Jungle Cruise (2021)

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In the pantheon of Disney movies based on Disney theme park rides, "Jungle Cruise" is pretty good—leagues better than dreck like "Haunted Mansion," though not quite as satisfying as the original "Pirates of the Caribbean." 

The most pleasant surprise is that director Jaume Collet-Serra (" The Shallows ") and a credited team of five, count 'em, writers have largely jettisoned the ride's mid-century American colonial snarkiness and casual racism (a tradition  only recently eliminated ). Setting the revamp squarely in the wheelhouse of blockbuster franchise-starters like " Raiders of the Lost Ark ," " Romancing the Stone " and "The Mummy," and pushing the fantastical elements to the point where the story barely seems to be taking place in our universe, it's a knowingly goofy romp, anchored to the banter between its leads, an English feminist and adventurer played by Emily Blunt and a riverboat captain/adventurer played by  Dwayne Johnson . 

Notably, however, even though the stars' costumes (and a waterfall sequence) evoke the classic "The African Queen"—John Huston's comic romance/action film starring Humphrey Bogart and Katharine Hepburn ; worth looking up if you've never watched it—the sexual chemistry between the two is nonexistent, save for a few fleeting moments, like when Frank picks up the heroine‘s hand-cranked silent film camera and captures affectionate images of her. At times the leads seem more like a brother and sister needling each other than a will they/won’t they bantering couple. Lack of sexual heat is often (strangely) a bug, or perhaps a feature, in films starring Johnson, the four-quadrant blockbuster king (though not on Johnson’s HBO drama "Ballers"). Blunt keeps putting out more than enough flinty looks of interest to sell a romance, but her leading man rarely reflects it back at her. Fortunately, the film's tight construction and prolific action scenes carry it, and Blunt and Johnson do the irresistible force/immovable object dynamic well enough, swapping energies as the story demands.

Blunt's character, Lily Houghton, is a well-pedigreed adventurer who gathers up maps belonging to her legendary father and travels to the Amazon circa 1916 to find the Tears of the Moon, petals from a "Tree of Life"-type of fauna that can heal all infirmities. She and her snooty, pampered brother MacGregor (Jack Whitehall) hire Frank "Skipper" Wolff (Johnson) to bring them to their destination. The only notable concession to the original theme park ride comes here: Wolff's day job is taking tourists upriver and making cheesy jokes in the spirit of "hosts" on Disney Jungle Cruise rides of yore. On the mission, Johnson immediately settles into a cranky but funny old sourpuss vibe, a la John Wayne or Harrison Ford , and inhabits it amiably enough, even though buoyant, almost childlike optimism comes more naturally to him than world-weary gruffness. 

The supporting cast is stacked with overqualified character players. Paul Giamatti plays a gold-toothed, sunburned, cartoonishly “Italian” harbor master who delights at keeping Frank in debt. Edgar Ramirez is creepy and scary as a conquistador whose curse from centuries ago has trapped him in the jungle.  Jesse Plemons plays the main baddie, Prince Joachim, who wants to filch the power of the petals for the Kaiser back in Germany (he's Belloq to the stars' Indy and Marion, trying to swipe the Ark). Unsurprisingly, given his track record, Plemons steals the film right out from under its leads.

Collet-Serra keeps the action moving along, pursuing a more classical style than is commonplace in recent live-action Disney product (by which I mean, the blocking and editing have a bit of elegance, and you always know where characters are in relation to each other). The editing errs on the side of briskness to such an extent that affecting, beautiful, or spectacular images never get to linger long enough to become iconic. The CGI is dicey, particularly on the larger jungle animals—was the production rushed, or were the artists just overworked?—and there are moments when everything seems so rubbery/plasticky that you seem to be watching the first film that was actually shot on location at Disney World.

But the staging and execution of the chases and fights compensates. Derivative of films that were themselves highly derivative, "Jungle Cruise" has the look and feel of a paycheck gig for all involved, but everyone seems to be having a great time, including the filmmakers.

In theaters and on Disney+ for a premium charge starting Friday, July 30th. 

Matt Zoller Seitz

Matt Zoller Seitz

Matt Zoller Seitz is the Editor at Large of RogerEbert.com, TV critic for New York Magazine and Vulture.com, and a finalist for the Pulitzer Prize in criticism.

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Film credits.

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Jungle Cruise (2021)

Rated PG-13 for sequences of adventure violence.

127 minutes

Dwayne Johnson as Frank Wolff

Emily Blunt as Dr. Lily Houghton

Jack Whitehall as McGregor Houghton

Edgar Ramírez as Aguirre

Jesse Plemons as Prince Joachim

Paul Giamatti as Nilo

  • Jaume Collet-Serra

Writer (story)

  • Glenn Ficarra
  • Josh Goldstein
  • John Norville

Cinematographer

  • Flavio Martínez Labiano
  • Joel Negron
  • James Newton Howard

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Director Collet-Serra: Jungle Cruise is a film that the whole family could enjoy together

Director Collet-Serra: Jungle Cruise is a film that the whole family could enjoy together

Jungle Cruise promises everything we associate with Disney titles: adventure, eye-popping visuals, and loads of action. For filmmaker Jaume Collet-Serra, who adapted this Disney ride into a live-action spectacle, it was essential to keep the essence and tone of the ride intact. “The Jungle Cruise ride is loved by many, not only because it’s been there for a long time but because it’s one of the only rides that the whole family can enjoy together,” says Collet-Serra. “You can bring a baby and you can bring your grandma; so, in a way, we wanted to make a film that reflected that… A film that the whole family could enjoy together. That was the starting point for us.” ALSO READ || Emily Blunt & Dwayne Johnson join hands to produce Kate Warne's biopic Talking about the process of inheriting the ride’s entertainment value into the screenplay, the filmmaker adds, “The comedy of the ride has evolved through the years. So, we took that as a tonal guideline, and from then on, we built the mythology and created characters and situations that would put the audience on the ride and expand on the experience of what they go through at Disneyland. This is a ride they can experience in theatres.” Bringing the exotic world of Jungle Cruise into a film was no walk in the park. There needed to be synergy between every department—from production design to cinematography, costumes to visual effects. “This movie takes place in the early 1900s in the Amazon jungle, so we wanted to make a movie that was vibrant, full of colour, and rich. It’s hard to make a movie in the actual Amazon, so we had to bring those colours and textures to our stage, and the only tools that we had were the production design and the costumes,” Collet-Serra says, adding that the team was cautious about visually representing the Amazon accurately. “We had a cultural advisor that made sure that everything was properly represented. The Tupi language was spoken there many years ago, so we made our own version based on that old language to give our characters an added sense of reality.” ALSO READ || Dwayne Johnson's Black Adam officially wrapped On the visual choices executed by Flavio Labiano’s cinematography, the director reveals that they built their “own lenses to achieve a certain warm quality.” He adds, “Everything was designed to bring a hot and vibrant look from the Amazon. Flavio is a great collaborator; he shoots beautifully and makes the actors look amazing. He has shot many movies in Latin America, and he knows exactly how it’s supposed to look.” The filmmaker adds that creating ‘the Jungle village’ set was both an exciting and difficult task to accomplish. Collet-Serra intended the set to look awe-inspiring while also invoking an eerie feeling at first sight. “We wanted to build a set that showed a lot of scope and that had a ‘wow’ factor during the reveal. It needed to strike fear at first glance but then, feel warm once you are inside it. We felt that the best way to achieve that was to put the village up in the trees, very high up, and then build all these platforms that interconnected all of the little huts where the locals live.” Despite the technical difficulties, the director believes “it was worth it.” The director shares that Industrial Light & Magic, the VFX studio behind Pirates of the Caribbean and Star Wars , came up with a novel technique to ease the creation of computer-generated imagery. “Two tiny infrared cameras were attached to the camera to capture the actors and their performance in real-time. The actors didn’t have to wear the usual helmet cameras to capture their performances. They could act normally within the scene, and then the CG skin would be put over them. That was really groundbreaking, and it really freed us to shoot their performances.” Building the eponymous Jungle Cruise , the steamboat named La Quila, was of paramount importance to the filmmaker—after all, it’s the film’s titular character. “La Quila is certainly a character in the film. For me, it was very important to preserve a little bit of what the boats in the ride are like,” Collet-Serra says. “Jean-Vincent Puzos (production designer) did a phenomenal job of designing La Quila. He brought all the little details, textures, and colours that made the boat the way I had envisioned it. It was put together in a way that, once you step away from it, it’s both beautiful and practical to behold.”

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Jungle Cruise: stars Emily Blunt and Dwayne Johnson review the monitors on set with director Jaume Collet-Serra

Disney's new film Jungle Cruise follows in the footsteps of the Pirates Of The Caribbean franchise, which showed that theme park attractions can be transformed into hugely successful movies that audiences love.

Starring Dwayne Johnson and Emily Blunt, the movie tells the story of pioneering scientist Dr. Lily Houghton (Blunt) who embarks on a mission to travel deep into the jungle in search of a tree said to have supernatural healing abilities, enlisting a wily steamboat captain (Johnson) to get her there. However, it's far from a straightforward mission, as they aren't the only ones looking for it — and threats both natural and supernatural lie along the way.

Director Jaume Collet-Serra reveals how he and his crew turned a much-loved theme park ride into a big-screen adventure...

Where does the Jungle Cruise film pick up from the ride?

Jaume Collett-Serra: "The Jungle Cruise ride is a very famous and well-known ride. It's one of the original rides at Disneyland, designed actually by Walt Disney. So it's beloved by many people, not only because it's been there for a long time, but because it's one of the only rides that the whole family can enjoy together. You can bring a baby, and you can bring your grandma — so in a way, we wanted to make a film that reflected that. A film that the whole family could enjoy together — that was the starting point for us."

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How are we introduced to the characters?

