète”, a Die Form side-project and laboratory for new ideas. Although different, “Baroque Equinox” follows on from “Rayon X”, “Psychic Poison” is the transition point Thematically and musically, Baroque Equinox offers what we can expect from Die Form. Sound, lyrics, concept are always going hand in hand, is it still satisfying after 40 years to keep doing this, and is the inspiration in that case inexhaustible? It is always the question : imagine what may happen and will follow as a next project. There's always the desire, then doubts, obstacles and challenges, as well as the opportunity and interest in continuing to create, produce… And this idea to go beyond our own limits, not to redo the same thing, to explore other spheres, to dig deeper. All this being connected to our life. In opener and single Psychic Poison, Eliane sings ‘you don’t need a God’, and on Rayon X we found a track called ‘Politik’, are those songs Die Form attempts to criticise matters as politics and religion? Subjects that are very discussable these days, watching the news. How do you see the future for the world where we live today? This album was more inflenced by political and society subjects than the previous ones, even though these matters have already been broached in “Diktat”, “Nature Destruction”, “Inferno/Europa”, “Tote Kinder”… Undoubtedly because it's hard to remain indifferent to the terrible and anxiogenic news. I would like to be optimistic and positive, but the world seems to move inexorably/blindly towards a sombre future, towards chaos. ’L’Origine du Monde’ is a track that immediately catches the eye, not only because it’s good, but also for the title, which I inevitably connect with the painting from Gustave Courbet, which shows a close up of a vagina. A painting that suits the thought of Die Form in my opinion. Did you have that painting in mind, while writing this song, or what’s the story behind this song? Yes, of course. I already knew this small hidden Courbet's painting but I hadn't yet had the opportunity/chance to admire the original work. It was during an exhibition in Ornans (Courbet's native village) around “L'Origine du Monde”, showing works from ancient times to our days representing the woman's sexual anatomy, “that obscure object of desire”. Among others, works from Bellmer, Duchamp, Rodin, Masson, Magritte… were exhibited. Obviously, I was fascinated by this picture which belonged to Lacan and was kept hidden behind a curtain for years because of its taboo subject and its subversive potential. Beyond the subject matter, this painting is very modern, through its photographic framing : it's reduced to the essential, never been seen at that time. What makes it neither erotic nor pornographic, is the absence of face, of gaze… It is an anatomical beauty, at the same time hyperrealist and strange, almost mystical. Talking about art, the artwork Die Form uses is always top notch, you are a photographer yourself, and your eye for detail is wonderful. Haven’t you thought to bundle together all your photowork for a book or exposition? Yes, the next project on which I currently work will be a retrospective-book gathering unseen/unpublished images or reworked from the original negatives, some of which had disappeared from my memory. It will be accompanied by music on CD or vinyl. As a photographer, which photographer or artist is an inspiration for you? Hans Bellmer, Man Ray, J.P. Witkin at a certain period, the Surrealists, Paul Delvaux, Max Ernst, David Lynch, cinema, anatomical boards, erotic magazines… Not only visually but also in the music of Die Form, there’s a really high sexual attraction. Many bands have tried to bring that kind of sexual energy in their music, but most of them failed to bring something as exclusive as Die Form. Are there bands that in your opinion manage to bring something alike, or do you see yourself as ‘the one-eyed man in the kingdom of the blind’ in that matter? Beyond the shock and appearances, one of the points which distinguishes our projects from others is a certain aesthetic and poetic representation of desire and pleasure. Sexual energy is the energy of life, that’s a fact. But besides that, in which way is sexuality an influence, not only for your music, but in ordinary life? My work has always been linked to my life, and my life to my creations. I've never separated both. Die Form always showed a broad interest in the dark BDSM world, is this purely an artistic interest, or is it something you also practise or a way of life? No comment! Die Form doesn’t perfom live often, I was lucky to see you a few years ago at BIMFest in Antwerp. Now with the release of Baroque Equinox, are there some future shows to promote the new album? Not for the moment. It's a very different work to perform before an audience, and to manage to present an achieved show that we can be fully satisfied with. There are too many constraints and difficulties… 2017 is not only the year of the release of the new album, but it’s also the highlight of the 40th birthday of Die Form. That’s quite a lot, how do you look back at those years, and how do you see the future? To be precise, the 40th birthday is between 2017 and 2020, depending on what is considered as the “first” production. I don't like to look back, it often depresses me. I prefer (to try) to live in the present! The future is closely linked to our life, our experiences, we live from day to day. Songs as ‘Silent Order’, ‘Masochist’, ‘Slavesex’ are instant classics at dark dancefloors, and also are songs that pass every week in Belgium at a party. I guess it’s an impossible question, but which song makes you extra proud? Or to make it even more complex: name one song that people could see as the Die Form keytrack, one that sums up the whole idea of the project in one song. Could you explain why? I'm very pleased that our music and projects are still appreciated, in spite of the time elapsed, because I never expected this. I've always worked on the fringes of systems, beyond time, beyond fashion trends… It’s quite difficult, because Die Form is a kaleidoscopic multifaceted/multidimensional project of which cells divide continuously. I would hesitate between “Silent Order” and “Bite of God”, “L’Origine du Monde”, “Automatic Death”, “Masochist”… but also “Cantique”, “Experiment with Tears”, “Martyrium/Memorial to Hiroshima” in another register, and certain experimental and industrial tracks like “Unreal Cinema”, “Disabled Landscape”, “HURT”, "Tote Kinder"… Each track being linked to an album, a period, some performances, some images… Die Form started with industrial music, mixed with some minimal influences, to evolve in a more electro orientated style, but also with classical references. A broadminded musical point of view, so I’m asking myself which music you like listening to yourself? Some (new) artists you really want to recommend? In fact I listen to very (too) little music, but there's a lot of exciting things to discover.

