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Tina Turner: One Last Time Live in Concert

Compilation of Tina Turner's two final concerts at Wembley Stadium, recorded during her 'Twenty Four Seven' tour, and featuring classic hits, cover versions and new songs. Compilation of Tina Turner's two final concerts at Wembley Stadium, recorded during her 'Twenty Four Seven' tour, and featuring classic hits, cover versions and new songs. Compilation of Tina Turner's two final concerts at Wembley Stadium, recorded during her 'Twenty Four Seven' tour, and featuring classic hits, cover versions and new songs.

• David Mallet
• Tina Turner
• Joel Campbell
• 4 User reviews
• 1 Critic review

Top cast 14

• Musician (Drums)

• Musician (Piano)
• Musician (Saxophone, Keyboards, Percussion)
• Musician (Keyboards)

• Musician (Bass Guitar)
• Musician (Guitar, Harmonica, Vocals)
• Musician (Guitar)
• Background Vocalist …

• David Mallet (uncredited)
• All cast & crew
• Production, box office & more at IMDbPro

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Did you know

• Trivia This concert was broadcast live on CBS in the United States after Turner completed her Twenty Four Seven Would Tour.
• Soundtracks I Want to Take You Higher Performed by Tina Turner

User reviews 4

• ccthemovieman-1
• Jan 28, 2007
• July 15, 2000 (United States)
• United Kingdom
• Serpent Films Productions
• See more company credits at IMDbPro

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• Runtime 2 hours
• Dolby Digital

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Flashback: Tina Turner Plays the Final Encore of Her Last Concert

By Andy Greene

Andy Greene

Eighty years ago today, Anne Mae Bullock was born in Nutbush, Tennessee. The daughter of a poor farm worker, Bullock moved around the country a lot in her early years, eventually winding up in St. Louis where she met a charismatic bandleader named Ike Turner in 1957. He invited her to join his group, changed her name to Tina, and eventually married her.

The horrific physical and emotional abuse she endured during her two-decade relationship with Ike has been documented in several books and the 1993 biopic What’s Love Got to Do With It. But as Rob Sheffield points out in his essay commemorating her 80th birthday , she managed to launch an incredible solo career in the Eighties. Against all odds, she enjoyed enormous success even though she was a good two decades older than most everyone else in the pop world.

Tina Turner ‘s tours after the release of Private Dancer in 1984 packed stadiums all across the world, especially in Europe. She launched a farewell tour in 2000 that truly seemed like the end of her live career, but in 2008 she went back out at the age of 69 to celebrate her 50th anniversary in music. It was a show that would have exhausted someone half her age, but Turner got through 90 shows and amazed every single night.

The run wrapped up May 5th, 2009, at the Sheffield Arena in Sheffield, England. Like every show on the tour, that concert featured a cross-section of songs from her entire career, including “Proud Mary,” “River Deep, Mountain High,” “Goldeneye,” and “Private Dancer.” She finished off the night with the relatively obscure “Be Tender With Me Baby” from her 1990 LP Foreign Affair. Here’s video of the big moment captured by a fan in the audience.

In the years following this tour, Turner survived a brutal bout of intestinal cancer and kidney failure. She survived the latter ailment because her husband, Erwin Bach, gave her one of his kidneys, and she’s currently thriving. Another tour, however, remains very hard to imagine. But with everything this woman has survived, it’s impossible to totally rule it out. If anyone on this planet can strap on high heels in their eighties and hit the road, it’s her.

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One Last Time (2000)

One Last Time (Live In Concert)  is the official home video with a complete concert from Tina’s  Twenty Four Seven Tour , which was the highest-grossing tour in 2000. It was filmed with 18 different cameras at her final two concerts at London’s Wembley Stadium in July. As a special bonus, it includes exclusive backstage interviews and behind the scenes footage. The video was re-issued in 2007 on a  3 DVD Box Set  and in 2013 on Blu-ray disc, together with the  Celebrate!  home video.

Director : David Mallet Photographer :  Herb Ritts Release : November 2000 / 2007 (Reissue) / 2013 (Blu-ray) Label : eagle Format : VHS / DVD / Blu-ray Charts : USA: #21 Certifications : UK: 1x Gold, 1x Platinum / Germany: 1x Gold Time : 120 Min.

• Work Like You Don’t Need The Money
• I Want To Take You Higher (Live) 3:50
• Absolutely Nothing’s Changed (Live) 3:43
• A Fool In Love (Live) 2:37
• Acid Queen (Live) 1:31
• River Deep, Mountain High (Live) 4:09
• We Don’t Need Another Hero (Live) 4:58
• Better Be Good To Me (Live) 7:46
• Private Dancer (Live) 7:34
• Let’s Stay Together (Live) 5:24
• What’s Love Got To Do With It (Live) 9:01
• When The Heartache Is Over (Live) 4:22
• Baby, I’m A Star (Live) 4:14
• Help (Live) 8:27
• Whatever You Need (Live) 5:24
• Sitin’ On The Dock Of The Bay (Live) 1:36
• Try A Little Tenderness (Live Tina & John Miles) 5:16
• I Heard It Through The Grapevine (Live) 4:59
• Addicted To Love (Live) 5:26
• The Best (Live) 4:51
• Proud Mary (Live) 9:25
• Nutbush City Limits (Live) 7:00
• Twenty Four Seven (Live) 6:27
• Backstage Interview / Behind The Scenes Footage

Previous:  Celebrate!  (1999)

Back to:  Videos

Next:  All The Best  (2005)

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Compilation of Tina Turner's two final concerts at Wembley Stadium, recorded during her 'Twenty Four Seven' tour, and featuring classic hits, cover versions and new songs.