JCS: "We meet the Skipper, Frank Wolff, on an Amazon River jungle cruise. Basically he takes tourists on cruises in the Amazon on his old boat, and very much like the ride at Disneyland, he tells stories and he has set up all of these gimmicks to get money from the people on the cruise. With Lily, we meet her in a sort of Indiana Jones-esque set piece in which she steals something from the Society of Explorers in London. That kind of sets the tone of both characters, and the audience gets the feeling that those two characters are going to meet and their personalities are going to clash."

What is the tone of the film like?

JCS: "We're making a film that is supposed to be enjoyed by the whole family. It is a big, uptempo movie. You need to have a tone that is very inclusive of action, comedy, and mystery — and has some supernatural elements as well. You want to be scared and laughing at the same time."

Jaume Collet-Serra on set with Dwayne Johnson, who is in costume as the Skipper and laughing

What does Dwayne Johnson bring to the role of Frank?

JCS: "Dwayne is such a fantastic actor, and a wonderful person — he's really funny. He has this mischievous something behind his eyes. He's a very playful person, and I wanted to bring that out of him in this movie, because he's usually doing action scenes and chasing bad guys, so he doesn't have a lot of time to play. I wanted to see him like Humphrey Bogart in The African Queen — someone who is a hustler, and someone that you want to hang out with and have a drink with. Someone who's accessible, yet selfish, but you forgive him because he's so likeable."

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And what does Emily Blunt bring as Dr Lily Houghton?

JCS: "Lily wouldn't exist without Emily. It's very hard to write a character like her in the script because you're always trying to give those characters a lot of motivations and things that we've seen in other movies. But then when Emily steps in, she's able to make Lily real. We treated her like Indiana Jones — you don't care and don't know why she's doing what she's doing, you just follow her because she wants it so bad, and you like her. And the philosophy with her was very simple: she would go into an action sequence head first and basically figure it out later, and that created a lot of dynamic situations."

Frank (Dwayne Johnson) and Lily (Emily Blunt) stand on the deck of Frank's boat, both leading against the cabin as the river stretches out behind them

Dwayne and Emily are great friends — how does that come across in the film?

JCS: "For me, it was great. They have an amazing chemistry that really shows in the movie. That is something you cannot write. That is something that, as a director, you're blessed with because every scene, as simple as it is, becomes an opportunity for something magical to happen. In the script it might be two lines, but it suddenly becomes a one-minute banter, which is so fun to shoot, and for everyone else to watch.

On set, also, they were laughing the whole time. There were many times when we couldn't finish the scene because they were laughing in the middle of it. And everyone was laughing. The good thing is that because they get along so well, once we start rolling, they're there. They don't get disconnected from the characters, which makes it possible to move very fast and fully capture the magic."

  • Jungle Cruise is released in cinemas on Friday 30 July. Disney+ subscribers can view the film on demand via Disney+ Premier Access for an additional one-off payment.

Steven Perkins is a Staff Writer for TV & Satellite Week, TV Times, What's On TV and  whattowatch.com , who has been writing about TV professionally since 2008. He was previously the TV Editor for Inside Soap before taking up his current role in 2020. He loves everything from gritty dramas to docusoaps about airports and thinks about the Eurovision Song Contest all year round.

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‘Jungle Cruise’ Director Jaume Collet-Serra Levels Up With Big Disney IP Before DC’s ‘Black Adam’

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Jungle Cruise Jaume Collet-Sera

For an aspiring director in Hollywood, it’s hard to say no to a job. That’s why acclaimed filmmaker Jaume Collet-Serra has no qualms about his early days shooting commercials, nor what he called a “natural” transition to horror films.

Collet-Serra Is behind some of the most thrilling low-key action and suspense titles of the past decade, including outings with Liam Neeson in “The Commuter,” “Non-Stop” and “Run All Night.” He also directed the crowd-pleasing 2016 shark tale “The Shallows” with Blake Lively, the genre hit “Orphan” and rebooted the iconic horror film “House of Wax.” But one particular artistic principle has kept him from leveling up to Hollywood’s biggest franchises: no sequels.

His four-quadrant moment finally arrives with the July 30 release of Walt Disney’s “Jungle Cruise” in theaters and on Disney Plus Premier Access.

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“There have been opportunities to do big movies before, but they were all sequels. And I wanted my first big movie to be an original piece, so I’d been deliberately waiting for something like ‘Jungle Cruise’ for many years,” he says. “I wanted it to be something that was purely mine. I read this script and saw that opportunity that I had been waiting for, to really start something from scratch. I wanted to create a world that didn’t exist, and you know that when Disney is going to do something, they do it right.”

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After sparking chemistry with his star, Dwayne Johnson , the pair worked to convince the studio that Collet-Serra could handle a broad adventure comedy that would resonate with kids and grandparents alike. Based on the popular Disneyland ride, “Jungle Cruise” sits at a unique place in culture, as a popular theme park attraction with no narrative attached.

“Dwayne and I have similar taste in a lot of things. A movie like this cannot just have comedy and fantastical elements — you also have to have emotion.” says Collet-Serra. “The moment that Emily Blunt came into the picture, that energy was elevated. From there it was apparent that my job was just to orient the camera and get out of the way.”

Johnson and Collet-Serra bonded in the depths of that on-screen jungle, to the point that the star recruited the director for his first superhero effort, the DC Films project “ Black Adam ,” which just wrapped in Atlanta. Collet-Serra calls “Black Adam” the “most complex puzzle of my career,” especially as the Spanish filmmaker grew up on iconic ’80s movies instead of comic books. His take on the character, one who plays in the same universe as Batman and Superman, leans into the grittier side of Johnson’s winning persona.

“Having just done a romantic adventure comedy where he’s very light, I was really attracted to getting the dark version of Dwayne. Basically, turning him into Clint Eastwood in a Western. I was like, ‘You’re like the Dirty Harry of superheroes,’” he says. “I didn’t have to convince people that I was right for this one in the same way that I did for ‘Jungle Cruise.’ It’s like things I’ve done with Liam [Neeson], that tough-guy antihero who has a heart. The world is not black and white. The world is in gray areas, so you need these people that are riding that gray area.”

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Designing the World of Disney’s ‘Jungle Cruise’

Disney’s Jungle Cruise , which floats into theaters and Disney+ Premier Access on July 30, tells the heart-racing—and often hilarious—story of Lily Houghton (Emily Blunt), a doctor in botany who hires skipper Frank Wolff (Dwayne Johnson) to embark on a grueling journey up the Amazon River in search of a legendary tree that can cure all human ailments. Jungle Cruise director Jaume Collet-Serra ( Non-Stop ,  The Shallows ) turned to French production designer Jean-Vincent Puzos ( The Lost City of Z , Amour ) to help bring this otherworldly journey through a verdant mystical jungle on a creaking old tramp steamer so dramatically to life.

Puzos designed a variety of vivid tableaux for the film—including a London set where the movie opens and closes and a remote village in the heart of the Amazon jungle—but perhaps most impressive was the sprawling jungle port town of Porto Velho. Built on the Hawaiian island of Kauai, a visitor would be excused for mistaking the set for an authentic Amazonian village, circa 1916. Every structure—from the Porto Velho town set and Nilo’s (Paul Giamatti) jungle cruise operation and tavern to Skipper Frank Wolff’s steam cruiser, La Quila , and his home on the water—is a functional building not a mere movie set façade. Each building is replete with artifacts, furniture, books, trinkets—and this focus on authenticity helps give the film its naturalistic flavor.

jungle cruise director

“It’s an exciting challenge when you read a script and it has a description of an arrival in a city on the Amazon River with a couple of streets, a big market, a harbor with four boats, a hotel, a restaurant, a cruise company building and our hero Frank’s skipper building workshop and pontoon,” says Puzos. “You begin to divide the space and reinvent a landscape composed by many other spaces, and bend your research in a unique direction to create a cartography where every set is directly connected to the next one. And when you find an incredible location in Hawai‘i, it’s the beginning of an adventure of a lifetime. What makes this set so special is its gigantic scale, the complexity of the landscape and the visual power of the vegetation—which gave us a rich range of shooting possibilities.”

Puzos, who says the Porto Velho set took one month to scout, two months to design and four months to build, dress and landscape, says the biggest challenges his team faced were location and weather. “First of all the location was so wild, so dense in terms of vegetation, so hard to define during the survey—full of scars, holes, cliffs covered by bushes. The access was nearly impossible. We relied on drones to scout the location. When construction got up to full speed, the weather changed, and we had rain every day, flooding the sets and slowing down the construction.”

When asked for a favorite location on the Porto Velho set, Puzos says, “Every building was my favorite! In terms of architecture, the hotel was a pleasure of complexity and simplicity, following a strong pattern of Spanish/Portuguese style of colonial architecture. In terms of design, the vertical building of Frank’s workshop, standing in the water, was an iconic shape in the middle of the location. For Frank’s steam ship, I tried to visualize the journey of a conquistador constantly rebuilding his boat with debris and pieces of other boats, and constantly rebuilding his engine. In terms of colors, Nilo’s Tavern was designed like a rusted building of metal, showing all the variations of textures and colors of a piece of metal lost in the jungle, from dark rust and almost black to golden, sunny orange. In terms of fluidity, the market was designed and built for an epic action scene. This building symbolized our design: to treat the entire location like a garden, to stay fluid in the ground plan, to mix the interiors and the exteriors, and remove some roofs to see inside.

jungle cruise director

“For this set, the amount of information we wanted the audience to receive was extremely rich. It was important to define every character with a space, an idea, a building or a tool like a boat. This set helps define the story. When the audience sees the port town set, I hope they will see a tribute and an homage to a famous Disney attraction. I hope they will dream of arriving by train in the middle of the Amazon and immediately enter a world of adventures. I hope they will see a rich and charismatic city—and feel the danger of leaving it.”

For director Jaume Collet-Serra, Jungle Cruise  offered the opportunity to make the type of storyline he “loved as a kid, but had never gotten the chance to make, something like  Romancing the Stone . Visually, I wanted to make a movie with a lot of scope. That would feel like you’re on an actual journey through the Amazon. And this set really helped us bring that to life.”