Dimi BRANDS 26/01/2018

U kan de Nederlastalige versie van dit interview lezen bij onze collega's van Dark Entries Magazine!

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Other reviews from DIE FORM DIE FORM • Le DIE FORM nouveau est arrive! RAYON X!

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SOME EXPERIENCES WITH SHOCK

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Die Form France

Since many years, DIE FORM are well renowned for creating a type of music and image in league with the art form of "multimedia intervention" (combining music, performance, photography and cinema/video). Always motivated by their passions, Philippe Fichot and Eliane P. depict the ultimate beauty of love, at the boundary of the forbidden. ...   more

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Since beginning in 1977, French industrial innovators Die Form have built up a staggering body of work, ranging from goth club tracks to neo-classical explorations. Lyrically and visually confrontational, the group's music, videos, performances, and art books have revolved around controversial themes such as eroticism, necrophilia, sadomasochism, and bestiality. The group was founded by audio-visual artist Phillipe Fichot, and model/vocalist Éliane P. joined during the late '80s. Much of Die Form's material, including dozens of obscure cassettes, has appeared on Fichot's Bain Total label, but releases on labels like Metropolis and Trisol have expanded the group's audience. ~ Paul Simpson

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One-time Amazon driver to BMW PGA Championship leader - Get to know Matthew Baldwin

Take one look at his record at the BMW PGA Championship and you’d be forgiven for being surprised to see Matthew Baldwin in the lead – but perhaps even more so when you learn he was once an Amazon driver.

The 38-year-old Englishman is making his sixth appearance at the prestigious DP World Tour event, having made the cut on just one previous occasion. And that came last season, seven years on from his last appearance in 2016.

It’s hardly an illustrious record. But that is there to be improved upon, something he is on track to do with aplomb this week.

After opening with a flawless seven-under-par 65 on Thursday to hold a one-shot lead, Baldwin backed it up with a 66 in Friday's weather-affected second round to be clear at the top in the clubhouse as the halfway stage approached.

Not only that, his 13 under par total for his first two rounds equals the tournament record set by Paul McGinley in 2008.

Here, we fill you in on the surprise standout at the third Rolex Series event of the season.