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Tina Turner: Live In Amsterdam/One Last Time (2 DVD Set)

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Product Description

Bonus Features: Exclusive Backstage Interview Behind The Scenes Footage

Product details

• Aspect Ratio ‏ : ‎ 1.33:1
• Is Discontinued By Manufacturer ‏ : ‎ No
• MPAA rating ‏ : ‎ NR (Not Rated)
• Product Dimensions ‏ : ‎ 7.5 x 5.5 x 0.5 inches; 4.48 ounces
• Item model number ‏ : ‎ Relay Time: 260 min; 2Videos
• Media Format ‏ : ‎ Multiple Formats, Color, Collector's Edition, Special Edition, DTS Surround Sound, Dolby, NTSC
• Run time ‏ : ‎ 4 hours and 20 minutes
• Studio ‏ : ‎ Eagle Rock Ent
• ASIN ‏ : ‎ B000B5Y0OG
• Number of discs ‏ : ‎ 2
• #24 in Contemporary R&B (CDs & Vinyl)
• #33 in Music Videos & Concerts (Movies & TV)
• #60 in Soul (CDs & Vinyl)

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Tina Turner: One Last Time, Live in Concert

Beyonce may be hot – OK, she is – but Tina Turner was the firestarter, the first to represent and generate pure sensuality on stage, to combine sexy songs and a throaty delivery with a tough ‘tude and a totally liberated dance style, complemented by the Ikettes, foxy dancers who could knock you over with a thrust of their synchronized hips.

Tina’s career ranged some 50 years, from her start as a teenaged partner to the nasty blues guitarist and band leader, Ike Turner, to her escape from him and into a brilliant second life as a solo star. She did several farewell concert tours, including One Last Time in 1999, when she was the sexiest 61 year-old imaginable, but would continue to say goodbye on stage until 2009.

Much of Tina’s reign as the acclaimed “Queen of Rock” can be seen here on Qello. Originally, I thought I’d be recommending Rio ’88, when she was in her saucy prime, playing for an adoring mass of fans in Brazil. As it turns out, she left her dancers home and didn’t perform one of her biggest hits, “Private Dancer.” She’s still great, but I’d suggest the aforementioned One Last Time, in which she brings on not the usual three dancers, but five, performs all her solo  hits, and digs back to 1960 for “A Fool in Love,” once again reminding that, long before Fantasia on American Idol, she had cut the definitive version of that scorching number. (Fantasia, I should add, did an incredible job on the song.)

But, speaking of Ike & Tina hits, any fan of hers should also check out the oddly titled  Legends in Concert: Live at the Big TNT Show . This is, actually, a compilation of Ike & Tina Revue performances from a variety of programs. Only four of the 18 tracks are from the TNT, a 1966 all-star revue. The rest are from the Ed Sullivan show, an Italian show, Playboy After Hours, and two other, unidentified television programs. The result is repeat performances of “I Want to Take You Higher” and “Proud Mary.”

Still, it’s fascinating to chart the changes in Tina’s performances—not to mention in her hair, her outfits (skimpier and skimpier; tighter and tighter), and her Ikettes. Actually, Ike Turner chose the backup singers and dancers, and controlled all the women with an iron hand, as I learned when I profiled them for a Rolling Stone cover story in 1971 (the year of their “Proud Mary”).

It was a great day in rock and roll history when Tina made her escape, and began to live out her Wildest Dreams. And that’s another concert, from 1996 in Amsterdam, that’s worth a viewing. As always, Tina is energetic, engaging, entertaining—and hot.

Check out the various Tina Turner programs below on Qello, and enjoy this special excerpt from  Legends in Concert  as she and Ike perform the Beatles' classic  Come Together  live at the Playboy Mansion in 1969. 

TINA TURNER: One Last Time Live In Concert & Celebrate!

TINA TURNER: ONE LAST TIME LIVE IN CONCERT & CELEBRATE! [2000 / 1999 / 2014] [Blu-ray] [UK Release] Tina Turner’s Ultimate Concerts of Total Celebrations!

‘ONE LAST TIME LIVE IN CONCERT’ [2000] is the definitive Tina Turner live concert featuring all her hits staged on a grand scale. Filmed at Wembley Stadium during the “Twenty Four Seven Millennium Tour 2000.” A state-of-the-art stage set, 18 cameras, one of the world's top directors (David Mallet); combined with Tina Turner's usual powerful performance – make this, her final UK Concert, an event never to be forgotten.