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‘Jungle Cruise’ Director Jaume Collet-Serra Levels Up With Big Disney IP Before DC’s ‘Black Adam’

  • Oops! Something went wrong. Please try again later. More content below

For an aspiring director in Hollywood, it’s hard to say no to a job. That’s why acclaimed filmmaker Jaume Collet-Serra has no qualms about his early days shooting commercials, nor what he called a “natural” transition to horror films.

Collet-Serra Is behind some of the most thrilling low-key action and suspense titles of the past decade, including outings with Liam Neeson in “The Commuter,” “Non-Stop” and “Run All Night.” He also directed the crowd-pleasing 2016 shark tale “The Shallows” with Blake Lively, the genre hit “Orphan” and rebooted the iconic horror film “House of Wax.” But one particular artistic principle has kept him from leveling up to Hollywood’s biggest franchises: no sequels.

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His four-quadrant moment finally arrives with the July 30 release of Walt Disney’s “ Jungle Cruise ” in theaters and on Disney Plus Premier Access.

“There have been opportunities to do big movies before, but they were all sequels. And I wanted my first big movie to be an original piece, so I’d been deliberately waiting for something like ‘Jungle Cruise’ for many years,” he says. “I wanted it to be something that was purely mine. I read this script and saw that opportunity that I had been waiting for, to really start something from scratch. I wanted to create a world that didn’t exist, and you know that when Disney is going to do something, they do it right.”

After sparking chemistry with his star, Dwayne Johnson , the pair worked to convince the studio that Collet-Serra could handle a broad adventure comedy that would resonate with kids and grandparents alike. Based on the popular Disneyland ride, “Jungle Cruise” sits at a unique place in culture, as a popular theme park attraction with no narrative attached.

“Dwayne and I have similar taste in a lot of things. A movie like this cannot just have comedy and fantastical elements — you also have to have emotion.” says Collet-Serra. “The moment that Emily Blunt came into the picture, that energy was elevated. From there it was apparent that my job was just to orient the camera and get out of the way.”

Johnson and Collet-Serra bonded in the depths of that on-screen jungle, to the point that the star recruited the director for his first superhero effort, the DC Films project “ Black Adam ,” which just wrapped in Atlanta. Collet-Serra calls “Black Adam” the “most complex puzzle of my career,” especially as the Spanish filmmaker grew up on iconic ’80s movies instead of comic books. His take on the character, one who plays in the same universe as Batman and Superman, leans into the grittier side of Johnson’s winning persona.

“Having just done a romantic adventure comedy where he’s very light, I was really attracted to getting the dark version of Dwayne. Basically, turning him into Clint Eastwood in a Western. I was like, ‘You’re like the Dirty Harry of superheroes,’” he says. “I didn’t have to convince people that I was right for this one in the same way that I did for ‘Jungle Cruise.’ It’s like things I’ve done with Liam [Neeson], that tough-guy antihero who has a heart. The world is not black and white. The world is in gray areas, so you need these people that are riding that gray area.”

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Jungle Cruise

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Watch Jungle Cruise with a subscription on Disney+, rent on Fandango at Home, Prime Video, Apple TV, or buy on Fandango at Home, Prime Video, Apple TV.

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Its craft isn't quite as sturdy as some of the classic adventures it's indebted to, but Jungle Cruise remains a fun, family-friendly voyage.

Funny, full of action, and an all-around good time, Jungle Cruise is a ride well worth taking.

Critics Reviews

Audience reviews, cast & crew.

Jaume Collet-Serra

Dwayne Johnson

Frank Wolff

Emily Blunt

Lily Houghton

Edgar Ramírez

Jack Whitehall

McGregor Houghton

Jesse Plemons

Prince Joachim

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‘Jungle Cruise’ Is Like Diet ‘Pirates of the Caribbean’ But It Still Hits the Spot | Review

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It’s been almost twenty years, but when Pirates of the Caribbean was first announced, it was derided as a dumb money-grab. How could you adapt a theme park ride? There’s no story, so it’s just branding for the sake of branding. And yet Gore Verbinski ’s 2003 movie was a smash hit and a total delight thanks to its weird energy mixed with breezy adventure. Since then, various theme park ride adaptations have hit various levels of success, and Jungle Cruise is the latest to arrive from the Magic Kingdom. For those that have never been on the attraction, it’s basically a little boat cruise that gets its spark from the guide doling out jokes that are total groaners yet totally charming in the way dad jokes are charming. Director Jaume Collet-Serra ’s adaptation understands taking this light touch to the whole feature and it makes for a charming ride that may not reach the dizzying highs of the first Pirates movie but still channels its strong mixture of humor, romance, and action.

In 1916, the iconoclastic Lily Houghton ( Emily Blunt ) and her fussy-but-devoted brother MacGregor ( Jack Whitehall ) are on the search for the Tears of the Moon, a fabled flower that is said to have incredible healing powers. They make their way to the small town of Porto Velho in Brazil where they meet prickly skipper Frank Wolff ( Dwayne Johnson ). While Frank is at first reluctant to do the job, when he notices that Lily has procured an important arrowhead that supposed to help in the quest, he decides to assist the pair. However, in addition to everything in the jungle (which includes cursed conquistadors that tried to find the flower four-hundred years prior) trying to kill the travelers, they’re also being hunted by Prince Joachim ( Jesse Plemons ), a German officer who believes that the flower will help his side win the Great War.

RELATED: Exclusive: ‘Jungle Cruise’ Producer Hiram Garcia on the Story Idea That Unlocked the Movie, Sequel Possibilities, and More

Jungle Cruise is incredibly cute. Johnson and Blunt have terrific chemistry and bounce off each other wonderfully. They both see themselves as the true captain of this journey, so they’re constantly trying to one-up the other, which leads to a lot of fun conflict while still retaining the light sense of humor you get from the original ride. Whitehall then provides a nice counterbalance as well as an audience surrogate for those that would much rather avoid the jungle altogether and chill in a hotel room. Then you’ve got Plemons once again showing why he’s among the best actors around right now as he brings a cheerful, goofy energy to the villain that may not make Prince Joachim an iconic baddie, but he fits in nicely with the tone Collet-Serra is going for.

If I have one major qualm with Jungle Cruise , it’s that I wish it were crazier. It’s weird that the film even bothers to be PG-13 when it has the light approach of a PG movie. The only thing that’s really “scary” are the cursed conquistadors inhabiting the jungle who are made of various elements like snakes or bees. It makes for a fun visual effect, and I like that they’re a conquistador who’s just comprised of bees. But that madcap energy doesn’t really carry over to the rest of the film, which is really more on the level of something like The African Queen where you take two charismatic leads, play them off each other, and put them in adventurous situations. There’s absolutely nothing wrong with that, but if you’re also going to be playing with Disney money and a VFX budget, you may as well go the Gore Verbinski route and take advantage of the fact that you’re basically writing the source material here rather than having to worry about any fidelity beyond “There must be a cruise in the jungle.”

By playing the adventure largely straight and with a light touch, there are times when Jungle Cruise starts to drag because it’s not doing anything particularly outlandish. For example, it takes a sizable chunk of the movie for the group simply to leave the harbor. It makes it feel like Jungle Cruise is stretching out a paper-thin story because all that’s really happening is that they need to leave to get on the river, but instead we have to go through not only setting up Frank and his conflict with a local rival ( Paul Giamatti doing his best Watto impression), which is fine, but then it becomes the scene for a whole dang set piece of our heroes fighting off people trying to stop them, and rather than starting the journey with a bang, it feels like the journey gets delayed before it even starts.

And yet it’s hard to begrudge Jungle Cruise because it’s such a lighter-than-air confection. Again, its PG-13 rating is a little baffling since the audience most likely to enjoy this movie are kids ages 9-12. That’s not to say it’s a slog for those older than that age group, but it’s a movie that feels ideally suited for families, and there’s nothing wrong with that. I would even argue that while the action is fine on the big screen, families would be fine ordering this on Disney+ Premiere Access if it makes it easier to wrangle the young ones.

Jungle Cruise is bright, colorful, and funny, and while it may not rival Pirates of the Caribbean , it has at least borrowed from that film’s DNA with its quest for a sacred object in a race against those (in this case, the conquistadors) who have been cursed in their quest for that object. The best compliment I can pay to Jungle Cruise is that it’s a lot like Pirates of the Caribbean or The Mummy (1999) in that I would have no problem flipping this on a Saturday afternoon and going on the adventure.

Jungle Cruise is in theaters and on Disney+ with Premiere Access on July 30th.

RELATED: Jungle Cruise Ride Reopens at Disneyland with an Expanded Storyline, New Characters and Easter Eggs

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Dwayne Johnson and Emily Blunt Photographed by Chrisean Rose

How Dwayne Johnson Wooed Emily Blunt for ‘Jungle Cruise’ — and Why She Ghosted Him

As they prepare to release their $200 million-plus Disney tentpole, the newly minted BFFs now lean on each other for career guidance: "I go to him for advice because he lived in the trenches."

By Rebecca Keegan

Rebecca Keegan

Senior Editor, Film

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At about 4 a.m. in the fall of 2017, after a tiring night shoot on Universal’s Skyscraper , Dwayne Johnson , arguably the busiest person in Hollywood, set aside some time to film a video for Emily Blunt . At the time, he was attached to star in Jungle Cruise , which various producers had been trying to get off the ground at Disney since at least 2004, after the first Pirates of the Caribbean movie revealed the moneymaking potential of a theme park ride reimagined as a film franchise.

Johnson, who had been taken with Blunt since The Devil Wears Prada , felt she’d be his ideal sparring partner in the film, which was envisioned as a two-hander. “I had always admired her as an actor, but also when I would watch her on talk shows, she had this personality that was effervescent, that was cool and very, very charming.” So far Blunt was proving impervious to what producer Beau Flynn calls the filmmakers’ “unilateral targeted attack.” Looking to take a break after shooting Mary Poppins Returns and A Quiet Place back-to-back, she had declined to read a script and remained unmoved even after receiving a heartfelt letter from Sean Bailey, the chief of Disney’s live-action studio.