The Fleetwood connection

Born in Southport, Lancashire, Baldwin is a product of Park Golf Club, just like Tommy Fleetwood and fellow DP World Tour winner Lee Slattery. His junior career was marked by two notable victories in 2004: the European Boys’ Team Championship, where he represented England, and the Jacques Léglise Trophy, representing Great Britain & Ireland. Baldwin played alongside Fleetwood – five years his junior – as his Lancashire foursomes partner for a couple of years, with the pair enjoying success together. Not only that, but the pair also went on to graduate from the European Challenge Tour in 2011. “I don’t think we ever lost,” said Baldwin of his partnership with his more celebrated countryman. “We played a lot of golf growing up, graduated the same year from Challenge Tour and obviously played a little bit out here. Our paths have gone slightly different but hopefully I can catch him up.”

I don’t think we ever lost - Baldwin on playing alongside Tommy Fleetwood for his county as a junior

Strong start to life on Tour followed by setbacks

Having turned professional in 2008, Baldwin would have to wait until 2012 for his maiden campaign with full playing privileges on the DP World Tour. But he would make up for lost time, by making the cut on both his U.S. Open and Open Championship debuts that same year. He comfortably retained his card in his opening three seasons, qualifying for the DP World Tour Championship in 2014, the same season he claimed his best finish of second at the Nelson Mandela Championship presented by ISPS HANDA. Injuries took their toll in 2015, and by 2016 he had lost his card. He was back on Tour for the 2018 season after coming through the Qualifying School and would have been back in 2021 via the Challenge Tour but missed out after the categories were frozen due to the Covid-19 pandemic.

Emotional triumph in milestone start 

But it wasn’t long before he was back on the DP World Tour, as a 19th-placed finish on the Challenge Tour’s Road to Mallorca Rankings in 2022 earned him promotion. And, in his seventh full season on Tour, he celebrated his 200th DP World Tour start in style by winning the SDC Championship at St. Francis Links in South Africa in March 2023. Dedicating his victory - after an 11-year journey to the winner's circle - to his late stepfather, Baldwin said: "It’s been a tough 12 months. My stepdad died last May, and this is for him." With one further top ten at the ISPS HANDA World Invitational presented by AVIV Clinics in Northern Ireland, he would finish 69th on the season-long standings.

His stint as a delivery driver

And yet that high might never have materialised. At times, he has considered quitting the game, including prior to the 2022 Challenge Tour season which led to his return to the DP World Tour. “I had three or four months working at Amazon driving a van just to see me through the winter before the Challenge Tour started in 2022,” he told reporters at Wentworth. “I learned a lot from that. I learned that there are other things that I could do in life, but I also learned that I really wanted to play golf.” After all, this was a sport in hich he had shown resilience in abundance – emphasised by his regular visits to the Qualifying School. Among many humorous tales as a delivery driver – a job fellow DP World Tour member Joe Dean also turned too at a time of need – one stands out. “I remember pulling up to a block of flats, jumped out the van, got in the back and all of a sudden I feel like I’m moving and I’m like ‘oh no, I forgot to put the handbrake on’. So I’ve ran out the back, ran around the side, yanked the handbrake up, still wouldn’t stop, yanked it more, it eventually stopped about this far short (inches) of a blue Fiesta."

Coming to form at the right time

With his exemption from his victory at the SDC Championship coming to an end at the end of this season, time was of the essence if Baldwin was to retain his card for 2025 only last week. After a run of four missed cuts in five starts earlier this summer, he arrived at the Amgen Irish Open ranked 107th on the Race to Dubai, just inside the top-114 provisional cut off for retention of DP World Tour membership. But after finishing tied 30th at Royal County Down to climb eight places, and with big points on offer this week, things are only looking up again. In fact, a strong result over the weekend will have him thinking of contesting the DP World Tour Play-Offs in the Middle East in November. Or, even better, he could be on the cusp of a maiden Rolex Series title on home soil. Only time will tell.

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