‘CELEBRATE!’ [1999] The most indestructible original voice of soul music celebrates six decades on planet Earth! ‘CELEBRATE!’ includes Tina Turner’s live 60th birthday concert, featuring duets with Bryan Adams. Also clips of archive performances with Cher, Rod Stewart, David Bowie and Mick Jagger. Plus a string of special dedications to Tina Turner by a host of stars, including: Paul McCartney, Bono and The Edge, Ricky Martin, Mariah Carey, Sting and Al Green. Intercut with interviews with the birthday girl herself – this is a true celebration of Tina Turner at her best.  

ONE LAST TIME LIVE IN CONCERT [2000]

Artist: Tina Turner, Ivona Brnelic (Dancer / Singer), Clare Louise Turton (Dancer / Singer), Solange Guenier (Dancer / Singer), Jack Bruno (Musician Drums), Joel Campbell (Musician Piano), Euge Groove (Musician / Saxophone / Keyboards / Percussion), James Earl Jones (Announcer voice), Ollie Marland (Musician Keyboards), Warren McRae (Musician Bass Guitar), John Miles (Musician Guitar / Harmonica / Vocals) and James Ralston (Musician Guitar)                

Director: David Mallet 

Producers: Carol Brock, Celia Moore, Dione Orrom, Rocky Oldham and Roger Davies

Cinematography: Barrie Dodd (Director of Photography)

CELEBRATE! [1999]

Artist: Tina Turner, Ivona Brnelic (Dancer), Clare Louise Turton (Dancer), Solange Guenier (Dancer), Priscilla Samuels (Dancer), Will Smith, Ricky Martin, Oprah Winfrey, Mariah Carey, Sting, Cher, Al Green, PP Arnold, Bill Wyman, Phil Spector, Mark Knopfler, Bob Geldof, Keith Richards, Martyn Ware, George Miller, Bryan Adams, Paul McCartney, David Bowie, Annie Lennox, Donnie and Marie Osmond, Dolly Parton, Gloria Rueben and Bono & The Edge  

Director: Barry Ryan

Producers: Barry Ryan and Dominic Smith

Cinematography: Geraint Evans (Director of Photography)

Image Resolution: 1080i / 1080p / 480i

Aspect Ratio: 1.78:1

Audio:  Engliish: 2.0 LPCM Stereo Audio  English: 5.1 DTS-HD Master Audio

Subtitles: English SDH, French and Spanish

Region: All Regions

Running Time: 235 minutes

Number of discs: 1

Studio: Eagle Vision

Andrew’s Blu-ray Review: ‘ONE LAST TIME LIVE IN CONCERT’ was filmed at Wembley Stadium during the “Twenty Four Seven Millennium Tour 2000,” this is a state-of-the-art stage set, 18 cameras, one of the world’s directors David Mallet; combined with Tina Turner’s usual powerful performance and make this, and event never to be forgotten. It also shows a typical American giant spectacle and spared no expense. The best and the biggest are the categories in which Americans think obviously, when it comes to its foreign or self-presentation. The stage design is simply gigantic. The lightshow insanely expensive, especially from the special effects such as crane, hoist, explosions, fireworks and fire do not even talk.

We have a euphoric announcement by the celebrated American actor James Earl Jones, and supported by seven musicians, including John Miles, two backup singers and three dancers’ spreads the diva again from all their musical life before the well-humoured, appeared before mass audience. No matter what stage of this several decades spanning success story Turner Turner light up as part of the Gala, the reactions from the audience are always euphoric.

‘ONE LAST TIME LIVE IN CONCERT’ includes an entire Tina Turner show from the era, and also bringing the native of Tennessee singer, as one knows it from her, even highly idiosyncratic versions of several numbers that are also known by other artists here. As befits this kind of occasion, Tina Turner plays tunes from throughout her career. From the “Twenty Four Seven Millennium Tour 2000,” we find four tracks: the title tune as well as “Absolutely Nothing’s Changed;” “When the Heartache Is Over” and “Whatever You Need.” We also get a mix of numbers from her solo years. Not surprisingly, 1984’s comeback smash Private Dancer provides the most material, as it gives us five songs: “Private Dancer;” “What’s Love Go to Do With It;” “Let’s Stay Together;” “Better Be Good to Me” and “Help!” We also discover “We Don’t Need Another Hero” from the 1985 Mad Max Beyond Thunderdome soundtrack plus “The Best” off the 1989’s “Foreign Affair” CD Album.

For the most part, I felt the set included a nice variety of material. The appearance of the “Twenty Four Seven Millennium Tour 2000,” kept the show from becoming nothing more than a total oldies act, but she clearly knew what the audience wanted and she gave it to them. Since a lot of her more recent work has been pretty dull, that’s a good thing. I respect artists who attempt to keep their shows lively, but the songs need to support their appearance.

None of the “Twenty Four Seven Millennium Tour 2000” songs seemed tremendously memorable, but they came across more strongly than the “Wildest Dreams” efforts did. At least on this tour, Tina had the good sense to go out on top. Whereas Amsterdam ended on a somnambulant note, “Twenty Four Seven Millennium Tour 2000” closed this concert with a bang that better suited Tina’s fiery personality. For the video presentation of the concert, we found a good but unexceptional staging. Happily, the video offered a better balance of elements than did Amsterdam; also directed by David Mallet, the latter concentrated too highly on the dancers and Capello and appeared slightly bland. ‘ONE LAST TIME LIVE IN CONCERT’ did nothing inventive or original, but it captured the essence of the performance to a reasonably positive degree. But despite this, Tina Turner, is at least most authentic, the spectacle is always when Ms. Tina Turner concert is a no frills concept, but with the band included background singers share the stage and just sings. All in all it is just pure dynamic music!