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So when Jungle Cruise ‘s taciturn Spanish director, Jaume Collet-Serra, was planning to fly to New York to hand deliver a script directly to Blunt at her home in Brooklyn, Johnson wanted to send him along with the video as a kind of charm assist. “I must have shot it about five or six times because I had not communicated with Emily yet,” Johnson says. “I had not even met her. And I wanted to let her know via this video just how important she was to this movie and how I only wanted her in this movie. And it was great. And I … I actually never heard again from Emily. Didn’t respond at all. Just ghosted me.”

Says Blunt, with a smile: “I thought the video was sweet. Didn’t know you were going to be so sensitive.” Chalk up the misunderstanding to cultural differences — her British reserve versus his wrestling-ring-decibel enthusiasm. Eventually, spurred by Collet-Serra’s pitch that the film would be reminiscent of the Indiana Jones films and Romancing the Stone (and Johnson’s “sweet” video), Blunt did read the script and was won over, with the additional help of a generous payday.

Now the duo are on a soundstage in Atlanta in mid-July, where Johnson is in the final weeks of filming the Warner Bros. superhero movie Black Adam and Blunt has flown in from shooting a BBC/Amazon Western series in Spain to join him for Jungle Cruise press. The pair are seated in front of a lavish boat and jungle set, as crew around them arrange some prop shrubbery. With all the Disney promotional jazz hands deployed, this scene almost feels like the pre-pandemic movie business, save for the masks on the crew.

Brought together onscreen for their odd-couple appeal, offscreen the duo share a business savvy. As the film industry undergoes the most dramatic period of change in its more than 100-year history, battered by COVID and the rapid adoption of streaming, these two actors are navigating the moment with a shrewdness and an unusually hands-on approach to contracts, distribution and marketing. Where they differ is on their willingness to openly engage on such matters.

Periodically throughout the interview, Blunt seems to be trying to keep Johnson’s candor in check. When he starts to answer a question about their contracts, she’ll interject, “You’ll be quoted.” Some of this is a shtick they’ve adopted for the film’s promotion, but some is genuinely rooted in their DNA. As stars, Blunt, 38, and Johnson, 49, barely seem to hail from the same galaxy. “He said to me once, ‘I love that your debut was onstage with Dame Judi Dench and mine was in the wrestling ring cutting myself with razors,’ ” Blunt says.

This summer they’re bringing audiences a $200 million-plus, four-quadrant popcorn movie that would have seemed like an obvious profit engine for its studio in any other era. Instead, their movie, which will open in theaters and on Disney+ (for a $30 fee) on July 30, is the latest test of the moviegoing audience’s appetites a year and a half into the COVID-19 pandemic. Jungle Cruise is a family-oriented film coming out at a time when most children in the U.S. and around the world are not yet vaccinated and COVID cases once again are spiking globally because of new variants. Despite the health news, there have been some encouraging signs at the box office, most recently with Disney’s July 9 hybrid release of Black Widow , which debuted to a pandemic-era best of $158.8 million at the worldwide box office, plus another $60 million on Disney+. ( Black Widow dropped a steep 67 percent at the box office in its second weekend, prompting the National Association of Theatre Owners to blame the studio’s simultaneous release strategy for a “stunning collapse.”)

“We all created our own space at home where we watched and consumed our movies,” Johnson says of how the pandemic changed the business. “We wondered, once we got back to the theatrical experience, are the majority of people now going, ‘You know what, I’m good. We’re going to watch it at home’? What we’re seeing now [at theaters] starting with A Quiet Place and Cruella , and then Fast & Furious and certainly with Black Widow … it’s invigorating.”

Johnson wants the theatrical business to bounce back for the sake of his studio partners, but his own viewing habits resemble the most couch-bound of consumers, since he has not been able to go to a movie without being instantly recognized and mobbed by fans since the 1990s. Blunt, meanwhile, goes to the theater incognito all the time. “I’m small, I blend in,” she says. “Put on a hat. It’s fun.” Where she’s a diehard for the theatrical experience, “I’m like, ‘Listen, Emily,’ ” Johnson says, lifting his iPhone. ” ‘Watch this movie. Turn it sideways. Look, we’ll watch this for two and a half hours.’ ”

The two brought those disparate perspectives into their meetings with Disney about how to release Jungle Cruise , with the studio ultimately deciding on the hybrid release strategy due to the slow pace of vaccine rollouts globally.

Johnson says that after finishing Jungle Cruise , he and Blunt continued to consult with each other about how to handle production during the pandemic and how to manage their deals — which often have been linked to box office — amid the changing release strategies. “We’re all trying to figure it out,” Johnson says. “Emily and I have had this conversation about how one thing will impact another, these dollars are dollars now and then down the line. It’s an important conversation for us to have.” Blunt says she has relied on him for counsel as she navigates the next stage of her career. “I really appreciate that DJ comes from struggle,” Blunt says. “He comes from some hard times, and he wears it very lightly and in a very wise philosophical sense. And so I do go to him for advice because he has lived in the trenches. He has not just winged it, and it has not been this meteoric rise to where he is now. It’s been a lot of razor blades and tears.”

Jungle Cruise , which is based on a 65-year-old riverboat cruise theme park ride, is no slam dunk. While 2003’s Pirates became a five-film box office juggernaut, that same year’s The Haunted Mansion was panned, and Disney’s most recent ride-inspired movie, Tomorrowland , flopped — even in the much more hospitable 2015 moviegoing environment — grossing just $209 million globally. Box office tracking has been less predictive during the pandemic, but some sources close to the film already are worried about Jungle Cruise , hopeful the Disney+ premium offering buttresses their numbers, like it did for Disney’s Cruella . As the studio did with Black Widow , in a rare display of transparency for the streaming era, it is expected to release the Disney+ numbers for Jungle Cruise publicly.

Over the years, Disney had dabbled with multiple versions of Jungle Cruise , including one starring Tom Hanks and Tim Allen. In 2015, producers John Davis and John Fox came up with an idea inspired by the origins of the ride, which itself was inspired by the 1951 Humphrey Bogart–Katharine Hepburn adventure film The African Queen . With Disney’s blessing, they brought the pitch for a contentious, evenly matched male-female duo making their way on a riverboat adventure to Johnson’s production company, Seven Bucks, and he signed on within two days. It would be more than two years before they signed the actress to play Hepburn to Johnson’s Bogey and several drafts before they landed on the shooting script, which has five credited writers (screenplay by Glenn Ficarra, John Requa and Michael Green, with additional story credits for Josh Goldstein and John Norville).

In the film, which is set in the early 20th century, Blunt plays Dr. Lily Houghton, a pants-wearing scientist who hires Johnson’s steamboat captain, Frank Wolff, to steer her down a jungle river in pursuit of the Tree of Life. When Blunt came aboard, she had copious script notes, much of them scraping away what she deemed unnecessary backstory for Lily. “She brought a great point out to us, which is, ‘How come a lot of male figures just get to be adventurers, or explorers?’ There’s no backstory in Indiana Jones. He’s just a badass archeologist,” says Flynn. In the film, Blunt often has the swashbuckling moments, while Johnson often supplies the comic relief. On the ride, a Disney castmember called a “skipper” delivers a dad-joke-laden narration for guests, a task Johnson delivers with aplomb in the film. “You needed an actor like DJ with the willingness to poke fun at himself and to be the butt of all the jokes,” Blunt says.

Along with the business, cultural attitudes have changed since the Pirates franchise launched, further complicating what once looked like a safe bet. As Jungle Cruise was being made, Disney’s Imagineers were updating the ride, including making changes to Indigenous characters that had been depicted as primitive and threatening. The movie subverts that imagery, in a plot twist that reveals the Indigenous characters are the ones getting the last laugh. “You’re trying to represent the spirit of the ride that is pierced into people’s nostalgic memory,” Blunt says. “But you want to do it sensitively. You want to make sure that everyone feels seen and heard in a way that’s really respectful.” There’s also a gay character and a fair amount of time given to Lily’s radical-for-her-era life choices — one of Frank’s nicknames for her is “pants.”

For a movie with ambitious action set pieces and CG characters, the Jungle Cruise set relied on an unusual amount of improv by its stars and supporting cast of Jack Whitehall, Jesse Plemons and Paul Giamatti. “In a normal [studio] movie, you would be like, ‘Oh, I don’t have time. Just give me what is the thing that’s going to work,’ ” says Collet-Serra, who has developed a reputation in Hollywood for delivering genre movies that are better than they ought to be, like the 2016 Blake Lively shark movie The Shallows , and multiple Liam Neeson thrillers. “But here, we tried to keep some of the scenes a little bit more visually loose to let them improv. There’s tons of footage. I could cut two other movies with different jokes completely because they gave me so much.”

When Disney tested the film, which was shot and almost completely finished before the pandemic, they found that what audiences wanted most, more than spectacle, was the scenes of repartee between the two leads. “Very early on, we learned that their chemistry was magic and that people really cared a lot more about them fighting, or this banter that they have, than what they were bantering about,” Collet-Serra says. “We had more plot. But at some point, people were like, ‘Yeah, yeah, yeah, that’s all nice, but give me more of them together.’ ” Johnson was present for multiple test screenings, according to Bailey. “Inevitably the first call I got the next morning was from Dwayne about what he thought about the preview, and what his takeaways were, and what the studio’s takeaways were.”

In early March 2020, Jungle Cruise seemed to be on track for a summer release. By then, Johnson was shooting Red Notice for Netflix in Atlanta and about to leave for some days of production in Italy, and Blunt was attending the premiere for A Quiet Place Part II in New York, which was supposed to open March 18. Plans for all three films would grind to a halt as the pandemic set in. By summer of that year, Johnson, his wife, Lauren, and their two daughters, now 5 and 3, tested positive for coronavirus . “It was very scary,” says Johnson, whose symptoms were mild. “I couldn’t control it because then the nanny took it home to her family. And then the housekeeper took it home to her family, and they were a little older there. And you don’t want to be the fire-starter that then causes all this bedlam and fear. But luckily we all got through it, thank God.” There were silver linings for a person whose work ethic was forged on the 300-night-a-year pro wrestling circuit. “I’m always going and going and going,” Johnson says. “It really forced me to stop and slow down.” The Hollywood pause also gave Johnson time to focus on something he’d long wanted to do: launch a tequila brand. In 2020, his Teremana became the fastest-growing brand in the history of spirits, selling roughly 400,000 cases in its first year of business.

Blunt, meanwhile, spent much of the early months of the pandemic in a house outside New York City with her husband, John Krasinski, and their daughters, 5 and 7. While Krasinski launched his Some Good News web series, Blunt focused on home-schooling and keeping household spirits up as Paramount pushed the release date for A Quiet Place Part II five times. Blunt and Krasinski were adamant about preserving a theatrical release, even as Paramount sold off other big movies to streamers during the pandemic, including Coming 2 America and The Trial of the Chicago 7 . Ultimately, Paramount released A Quiet Place Part II on May 28 in theaters, where it has grossed $285.6 million worldwide, before releasing it July 12 on Paramount+. Though the film had its theatrical release, its window was truncated from the pre-pandemic norm of 90 days, with far fewer than the remarkable 266 days the original film had spent in theaters, and Blunt and Krasinski sought to have their deals with Paramount restructured to accommodate for that difference. Asked how those talks had resolved, Blunt says: “We had a solely theatrical release. We were given a 45-day theatrical window. We got everything we wanted.”

One pandemic event movie from which Johnson is conspicuously absent is Universal’s F9: The Fast Saga , which has grossed $591.3 million since it opened in China in May. Johnson starred in the previous three films in the series, as well as the 2019 spinoff, Hobbs & Shaw , but is not scheduled to appear in any future Fast films. In a June Men’s Health interview promoting the latest movie, Vin Diesel implied that a much-publicized feud between him and Johnson actually was a technique he deployed to elicit a better acting performance from the former pro wrestler. “I could give a lot of tough love,” Diesel said. “Not Felliniesque, but I would do anything I’d have to do in order to get performances in anything I’m producing.”

When asked about Diesel’s comments, Johnson says, “I laughed and I laughed hard. I think everyone had a laugh at that. And I’ll leave it at that. And that I’ve wished them well. I wish them well on Fast 9 . And I wish them the best of luck on Fast 10 and Fast 11 and the rest of the Fast & Furious movies they do that will be without me.” Blunt can’t resist extending the moment. “Just thank God he was there,” she says of Diesel. “Thank God. He carried you through that.” “Felliniesque,” Johnson says.

Johnson’s hardest role yet, he says, is the one he’s shooting now, in Black Adam , in which he plays the DC Comics antihero. “Black Adam has all the powers of Superman, but the difference is he is blessed with magic,” Johnson says. “And also, by a code of ethics in the world of superheroes, they don’t kill the bad guys, but Black Adam does. There were a lot of elements like that that made me feel this is a real opportunity here. I felt like everything that I had done in the past in terms of my career, all the movies that I had done over the decades, even the ones that didn’t do well, all led to this particular role.”

It was while Johnson was doing a press junket for the 2008 movie Get Smart that the seed of the idea to play Black Adam was planted. At the time, there were rumors about Johnson playing Shazam in a movie that never materialized (he would later executive produce the 2019 Warners movie Shazam! , starring Zachary Levi). After a journalist at the Get Smart junket suggested to Johnson that he play Black Adam instead, the idea interested him. “I was in a different point in my career,” Johnson says. “I couldn’t get things greenlit really. So I said, ‘It’s up to the fans.’ ” Fans loved the idea of Johnson in the role, which he ultimately started shooting with Collet-Serra again in the director’s chair, in Atlanta in April. “This is our shot at the superhero space,” says Hiram Garcia, president of production at Seven Bucks, Johnson’s former brother-in-law and a friend who has known the star for more than 25 years. “I’ve seen DJ in all versions of great shape, but the shape he got in for this movie. … He just takes it so seriously, the character, the physical approach and what he’s put into his training, his diet. To see him change his body in that way — he takes great pride in not needing a muscle suit.”

Just as Black Adam was beginning production in Atlanta, after having been delayed eight months by the pandemic, the Georgia legislature passed a sweeping new voting law that the Justice Department is challenging on the grounds that it denies Black Georgians their voting rights. Hollywood’s deep investment in production in the state came up for debate, and some producers decided to exit Georgia, including Will Smith and Anton Fuqua with their Apple movie, Emancipation . Others, like Ryan Coogler with Black Panther 2 , remained. “Right as we were kicking off our production, that was going down,” Johnson says. “You start to feel pressure from a lot of different sides that you should stand up for something and you should leave if you don’t agree with the voting laws. I was adamant and clear that Black Adam was not going anywhere. We had committed to the state of Georgia and to the people here in Georgia. And this is a place that we had filmed multiple movies over the years. And when you commit to our hardworking locals and their families, the last thing you want to do is just pick up and move. So we weren’t going anywhere. We [the film’s producers] had the conversation. It was heated for about a week.”

Johnson, who in the past has said he would consider running for president, is comfortable weighing in on political issues, in contrast to Blunt. “I’m not quite American enough to say certain things,” Blunt says. “I appreciate how you navigate it because you’re very authentic and you stand by it. And you don’t just follow the crowd. You do step out and say certain things that might get you in hot water.”

Johnson, with 254 million followers, is the most followed American man on Instagram, where he shares workout routines and family moments and breaks news on his projects that once would have been revealed through studio press releases. “Coming from wrestling in front of 50 people at a used-car dealership or a flea market, the intention was always to have a relationship and a connection with [the fans],” Johnson says. “With social media, it was an opportunity for me to continue to connect with an audience where I didn’t have to rely on going on a talk show or this interview. It’s been the most invaluable decision of my career.” Blunt, meanwhile, has no social media profile. “I’ve always loved the mystique of an actor,” she says. “I don’t need to know what they brush their teeth with. I don’t want to know. I love people being hard to figure out.”

While Johnson sees Black Adam as the culmination of his career, Blunt is uninterested in comic book films. “I really understand that [superhero movies] are like a religion for a lot of people,” she says. “They don’t appeal to me in the same way. I don’t have this burning desire to play a superhero.” While Johnson has been shooting Black Adam , Blunt has been shooting a Western for the BBC called The English , which Amazon will release in the U.S. She plays an aristocratic woman who’s seeking revenge for her son’s death and befriends a Pawnee warrior. “It’s about love and revenge and race and history,” she says.

Despite their inauspicious start with a ghosting, Johnson has officially recruited Blunt into his orbit of regular collaborators, which also includes Ryan Reynolds and Kevin Hart. There is discussion of a Jungle Cruise sequel, and he has drafted Blunt to star in an as-yet-unannounced film project that he’s producing. “Not only is she a huge movie star but, more importantly, really the most empathetic human being I’ve ever met,” Johnson says as he is being pulled from the interview to get back to Black Adam . “God,” Blunt says, in mock mortification at his sincerity. “Get out of here.”

Blunt, who has been ribbing Johnson for much of the interview, turns serious to take stock of what she considers Johnson’s most extraordinary creation. “When you get to know him as being much gentler, much more shy than people realize, you really realize that The Rock is the performance of a lifetime,” she says. “It is so the antithesis of who he is. And so I’m going to push him to play, to take big swings with characters. Because it’s really transformative if you know him as I do and then you see him be The Rock — you’re like, ‘Who is that?’ “

Dwayne Johnson and Emily Blunt Photographed by Chrisean Rose

This story first appeared in the July 21 issue of The Hollywood Reporter magazine. Click here to subscribe.

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Interviews on the set of disney’s jungle cruise with the cast and crew.

Michelle Lema

We had the incredible opportunity to visit the set of Disney’s Jungle Cruise as the production roared to life with intricate locations, costumes, and characters, shot on the island of Kauai in Hawaii. We watched a scene being filmed, toured the set, and interviewed members of the cast and crew, including stars Dwayne Johnson and Emily Blunt. Afterwards, we could not wait to see the final film, and the wait is almost over! The film lands in theaters and on Disney+ with Premier Access on July 30, and it’s sure to be action-packed, hilarious, and heartfelt. 

In case you missed the latest , Disney’s Jungle Cruise is inspired by the Disney Parks attraction and is an exciting adventure that takes place on the Amazon River with skipper Frank Wolff (played by Johnson) and intrepid researcher Dr. Lily Houghton (played by Blunt). Lily travels from London, England to the Amazon jungle and enlists Frank’s help to guide her downriver on his boat, La Quila. The unlikely duo encounter innumerable dangers and supernatural forces on their journey, and they are so fun to watch together! Jaume Collet-Serra directs the film, which also stars Edgar Ramírez, Jack Whitehall, Jesse Plemons, and Paul Giamatti. 

We sat down with Emily Blunt, Dwayne Johnson, Jack Whitehall (who plays Lily’s brother, MacGregor Houghton), Paul Giamatti (who plays Nilo, Frank’s rival), costume designer Paco Delgado, and producers Glenn Ficara and Hiram Garcia. We learned so much about the process and incredible journey during the making of Jungle Cruise! Here’s an exclusive behind-the-scenes look:

Behind the scenes photo of camera crew on set filming Dwayne Johnson and Jack Whitehall at the docking area surrounded by water.