ONE LAST TIME LIVE IN CONCERT MUSIC TRACK LIST

I Want To Take You Higher [Tina Turner]

Absolutely Nothing's Changed [Tina Turner]

Fool In Love [Tina Turner]

Acid Queen [Tina Turner]

River Deep, Mountain High [Tina Turner]

We Don't Need Another Hero (Thunderdome) [Tina Turner]

Better Be Good To Me [Tina Turner]

Private Dancer [Tina Turner]

Let's Stay Together [Tina Turner]

What's Love Got To Do With It [Tina Turner]

When The Heartache Is Over [Tina Turner]

Baby I'm A Star [Stacy Campbell and Lisa Fischer]

Help [Tina Turner]

Whatever You Need [Tina Turner]

Sittin' On The Dock Of The Bay [Tina Turner]

Try A Little Tenderness [Tina Turner and John Miles]

I Heard It Through The Grapevine [Tina Turner]

Addicted To Love [Tina Turner]

The Best [Tina Turner]

Proud Mary [Tina Turner]

Nutbush City Limits [Tina Turner]

Twenty Four Seven [Tina Turner]

Blu-ray Image Quality – ‘ONE LAST TIME LIVE IN CONCERT’ presents us with image variation throughout the concert. A few wider shots came across as slightly soft, but those instances seemed minor. Overall, the image remained crisp and well defined. Jagged edges and moiré effects caused no significant problems, and I saw no signs of edge enhancement. One infrequently used overhead camera showed some jaggiest, but it only popped up a few times, so it wasn’t a major issue. Source flaws seemed absent. I saw no video noise of digital artefacts, and the material remained nicely clean and clear throughout the concert. Contrast looked a little off at times, as parts of the show were somewhat too bright. This issue really did seem mostly related to the daytime factor; once it became dark, I saw less of those concerns. Black levels appeared acceptably deep and rich, and shadow detail was fine for the most part. Except for the mildly excessive brightness, those elements of the image were fairly well balanced. Ultimately, 'One Last Time' presented a good picture; it definitely could have been so much better, but it seemed sort of satisfying.

Blu-ray Audio Quality – The 5.1 DTS-HD-Master Audio quality sounded fairly solid. Vocals appeared natural and distinct. They featured a little “stadium reverb” to give us the correct sense of place, but the mixers didn’t go nuts with this element, so Tina Turner’s voice remained crisp and warm. A few times when she Tina Turner shouted at the crowd, her declarations sounded distorted, but that problem didn’t affect her singing. All instruments seemed clear and bright, and they showed good fidelity. At times they got a little buried in the mix, especially since we heard that illogical crowd noise in the front, but usually the instruments came through effectively. Only some pyro effects brought it briefly to life; no musical elements came from the subwoofer. The mix still displayed decent low-end most of the time, but I felt it lacked the appropriate depth and oomph. Overall, the track remained quite good, and I had no major complaints with it, but it fell short of greatness.

Blu-ray Special Features and Extras:

Special Feature: Backstage With Tina [2000] [1080p] [1.78:1] [17:50] This special feature is in conjunction with the ‘ONE LAST TIME LIVE IN CONCERT.’ We get to see the massive of fans arriving at Wembley Stadium and are asked for their favourite Tina Turner song, as well as seeing Tina Turner and here entourage on the private plane ready to land at Heathrow Airport, as well seeing all the background crew getting everything set up for the concert. It also features snippets of the sell-out concert, and some behind-the-scenes material and shots of fans, and interview snippets with Tina Turner and discusses her career and her final tour, as well as her love for Wembley Stadium and her British fans that started her career. As we near the end of this special feature, Tina Turner felt the final concert at Wembley Stadium was a way of going out in style, because 60 years of age, it was time to bow out gracefully and a fitting end to her illustrious long career. Overall, the piece offers a couple of decent moments and Tina Turner’s “Backstage With Tina” offers an insight into who is the real Tina Turner.

Andrew’s Blu-ray Review: ‘CELEBRATE!’ [1999] Here we have Eagle Vision presents another excellent musical programme, although this time it's not completely a concert presentation. CELEBRATE! is a Tina Turner 60th Birthday Party Concert that includes some of her biggest hits such as "What's Love Got To Do With It." I believe this was also broadcast as well, but here on this amazing Blu-ray we get the full experience with a 2.0 LPCM Stereo Audio and 5.1 DTS-HD Master Audio, but I felt the 2.0 LPCM Stereo Audio had the slight edge.

Tina Turner’s ‘CELEBRATE!’ Concert is the most indestructible original voice of soul music that celebrates six decades on planet earth! CELEBRATE! includes Tina Turner’s live 60th Birthday Concert, featuring duets with Bryan Adams. Also clips of archive performance with Cher, Rod Stewart, David Bowie and Mick Jagger. Plus a string of dedications to Tina Turner by a host of stars, including Will Smith, Cher, Ricky Martin, Oprah, Mariah Carey, Sting, Al Green, Bill Wyman, Phil Spector, Mark Knopfler, Bob Geldof, Paul McCartney, David Bowie, Annie Lennox, Dolly Parton and Bono and The Edge. Intercut with interviews with the birthday girl herself and this is true celebration of Tina Turner at her best.