We started our visit with a tour of the set, which included the docking area shown above, a marketplace, a hotel, a tavern, Nilo’s landing, Frank’s living quarters, and of course, Frank’s iconic boat, La Quila. We learned on our tour that the film takes place around the year 1916 in Porto Belo, Brazil. The sets revealed that while Frank runs a one-man operation, lives in a modest shack, and built his boat by hand, Nilo practically owns the town and runs a large fleet of boats. Some of the sets (like Nilo’s landing) could only be accessed by water! We even got to step aboard La Quila and stand at the helm:

Correspondent Michelle Lema standing at the helm of the boat La Quila on the set of Disney's Jungle Cruise

And here’s a closer look at La Quila during our tour, and a view of the water around the set:

Correspondent Michelle Lema standing in front of of the docked boat La Quila on set of Disney's Jungle Cruise

After our tour, we watched a scene being filmed on the tavern set, including some incredible character work by Johnson, Blunt, Whitehall, and Giamatti. It was so exciting to watch them all in action together!

When we spoke to producers Glenn Ficara and Hiram Garcia, they noted that they jumped aboard the film two or three years previous. Ficara and Garcia read the script at the same time as Johnson, and all three loved it. Ficara noted, “I think you’ll be very surprised by the tone of the movie — by the scale, the scope, the set pieces, but most importantly the core of Dwayne and Emily Blunt.” They noted that the chemistry between Johnson and Blunt on screen will make audiences feel like the two have known each other forever. As far as the plot, Ficara and Garcia teased that what triggers the story is Blunt’s character Lily showing up to search for a legend that “may or may not exist.” Whitehall’s character MacGregor also joins Frank and Lily on the adventure and adds some incredible comedy, according to the producers. 

Disney's Jungle Cruise Film Still of Jack Whitehall, Emily Blunt, and Dwayne Johnson filming a scene

Ficara and Garcia were also working very closely with Disney Imagineers as the film progressed. Garcia noted that throughout the film, “There are nods to the world of Disneyland in subtle ways.” Ficara added, “It was important for us to transport the audience and transport this iconic [attraction].” They also noted that as the journey through the Amazon progresses, we’ll see some beautiful wish-fulfillment scenes for Disney fans, as well as danger, excitement, and animal encounters. “Because the ride is now over 70 years old, you have three generations of families that have all experienced it… so, it’s really deep-rooted… when you hear the name it brings back memories of you and your family going there,” Ficara said. For fans of the Disney Parks attraction, they also confirmed we will get to see the “backside of water” in the film, as well as some excellent puns delivered by Johnson. 

Costume designer Paco Delgado talked about what inspired him to create the costumes for the film. Of starting his work on the film, Delgado said, “I always think that when you design a movie, you are almost like a reader. It’s exactly the same process as a person who reads and starts to imagine things in their head. That’s the way I normally try to work.” For Blunt’s character, Delgado was excited to depict a woman in trousers in the time period that the film takes place, and took inspiration from Amelia Earhart and other female icons of the early 20th century. 

Jack Whitehall and Emily Blunt walking into the hotel on set of Disney's Jungle Cruise

Delgado noted, “I always find that in order to be free to create, you have to have a really huge foundation. I believe that everything comes from the research.” He and his team looked at library records and photographs of the time period to see how expeditions and clothing might have looked. “Costumes and clothing are so intermingled with society,” Delgado said, and that heavily influenced his work.

Giamatti was incredibly excited to be a part of Jungle Cruise and to portray Nilo. He said of the script and story: “There’s lots of really interesting stuff going on in there. It’s got some fantasy elements in it that are very cool. And it’s surprising and I just thought it was unexpected.” For his character, he was given a lot of opportunity to explore traits and props, and even chose for his character to have a pet cockatoo. When asked about filming on a set built in Kauai, Giamatti noted, “Working here is unbelievable. It’s beautiful.”

Whitehall was equally excited to join the cast of Jungle Cruise and shared, “I love Disney. I read the script and it just instantly appealed to me. It was so much fun and it was exactly the kind of movie that I’d go and watch in the cinema. Added to that you’ve got Dwayne and Emily who I’ve been a huge fan of for a long time. And Jaume the director was great. I met him and I thought he was superb and really had a distinct idea for what he was going to do with it. So, I was on board very easily.” He explained that his character MacGregor is a very savvy, dapper gentleman who is “really dragged on this cruise by his sister and is a reluctant party on it.” He also noted, “probably not a million miles from how I would behave if I was in the situation that the character is in.” He went on to joke, “MacGregor might just be the worst person you can throw into this environment.” 

Whitehall noted that Lily is very head first, asking questions “on the way down,” while MacGregor balances that out. When asked about building the brother-sister relationship with Blunt’s character, Whitehall said, “We grew up a couple of streets away from each other in London… we instantly got on and had a natural chemistry.” As far as MacGregor’s relationship with Johnson’s character Frank, Whitehall noted, “Over the course of the movie, I think he realize[s] you shouldn’t judge a book by its cover, and there’s a lot more depth and surprising aspects to Frank’s character than he probably suspects when he first met him.” Regarding working with Johnson, Whitehall said, “He’s incredible. He’s exactly the kind of person you want him to be.”

Between scenes, we also interviewed Blunt and Johnson — in their amazing costumes — as a light rain drizzled over the set. Holding umbrellas, the hilarious duo answered questions about working on the film. Blunt said of taking on her character Lily, “There was something about this character… she just was so tenacious and exciting, determined, completely free-spirited. And kind of weird. A really interesting character.” She also noted, “She is very unusual and at the time she’s kind of a trailblazer.” On Frank and Lily’s scenes together, Blunt noted, “At the core of it is this relationship, this unlikely duo… there’s this chemistry between them and this rapport between them.” 

Both Johnson and Blunt are incredibly excited about the film, and grew up as Disney fans as well. “I was just so amazed because I’d always dreamed about going to [ Walt Disney World ]... I finally went and I fell in love with the ride just like I fell in love with the Park,” Johnson said. Johnson also noted that he took inspiration from the fact that Walt Disney was the very first skipper for the Jungle Cruise attraction at Disneyland . Blunt added, “I think that the experience for me, and I know for Dwayne as well, is just really personal and it feels really exciting. And I think that Disney films are those kind of films that are seared into your nostalgia. Certainly as a child I have such lasting memories of Disney movies. Those were the films I grew up watching, so it’s completely surreal to be now in a few of them.” Of the film itself, Johnson said, “There’s heart, there’s universal [themes], there’s fun, there’s adventure, and there’s also a good lesson with that as well.” When asked about the filming experience, Blunt said, “I’m having the time of my life.” Johnson chimed in, “It’s a dream come true.”

Emily Blunt and Dwayne Johnson Aboard La Quila boat in Disney's Jungle Cruise

Visiting the Jungle Cruise set was a Disney dream come true, and we can’t wait to see the film come to life!

Disney’s Jungle Cruise is in theaters and on Disney+ with Premier Access on July 30. (Additional fee required.) For more Disney+ news and updates, follow @DisneyPlus on YouTube , Instagram , Twitter , and Facebook . 

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Jungle Cruise Cast: Where You’ve Seen The Actors Before

The Jungle Cruise cast

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After it was pushed back from its original October 2019 release date to July 2020 before being pushed back another whole year, the time has finally come that we get to see Dwayne Johnson visit " the backside of water ." In Jungle Cruise , based on the popular Disneyland attraction of the same name, The Rock plays a sea boat captain enlisted to help guide an eccentric scientist, played by Emily Blunt , on a quest to find the Tree of Life during World War I. While it is easy to tell that this is destined to be one of the biggest 2021 movies with such huge stars in the lead, there are many other big names in the Jungle Cruise cast to look forward to seeing.

Dwayne Johnson in Jungle Cruise

Dwayne Johnson (Frank Wolff)

Playing a hero named Frank who runs a slightly sketchy river tour operation until he's hired by Emily Blunt ’s character for an entirely different purpose is The Rock. He first transitioned from wrestling to acting playing his father on That ‘70s Show before making his film debut in 2001’s The Mummy Returns as The Scorpion King.

He first became friendly with Disney with family films like The Game Plan before the Fast and Furious movies certified him as a franchise rejuvenator and box office draw. After the Jumanji: Welcome to the Jungle star returns to the jungle again, he will re-team with Jungle Cruise director Jaume Collet-Serra for Black Adam (one of the most anticipated DC movies ), return to California for a Big Trouble in Little China sequel, and revisit Hawaii for Robert Zemeckis’ Kamehameha biopic , The King.

Emily Blunt in Jungle Cruise

Emily Blunt (Dr. Lily Houghton)

It is actually surprising that it took until now for Dwayne Johnson and Golden Globe winner Emily Blunt (who plays Lily Houghton, a woman on a quest to find a mythical tree in the Amazon that can cure any ailment) to join forces. For one, she is also a Disney darling, with Mary Poppins Returns and others, and has led action-packed blockbusters like the A Quiet Place movies (directed by and co-starring her husband John Krasinski ).

The British beauty first got America’s attention with 2006’s The Devil Wears Prad , which led to an impressively versatile career, ranging from sci-fi thrillers like Looper to dark indie dramedies like Sunshine Cleaning to light rom-coms like The Five-Year Engagement with Jason Segel . Blunt does not seem interested in granting many fans’ wish to see her play Invisible Woman in the Marvel movies , but could follow Jungle Cruise by reprising her Edge of Tomorrow role if the long-awaited sequel ever happens , that is.

Jack Whitehall in Jungle Cruise

Jack Whitehall (MacGregor Houghton)

Playing the role of MacGregor Houghton, the brother of Lily who accompanies her on the voyage is Jack Whitehall, who may finally make a splash with American audiences by starring in Jungle Cruise . This is not to say, however, that the British comedian does not already have a following in the States, having starred in 2016’s Mother’s Day , the hit Amazon Prime original miniseries Good Omens in 2019, and The Nutcracker and the Four Realms (his first collaboration with Disney) a year earlier. Later in 2021, Whitehall will appear in the live-action Clifford the Big Red Dog movie and is slated to star in two very unique upcoming romance movies called Silent Retreat and Robots .