Tina Turner has been a remarkable talent in rock and roll for quite some time. In 1999, there was a concert in London to celebrate what was then her 60th birthday. This amazing Blu-ray release is a fantastic showcase for not only Tina Turner’s talent, but an incredible line-up of well-known names that joined her to celebrate. As Tina Turner takes the stage, she remarks "It's Thunderdome all over again" and that's an apt comparison for the venue. Tina Turner is in a stage at the centre of the audience with the musicians behind her, but it's nearly a circular setting. Tina Turner has backup dancers, and her band includes Bryan Adams as well as the backing of the Royal Symphony Orchestra. Tina Turner is also joined by the London Gospel Choir for the song “Whatever You Need.”

Is it a good concert? I really think Tina Turner doesn't know how to not put on a bad concert. I think there are hardly any entertainers who give as much heart and soul on stage as she does, and that certainly shows again here in this remarkable performance as a very talented group of musicians and dancers provide additional support. ‘CELEBRATE!’ is a damn fine birthday concert, but seems a little too stage managed and, therefore, lacks some of the passion we've come to expect from Tina Turner. If you've never seen Tina Turner live, you need to see this as the next best thing. Definitely a great bonus for her amazing dedicated fans.

CELEBRATE! MUSIC TRACK LIST

What’s Love Got To Do With It [Tina Turner]

Steamy Windows [Tina Turner]

Don’t Leave Me This Way [Tina Turner]

Let’s Stay Together [Tina Turner]

Talk To My Heart [Tina Turner]

Hold On I’m Coming [Tina Turner]

It’s Only Love [Tina Turner and Bryan Adams]

Without You [Tina Turner and Bryan Adams]

Happy Birthday Tina! [ Bryan Adams and Band]

All The Woman [Tina Turner]

Blu-ray Image Quality – The 1080p image quality of the ‘CELEBRATE!’ concert is totally outstanding as well in comparison to most other concerts that have been released on the inferior DVDs. The 1.78:1 presentation is actually anamorphic, and the picture quality is often fantastic during the concert, with perfect sharpness and great detail. Colours are also excellent, with warm colours from the lights washing over the stage, but still looking crisp on this awesome Blu-ray presentation. I didn't notice anything in the way of problems such as pixilation or shimmering. But overall it is totally sharp, well-defined presentation that was a pleasure to view.

Blu-ray Audio Quality – As the programme goes back and forth between concert footage and clips about Tina Turner, the sound for the other footage is nothing elaborate. The concert footage, on the other hand, sounds absolutely fantastic. Offered in both the 2.0 LCPM Stereo Audio and 5.1 DTS-HD Master Audio, this was an instance where I felt that the 2.0 LCPM Stereo Audio version sounded noticeably, if not hugely, fuller and richer sound. Tina Turner's fantastic voice sounds very natural and clear, and the music comes through very well. With the 5.1 DTS-HD Master Audio the surround sounds are often just used for crowd noise; the majority of music is via the front speakers. Although I probably wouldn't put this in the list of most impressive concert for audio presentation, but it certainly delivered very pleasing audio quality and I found it an extremely enjoyable.

Special Feature: Promo Videos : Here we get to view two brilliant stunning videos and they are as follows:

When The Heartache Is Over / Whatever You Need [2000] [1080p] [1.78:1] [8:22]

Please Note: Both these music videos run as one complete music video.

Finally, the sound for both gigs is selectable in either in 2.0 LPCM Stereo Audio and 5.1 DTS-HD-Master Audio. The sound is phenomenal and a superb loud-blast by re-mastering by Eagle Vision. Both shows have been by the film-material re-optimised the best way. The ‘ONE LAST TIME LIVE IN CONCERT’ from Wembley Stadium at the time it was  recorded by the best cameras available in 2000, though it has a bit of weakness by the sharpness of the images and also by the colours. But of course both shows are a delight, but in my opinion the ‘CELEBRATE!’ Concert is the best of the bunch by far, but despite this, Eagle Vision has done a brilliant job for what was available, total respect! Highly Recommended!

Andrew C. Miller – Your Ultimate No.1 Film Aficionado  Le Cinema Paradiso  United Kingdom

Review date: 22 Jun 2020

Tina Turner: One Last Time

Saturday, Oct. 22, 2022 at 9 p.m. on KPBS TV / On demand now with KPBS Passport!

In 2000, Tina Turner’s concert at London’s Wembley Stadium was filmed with a state-of-the-art stage set, 18 cameras, and one of the world’s top directors. Turner’s inspiring, powerful performance made it an unforgettable event. 

Blasting out hit after hit and taking the audience through her amazing four-decade career, Turner once again proved herself to be “simply the best.” Watching the show reveals why she set records for the largest paying audience for a solo performer and for one of the highest-grossing tours of all time.

“One Last Time” will stand as a cherished, collectible performance experience for her millions of fans. 

Watch On Your Schedule:

This film is available on demand with KPBS Passport , a benefit for members supporting KPBS at $60 or more yearly, using your computer, smartphone, tablet, Roku, AppleTV, Amazon Fire or Chromecast. Learn how to activate your benefit now .

With the PBS Video App , you can watch your favorite and local station shows. Download it for free on your favorite device. The app allows you to catch up on recent episodes and discover award-winning shows.

Premiered February 2021. Producer: Teamwork Productions, Inc.

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Tina Turner: One Last Time

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One Last Time

Concerts and tour dates, fans also follow, about one last time.

Tina Turner: One Last Time

In 2000, Tina Turner’s final UK concert was filmed at London’s Wembley Stadium with a state-of-the-art stage set, 18 cameras, and one of the world’s top directors. Turner’s inspiring, powerful performance made it an unforgettable event. Blasting out hit after hit and taking the audience through her amazing four- decade career, Turner once again proved herself to be “simply the best.”

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‘The Grand Tour’ presenters share the most memorable moments from the show ahead of the final episode release

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After five action-packed seasons, 41 countries, and 187 cars, The Grand Tour is coming to an end, with the final feature-length episode premiering on Prime Video on 13 September .

In the special episode, titled The Grand Tour: One For The Road , Jeremy Clarkson, Richard Hammond, and James May head to Zimbabwe in three cars they’ve always wanted to own: a Lancia Montecarlo, a Ford Capri 3-litre, and a Triumph Stag. As they embark on a stunning road trip through Zimbabwe, they say an emotional farewell to their lives together on The Grand Tour .

Clarkson, Hammond, and May spoke about their favourite memories from the series, along with how they chose the cars for their final adventure, and why they wanted the last episode to be a “thank you” to the fans.

How did you come up with the location for the final episode?

Jeremy Clarkson: Although we’ve done some very memorable and very enjoyable specials over the years – like the Middle East and Mongolia ( The Mongolia Special – Survival of the Fattest, 2019 ), and a number of others – the three of us have always agreed that Botswana was our favourite special, probably because it was our first, and so there is nostalgia to that.

Richard Hammond: We knew we wanted to end up on Kubu Island. Beyond that, I think we may have benefited a bit from the experience of making shows through lockdown. We had to strip it back a bit, and it made us think, “Okay, the big bangs and stuff are great, but hang on a minute, let's remember what's at the heart of this show.” And so that was to the fore when we came to say goodbye.

How did you choose the cars?

Jeremy Clarkson: The premise of the original Botswana film was: why, when you leave London and move to Surrey, do you always buy yourself a 4x4? You don’t need one. To prove this, we decided to drive three perfectly ordinary cars across Botswana. I've always liked the premise that cars are much tougher than you think they are. They can take so much punishment; people don't believe how much their car can take before it expires.

So, we did a similar thing this time: the three that we took to Zimbabwe were, on the face of it, ridiculous, but as you can see in the film, they survive. The concept was just driving cars we liked.

James May: I said all along we mustn’t play it for gags, we must have things that we’re genuinely curious about and always wanted. That's always risky with things like cars because inevitably, there's a car you really loved as a kid, but when you get it, it’s crap because it’s 40 or 50 years old.

So, it was a bit risky, but we had to be genuinely invested in our choices because we're not actors. We can't pretend to love things. I know Jeremy's story about looking through the dealership window longingly at the Lancia as a young man is true because I used to go past the same place, and I know exactly what he's talking about.

I had a friend whose parents had a Triumph Stag when I was a kid, and I just thought they seemed amazing. The Stag has a reputation as one of the most unreliable cars ever made but weirdly on this, it kept going all the way through.

Did it feel emotional to film the finale?

Richard Hammond: Not just for the three of us but the entire group. We've worked together for decades and we've been through good times and bad. We've seen each other in jungles covered in leeches, exhausted and grumpy in tents and boiling heat, elated in the most beautiful cities in the world. We’re a great big dysfunctional family, so there were a lot of tears.

Jeremy Clarkson: I'm not saying this in a derogatory way by any means, but James has the emotions of a stone. He just doesn't do emotions, so there were no tears from him. Hammond, yes. I was surprisingly unemotional in a weird way because I can see James and Hammond any time I want to, they’re only a phone call away, and I’m sure we will. And I’ve done enough of the travel, I was worn out by it.

Where I would have been emotional was saying goodbye to the crew because most of them started with us. There's a photograph taken on Kubu Island of Russ Edwards and Casper Leaver (Camera Operator) and Andy Wilman (Executive Producer), who were there on the original crew, and they're still with us. You can’t say that about any other show.

What did you want to achieve with the final film?

James May: I remember saying in an early meeting that it was important that we actually genuinely enjoyed our cars and didn't allow it to descend into too much bickering or aggressive pranking of each other. I also didn't want to be too introverted, emotional or navel-gazing; it had to be joyous. We had to come together and acknowledge our shared enthusiasm. It's quite a tricky balance to strike, I think because it's in our nature to be horrible about each other. And there are a few moments like that, like when I say, “I’m deleting their numbers from my phone” as soon as it’s over. That’s us being quite British and undermining our own feelings, which I think is the right thing to do because that’s genuinely us.