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Paul Giamatti in Jungle Cruise

Paul Giamatti (Nilo Nemolato)

As Nilo Nemolato, who manages the port where Frank keeps his boat, we have Paul Giamatti , who has been acting since the ‘90s, appearing in bit parts in movies like Jim Carrey’s The Truman Show and the Saving Private Ryan cast before he earned his first Golden Globe nomination for 2004’s Sideways , which made him a household name. He has since become an Oscar nominee for Cinderella Man , a Golden Globe and Emmy winner for HBO’s John Adams miniseries, a Marvel villain (Rhino) in The Amazing Spider-Man 2 , a shady record producer in the NWA biopic Straight Outta Compton , and even Santa Claus in 2007’s Fred Claus with Vince Vaughn.

Jungle Cruise marks Paul Giamatti's second collaboration with Disney after Saving Mr. Banks and his second collaboration with Dwayne Johnson after San Andreas from 2015. He. is also a series regular on Showtime’s Billions and will reportedly reunite with Sideways director Alexander Payne for The Holdovers .

Jesse Plemons in Jungle Cruise

Jesse Plemons (Prince Joachim)

Prince Joachim, the one who steals the arrowhead from Emily Blunt and attacks Dwayne Johnson's boat from a submarine in the Jungle Cruise trailer, is played by Jesse Plemons . He has has proved that he can play a good bad guy as Todd on the Breaking Bad cast , in one of the best Black Mirror episodes (“U.S.S. Callister”), in the dark comedy Game Night , Netflix’s I’m Thinking of Ending Things , and as a morally bankrupt FBI agent in Judas and the Black Messiah most recently.

Jungle Cruise could technically qualify as the latest of his multiple Disney projects, having appeared in Twentieth Century Fox’s Like Mike as a teen and Fargo - FX’s anthology series based on the 1996 Coen Brothers movie. The former Friday Night Lights cast member also worked with Steven Spielberg on Bridge of Spies , was directed by Martin Scorsese for The Irishman and the upcoming Killers of the Flower Moon , narrated Vice , and his role in Antlers (one of the most anticipated upcoming horror movies ) will finally hit the screen in October. 2021.

Edgar Ramirez in Jungle Cruise

Édgar Ramírez (Aguirre)

Also playing one of the villains in Jungle Cruise , named Aguirre, is Venezuelan actor Édgar Ramírez, who has played everybody from Gianni Versace to the role of Bohdi in the remake of Point Break after breaking out in Hollywood in a small The Bourne Ultimatum part. This led to getting second billing in the possession thriller Deliver Us From Evil , the lead in sports biopic Hands of Stone , and a few Netflix movies, including 2017’s Bright and the family comedy Yes Day in 2021. Following Jungle Cruise (his second film with Emily Blunt after The Girl on the Train ) Ramírez will reunite with his Zero Dark Thirty co-star Jessica Chastain in Netflix’s The 355 and has joined the Borderlands cast for Eli Roth’s film adaptation of the popular video game series.

Jungle Cruise's Veronica Falcón in Queen of the South

Veronica Falcón (Trader Sam)

Portraying a gender-swapped version of Trader Sam - a classic character from the original Jungle Cruise attraction - is Veronica Falcón, who made her English-language debut in the 2007 thriller Not Forgotten years before starring alongside The Suicide Squad ’s Alice Braga on USA’s Queen of the South and on HBO’s Perry Mason series reboot later in 2020. The following year has been huge for the Mexican actress so far, from a small part on the Falcon and Winter Soldier cast , a large part on the Why Women Kill cast, and an appearance in the latest of the Purge movies , The Forever Purge . Falcón will next star on Ozark Season 4 , in The Starling alongside Melissa McCarthy and Timothy Olyphant, and Apple TV+’s Mr. Corman with creator and star Joseph Gordon-Levitt.

Jungle Cruise's Andy Nyman in Ghost Stories

Andy Nyman (Sir James Hobbs-Coddington)

Another British actor who could likely call Jungle Cruise the most high-profile credit on his resume to date (at least to American audiences) is Andy Nyman, who previously worked with director Jaume Collet-Serra on the Liam Neeson action thriller The Commuter in 2019. Much earlier, he starred in the original Death at a Funeral from 2007 , played The Tumor in Kick-Ass 2 , and appeared on Netflix’s Peaky Blinders as Winston Churchill. The co-writer, co-director, and star of Ghost Stories - one of the most acclaimed anthology horror movies in recent memory - also played a Jail Guard in Star Wars: The Last Jedi , had a recurring role in Amazon’s series reboot of Hanna , and starred in the Academy Award-winning biopic Judy in 2019.

It looks like the Jungle Cruise cast may help drive Disney’s latest theme park attraction-based movie toward a treasure trove of riches.

jungle cruise director

CinemaBlend’s resident theme park junkie and amateur Disney historian, Dirk began writing for CinemaBlend as a freelancer in 2015 before joining the site full-time in 2018. He has previously held positions as a Staff Writer and Games Editor, but has more recently transformed his true passion into his job as the head of the site's Theme Park section. He has previously done freelance work for various gaming and technology sites. Prior to starting his second career as a writer he worked for 12 years in sales for various companies within the consumer electronics industry. He has a degree in political science from the University of California, Davis.  Is an armchair Imagineer, Epcot Stan, Future Club 33 Member.

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No Lion, the Skipper Is the Real King of the Jungle Cruise

Bad jokes and puns are part of a Disneyland job that has been immortalized in a new film. Those who’ve held the role at the theme park never really leave it behind.

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By Kathryn Shattuck

In 1916 Brazil, Skipper Frank Wolff runs the cheapest jungle cruise on the Amazon. And undoubtedly the cheesiest, as he introduces tourists to the river’s wondrous sights with a spiel overflowing with doozies.

“If you look to the left of the boat, you’ll see some very playful toucans. They’re playing their favorite game of beak-wrestling. The only drawback is, only two can play.”

“The rocks you see here in the river are sandstone. But some people just take them for granite. It’s one of my boulder attractions.”

And the highlight of the tour: “Ladies and gentlemen, get ready for the eighth wonder of the world,” he says, building toward the climax, as his rickety steamboat passes behind a makeshift waterfall. “Wait for it … the backside of water!”

Frank’s guests may groan and roll their eyes at his droll banter in Disney’s “ Jungle Cruise ,” starring Dwayne Johnson as the swaggering skipper and arriving July 30 on Disney+ and in theaters. But the skippers and their spiels — corny jokes and bad puns, the cringier the better — have been the real stars of the Jungle Cruise attraction since the first one opened at Disneyland in 1955. Take them away and the seven-minute fantasy boat trip along rivers in South America, Asia and Africa, inspired in part by “The African Queen,” might be just another ride down a fake waterway with fake scenery.

It’s also one of the rare performing jobs at a Disney theme park where the skippers can weave their own personalities into the script — from dry and geeky to animated and flamboyant — and get guests in on the action. “It’s this alchemy that happens” that few attractions can replicate, said Alex Williams, a former skipper who now works for the Disney fan club D23.

With the new movie as well as the ride’s freshly reimagined story line, the Jungle Cruise is in the spotlight now, and no one is feeling it more than the skippers themselves.

“We’re all just really excited about being able to share this experience with everyone and being the inspiration for the movie,” said Flor Torres, a “lead” on the attraction.

“Once a skip, always a skip.” That’s the motto of skippers who’ve held a job requiring them to maneuver a boat while performing a stand-up routine dozens of times across an eight-hour day.

“People really take that to heart,” Torres added of the motto. “I know skippers that have worked here maybe 20, 30 years ago, and they still come by and talk to us like they were just here yesterday.”

A handful have wisecracked their way to bigger stages, like Ron Ziegler , the White House press secretary for President Richard M. Nixon; the filmmaker John Lasseter ; Steve Franks, a screenwriter and the creator of the TV series “Psych”; and, it’s said, the actor Kevin Costner. (Alas, stories that Robin Williams and Steve Martin honed their humor at the helm are apparently only myths.)

Other former skippers have recounted their experiences on podcasts like “Tales From the Jungle Crews” and “The Backside of Water,” or provided pandemic uplift in Freddy Martin’s “World Famous Jungle Cruise” video and its sequel .

And a bold few have revealed some not-Disney-approved antics in books like “ Skipper Stories : True Tales From Disneyland’s Jungle Cruise,” a compilation of six decades of anecdotes from former skippers, including the author, David John Marley.

To wit: The ritual of becoming a “real skipper” by peeing in the river at night. The Jungle Justice inflicted on skippers who abused their break time (they found themselves suddenly scheduled for upward of 90 minutes of nonstop cruises without water or a bathroom stop). The off-hours party where $2,000 was spent on alcohol and condoms.

A good skipper is an extrovert, a nut and somewhat of a rogue. At least that’s how Bill Sullivan , who joined the Jungle Cruise in 1955, once put it . His own skipper colleagues included a man who arrived one morning with chameleons around his neck.

They didn’t have much of a script in the beginning so the men wrote their own, Sullivan, who eventually became vice president of the Magic Kingdom, recalled in 2008. (Women didn’t become skippers until the mid-1990s.)

The spiel had been repeatedly fine-tuned by the time Franks landed his gig in the late 1980s. And venturing from it was ill-advised.

“You would hear these stories about supervisors hiding in the jungle, listening for people going off-book, but if that was true, they would have canned me on Day 2,” he said. “I knew I wanted to make movies, and I was doing stand-up at the time. And as soon as we got around the first corner, I was working in material.”

Franks stayed at Disneyland for eight and a half years, writing the script for Adam Sandler’s “Big Daddy” while monitoring the Enchanted Tiki Room.

Crews may have been rowdier back in the day, but “today we’re much more conservative, a little less the Wild West,” said Kevin Lively, one of two skippers chosen to represent Disneyland at Tokyo Disney Resort’s 25th anniversary celebration in 2009. (There’s also a Jungle Cruise at Walt Disney World and Hong Kong Disneyland.)

Lively now works as a Disney Imagineer, developing skipper spiels and contributing “gnu” magic to the attraction, which has replaced racist elements like spear-throwing African “headhunters” with a story about Felix Pechman XIII, “the unluckiest skipper on the dock.”

And when the “Jungle Cruise” movie needed an injection of humor, Lively was on it.