Richard Hammond: We wanted to say “thank you” to the audience. This is the biggest thing to happen in my life ever. It changed my life, it affected my daughters’ lives, my whole family, everything. And that's down to the audience.

I think you will see that this is each of us genuinely saying “thank you”, and the way Andy Wilman put that together – he’s the master behind it. Andy Wilman didn't want it to end on exploding things; he wanted it to be sincere. You don't put on a comedy clown suit to say “thank you”, do you?

What have been the highlights from ‘The Grand Tour’ journey?

Jeremy Clarkson: I have always loved driving into an African city. There’s a buzz in African cities that you don’t get anywhere else. Harare — wow, what a singing, melting pot of busyness and joy that was. Kampala’s the same.

I think the most surprising location in all the years was Mongolia (The Mongolia Special – Survival of the Fattest, 2019). That was incredibly beautiful. It’s carpeted – and I mean completely carpeted – by thyme, rosemary and sage. As you drive along, you just get the smell all day, constantly. And then we drove into a pine forest, and I can still remember that. Mongolia was the nicest smelling country I've ever been to, and the terrain is also visually stunning. For six days, we drove in pretty much a dead straight line, and we never saw a cloud in the sky, a farm animal, a person, a telegraph pole or a pylon – there was simply no evidence that man had ever existed.

Richard Hammond: We’ve always loved Africa, waking up in jungles. I remember in Syria in the desert, we were all staying in this massive tent with about 50 of us, and it was boiling, and I was like, “sod this” so James and I grabbed our gear and decided to sleep in the desert instead. Unfortunately, the incredibly strong and mind-numbingly cold wind shot straight into the sleeping bags. It was just the worst night. We were freezing to death.

There were lots of nights like that. Or I remember lying in a tent in Bolivia at about 35 degrees, full of cockroaches that kept me awake all night. And if it wasn’t the cockroaches, it was the drug runners on mopeds going up and down the dirt track passes.

I remember chasing one of Pablo Escobar’s hippos when we were drunk late at night, trying to get a picture on my phone before thinking, “Hippos are quite dangerous; I probably shouldn’t be doing this.” Lots of stupid, wonderful, privileged moments.

James May: I remember in Chile – or maybe Argentina – staying in a shepherd's hut with simple embroidered bedspreads. I shared a room with Hammond, and it was like an adventure from childhood. It was like going to a holiday cottage somewhere, and it was really brilliant. We did some awful camping all over the world, but it was still quite exciting waking up in the desert or in a rainforest. I wouldn’t have done that were it not for the show.

What we've just done, going across Zimbabwe and into Botswana, I don't know if you could even organise that as a holiday. You could probably pay a posh holiday agent to put that together for you, but it would be extremely expensive, so I’ve seen a lot of places that I simply wouldn’t have done if it hadn't been part of my work.

I’ve thought constantly over the years, “How the hell did this happen?” It really is an enormous privilege, or an enormous stroke of luck, however you want to look at it. Being able to do that and making a living out of it whilst being on the telly and going to foreign places, that blew my mind – it still staggers me.

When is the final ‘The Grand Tour’ episode being released in 2024?

The final The Grand Tour episode titled The Grand Tour: One for the Road will be released on Prime Video on 13 September 2024.

Find out everything you need to know about The Grand Tour ahead of the final episode .

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宇多田ヒカル、6年ぶりのツアーが終幕「これからの25年もいい時間になるといいな」【オフィシャルレポート】

24/9/2(月) 11:30

宇多田ヒカル『HIKARU UTADA SCIENCE FICTION TOUR 2024』9月1日 神奈川・Kアリーナ横浜 （Photo：岸田哲平）

フォトギャラリー (32件)

宇多田ヒカルの6年ぶりとなるツアー『HIKARU UTADA SCIENCE FICTION TOUR 2024』の最終公演が、9月1日に神奈川・Kアリーナ横浜で開催された。

本ツアーは日本国内7カ所に加え、初のアジア単独公演となった台北公演（2万人動員）・香港公演（2万4千人動員）の計9カ所18公演を敢行。国内外ツアー総動員数は25万8千人と過去最大級のツアーとなった。

最終公演には約1万8千人のファンが訪れ、開場前から物販やフォトスポットにも長蛇の列ができるなどの人気ぶり。ステージ上は、どこかに存在しそうな惑星を彷彿とさせるセットや、宇宙船のコックピットのような効果音が開演前から会場に流れ、すでにその世界観に引き込まれそうな様子だった。

開演時間になると、オープニングの演出ともにスポットライトに照らされた宇多田の姿が。ファンからは大きな拍手と歓声送られ、キャリアの始まりのうちのひとつとも言える楽曲「time well tell」から、デビュー25周年を記念したライブが幕を開けた。

続いて、「Letters」「Wait & See 〜リスク〜」「In My Room」を披露し、MCでは「みんな、やっとあえたね！　今日はゆっくりしていって」とファンに呼びかけ。「光 (Re-Recording)」では、赤く強さのこもった照明と共に力強い姿を垣間見せながら、続いて「For You」と「DISTANCE (m-flo remix)」をメドレーで披露「traveling (Re-Recording)」では、冒頭のイントロで観客のボルテージは一気に上がり、サビではコール＆レスポンスもあった。

「First Love」ではより客席に近いBステージに移動し、周辺をファンに囲まれながらのパフォーマンスも印象的なものに。「Beautiful World」「COLORS」「ぼくはくま」「Keep Tryin'」「Kiss & Cry」と披露すると、「誰かの願いが叶うころ」で幻想的な演出と共に歌の世界に引き込まれたかのようなムードで、前半パートが終了した。

後半は、2022年コロナ禍にリリースされた楽曲「BADモード」からスタート。レインボーカラーのドレスに身を包んだ宇多田が登場すると、会場からは再び大きな拍手が。「あなた」を力強くパフォーマンスし、続くMCでは「そうか今日が最後だったって突然思い出しちゃった。寂しいな」。「今回は私の25年間を祝ってもらうんじゃなくて、みんなと一緒に歩んできた25年間を振り返ったりお祝いしたり、お疲れ様って言えるといいなと思って。みんなが来てくれないと、できなかったし集まれてこうやって同じ気持ちになれて嬉しいです。ありがとう」。

「25年もあれば、いろんなことみんなあったと思うけど、楽しかったこともよかったことも嫌だったことも、全部一歩ずつ同じくらい自分をここに連れてきてくれたと思ったら、悪くないないいじゃんって思えるようになって。生きてると望んだものが必ずしも自分とっていい事だとは限らないし、望まなかったことがすごく自分を成長させてくれたり、何かを失ったりしても……失ったてことは与えられてたんだなって気づかされたり、失ったものはずっと心の一部になるって知ったり、与えられなかったものも、自分をすごく豊かにしてくれたなってこともわかったし、与えることも喜びとか満たされる気持ちも分かったし。すごく私はいい25年だったなと思うから、みんなもそうだといいなと思うし、これからの25年もいい時間になるといいなと思う。とりあえず今は最高ってことで。みんな、おめでとう！」とファンに向けて語った。

そして「何色でもない花」「One Last Kiss」「君に夢中」を披露し、本編が終了。アンコールでは、最新曲「Electricity」を披露。最終公演のスペシャルゲストとして、Netflix『First Love 初恋』の出演や、「何色でもない花」のコレオグラフ、番組共演などでも交友のあるアオイヤマダと、高村月のユニット「アオイツキ」がダンサーとして出演。また同曲にサックスとして参加しているMELRAWも登場し、ファイナルならではのスペシャルステージを披露した。

MCでは「次で最後じゃないんだな今日は、今日はもうちょっと付き合ってもらえるかな？」という一言に続いて最終公演のサプライズで「Stay Gold」を披露。そしてラストの曲「Automatic」を披露し、黄色いソファーに座った状態からのパフォーマンスは、当時社会現象ともなったミュージックビデオを彷彿とさせる演出で会場の熱気は最高潮に。鳴りやまぬファンから拍手と共に終演し、「HIKARU UTADA SCIENCE FICTION TOUR 2024」は終幕。名残惜しい空気と共に、会場は静けさに包まれた。

本公演の模様は「U-NEXT」で11月10日(日) 16時30分から放送予定。また12月11日(水) には映像作品としてリリースされる。完全生産限定盤には全公演に帯同して収められたドキュメンタリー映像に加え、「Automatic」から「何色でもない花」までのすべてのMV40曲を収録。またベスト・アルバム『SCIENCE FICTION』完全生産限定盤と姉妹となるようなスペシャルパッケージにスペシャルブックレットと、全公演地のメモリアルチケットも封入予定。さらに、付属のCDにライブ音源が完全収録される予定だ。

＜公演情報＞ 『HIKARU UTADA SCIENCE FICTION TOUR 2024』

9月1日 神奈川・Kアリーナ横浜

1. time will tell 2. Letters 3. Wait & See 〜リスク〜 4. In My Room 5. 光 (Re-Recording) 6. For You ～ DISTANCE (m-flo remix) ※メドレー 7. traveling (Re-Recording) 8. First Love 9. Beautiful World 10. COLORS 11. ぼくはくま 12. Keep Tryin' 13. Kiss & Cry 14. 誰かの願いが叶うころ 15. BADモード 16. あなた 17. 花束を君に 18. 何色でもない花 19. One Last Kiss 20. 君に夢中 21. Electricity ※アンコール 22. Stay Gold ※アンコール 23. Automatic ※アンコール

＜リリース情報＞ 『HIKARU UTADA SCIENCE FICTION TOUR 2024』

2024年12月11日(水) リリース

●完全生産限定盤（2BD＋2CD）:19,800円（税込） ●通常盤（BD）:7,150円（税込）

【収録内容】 ・『HIKARU UTADA SCIENCE FICTION TOUR 2024』本編映像 ・『HIKARU UTADA SCIENCE FICTION TOUR 2024』ツアードキュメント映像 ※完全盤のみ ・「Automatic」から「何色でもない花」まで全MV40曲映像 ※完全盤のみ ・ライブ音源CD2枚組 ※完全盤のみ

公式サイト： https://www.utadahikaru.jp/