“I shotgun-blast puns and references and Easter eggs to them, and let them kind of just run amok,” he said. “There’s stuff in there that I think all these skippers will get, which just makes me over-the-moon happy. They really showed their love of the attraction in that film.”

Skipper Frank’s ersatz Amazon tour wasn’t in the original script, said Jaume Collet-Serra, the movie’s director. But once the filmmaker had ridden the actual Jungle Cruise and witnessed reactions to that “backside of water” joke, he knew what he had to do.

Treat the audience to a mini-Jungle Cruise experience.

“I was like, let me give them what they want for two minutes and then I’ll give them more, but at least they’ll be happy early,” he said. “You know, ‘Here is what you came for — now let the movie begin.’”

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10 Movies That Couldn't Top Their Opening Scene

Jurassic world 4's story promise is what the franchise has struggled with for 27 years, gladiator 2 trailer release window finally revealed.

Jaume Collet-Serra has now signed on for his first proper big-budget studio project. The Spanish director is a filmmaker that has seemed poised to move up to A-list status for most of his career. Collet-Serra got his start in Hollywood as many directors do, helming relatively low-budget horror movies. While his debut feature - a remake of House of Wax - drew mixed reviews from horror fans, 2009's Orphan proved to be a big sleeper hit with the genre community, nearly quadrupling its reported $20 million budget at the worldwide box office.

Collet-Serra then seemed to find a kindred spirit in actor Liam Neeson, directing three straight action flicks starring the multi-time Oscar and Golden Globe nominee. While none of them were critical darlings, 2011's Unknown and 2014's Non-Stop both broke the bank when it comes to profit, raking in 9-figure returns on 8-figure budgets. Last year's shark flick The Shallows was another big success for the filmmaker, earning over $100 million worldwide on a budget of only $17 million. If there's one thing, Collet-Serra has proven to Hollywood, it's that his movies make money.

Related: Jaume Collet-Serra Passes on Suicide Squad 2

Earlier this month, it was reported that Collet-Serra was the frontrunner to direct the DCEU sequel Suicide Squad 2, after David Ayer had opted not to return. However, it was never confirmed that he was taking the job, and now it's clear why. Deadline reports that Collet-Serra has officially signed on to direct Jungle Cruise,  Disney's action-adventure movie starring Dwayne "The Rock" Johnson .

Like the Pirates of the Caribbean and Haunted Mansion films before it, Jungle Cruise is based on the classic Disney theme park attraction. Exactly what Jungle Cruise will be about remains to be seen since, as is the cast with most blockbusters nowadays, plot details are being kept close to the vest for the time being. This will of course not be Johnson's first starring trip to the jungle, as he's set to star in Jumanji: Welcome to the Jungle, a sorta-sequel to the 1996 Robin Williams movie that heads to theaters this December.

Jungle Cruise will be Collet-Serra's first crack at directing a big-budget blockbuster, starring no less than one of the biggest stars in the world. One assumes he will be feeling some pressure, but his prior successes indicate that he will likely rise to the challenge. This is the kind of directing gig that can really "make" somebody with Hollywood, and only time will tell which way the chips fall.

NEXT: Dwayne Johnson Won't Be in the Shazam Movie

Jungle Cruise  starts filming in 2018 , but doesn't have an official release date yet.

Source: Deadline

  • Jungle Cruise (2021)

jungle cruise director

Amazon's Prime Video to Remove 13 Movies In 5 Days - Here's the 3 to Watch Before They Leave

By Phillip Swann

Amazon’s Prime Video has just revealed that it will remove 13 movies after June 30, 2024. Here are the three you should definitely watch before they leave, in my humble opinion:

Apocalypse Now (1979)

Martin Sheen stars as the military assassin Capt. Willard in this insane but brilliant Vietnam war drama from director Francis Ford Coppola. Willard is assigned to kill a former American officer (Marlon Brando) who, speaking of insane, has lost his mind in the jungle and assembled a ragtag army of worshipping natives and ex-soldiers. And when I say, speaking of insane, I am referring to both Brando’s character and the man himself. The greatest actor our nation has ever produced showed up on the movie’s set in the Philippines without knowing his lines, scores of pounds overweight, and eager to rewrite the movie. (This happened after Coppola had to fire Harvey Keitel who was first cast as Willard, and actually shot some early scenes, then hire Martin Sheen and then have to wait in mid-production for Sheen to recover from a heart attack!) Somehow, Coppola managed to keep his cool in the tropical heat — despite telling anyone who would listen that he was going crazy — and make one of the greatest, most spectacular films ever. The performances (even Brando) are sensational, particularly Robert Duvall as a psychotic Col. Kilgore who orders his men to surf while friendly fire bombs are dropping just a few meters away. Apocalypse Now is a movie that could never be made again, and it’s a miracle it was made at all.

Rain Man (1988)

Tom Cruise stars in this Barry Levinson-directed comedy/drama about a hustler (Cruise) who kidnaps his autistic long-lost older brother (Dustin Hoffman) when he learns their late father left an entire inheritance to him. The film becomes a lesson in blood ties and personal awakenings when the two set out on a cross- country trip to Los Angeles. In lesser hands, and a lesser cast, Rain Man could have resulted in a run-of-the-mill buddy movie albeit with a twist (autism.) But Cruise and Hoffman are so great together that their relationship touches your heart as well as offer some life lessons. Levinson also shows why he was one of the great directors of the 1980/90s (although highly underrated) with some fabulous set pieces (particularly the Vegas scenes). Great film!

Three Amigos (1986)

Steve Martin, Chevy Chase and Martin Short play three silent movie stars who are mistaken for real heroes in a small Mexican village. Folks, unlike our first two selections here, there is nothing fancy about Three Amigos. It’s just three great comedians at the peak of their powers having fun and making funny. Saturday Night Live creator Lorne Michaels, singer Randy Newman and Martin wrote the script and SNL regulars Phil Hartman and Jon Lovitz have supporting roles.

Complete List of Movies Leaving Amazon’s Prime Video After June 30, 2024

Apocalypse Now

Evil Under the Sun

Men at Work

The Age of Adaline

Three Amigos

Call Me By Your Name

Occupation: Rainfall

All the Devil’s Men

The TV Answer Man  is veteran journalist Phillip Swann who has covered the TV technology scene for more than three decades. He will report on the latest news and answer your questions regarding new devices and services that are changing the way you watch television. See the bio for  Phillip Swann here.

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Amazon's Prime Video to Remove 13 Movies In 5 Days - Here's the 3 to Watch Before They Leave

Dwayne Johnson Slaps A Krampus In The Face In The Red One Trailer

Now The Rock has a machine gun Christmas movie, ho-ho-ho. 

Is it a stretch to say Dwayne Johnson has been in a bit of a slump of late?  His return to wrestling earlier this year didn't go over well with WWE fans ; his much-ballyhooed plan to change the hierarchy of the DC Universe with "Black Adam" and "DC League of Super-Pets" failed to pan out ( but don't tell Johnson that ); his Netflix action-comedy "Red Notice" was apparently watched by every single person on the planet yet nobody seems to remember a damn thing about it beyond the alcoholic product placement ; and even his mega-expensive "Jungle Cruise" movie was the victim of a bungled hybrid streaming and theatrical release (although the tepid reviews probably didn't help). 

Hoping to turn things around, The Rock is joining forces with his "Jumanji: Welcome to the Jungle" and "The Next Level" director Jake Kasdan for "Red One," a film that was announced in 2021 and described as a "unique concept [that] represents a property that could encompass not only a tentpole film, but could reach beyond entertainment across multiple industries and businesses." (Woo-hoo, nothing says fun like a "unique concept" movie!) More recently, "Red One" was the topic of a bombshell report that alleged the film's budget has soared well above $250 million due to factors including The Rock consistently showing up late to filming and a lack of producing experience on the part of Hiram Garcia, the brother of Johnson's ex-wife and Seven Bucks Productions co-founder Dany Garcia, who's also credited for cracking the movie's story.

Still, plenty of movies have been hell to make and come out the other end looking fantastic. Does that seem like the case here? Watch the "Red One" trailer (which is featured above) and see what you think.

Red One will try to jingle your bells this November

Woof, so, uh, this is apparently what $250 million will get you in today's economy. Johnson stars in "Red One" as Callum Drift, who's tasked with overseeing security for Red One, aka Santa Claus (a bench-pressing, muscled-out, bearded J.K. Simmons, which is to say a regular J.K. Simmons), only for the big man to find himself Santa-napped. The ensuing rescue op pairs Drift with Chris Evans' Jack O'Malley, who's somehow the only one capable of saving Mr. Claus despite being a "Level 4 Naughty Lister." Along the way, the two encounter talking polar bears and killer mutant snowmen, with Drift getting slapped by Krampus ("Game of Thrones" alum Kristofer Hivju) at one point, albeit not the one from Michael Dougherty's "Krampus," which would automatically make this a much better movie.

Setting aside "Fast & Furious" veteran Chris Morgan, who's credited for penning the screenplay based on Hiram Garcia's idea, essentially merging the "Santa Clause" movies with Johnson's "Hobbs & Shaw," the whole thing looks depressingly bad — as in, it literally looks bad and not like something a studio sunk hundreds of millions of dollars into making. With the "Jumanji" films and the likes of "Walk Hard: The Dewey Cox Story" under his belt, Kasdan's track record speaks for itself, but this "Red One" trailer doesn't exactly inspire confidence. Mercifully, however, we already have a terrific Santa Claus movie starring J.K. Simmons. It's called "Klaus" and you can watch it on Netflix right now.

Lucy Liu, Kiernan Shipka, Bonnie Hunt, Nick Kroll, and Wesley Kimmel costar in "Red One," which will open in theaters on November 15, 2024.

IMAGES

  1. ‘Jungle Cruise’ film review: a classic summer blockbuster souped up for

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  2. Poster zum Film Jungle Cruise

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  4. “Directors are Not Born Being Blockbuster Filmmakers”: Producers John

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  5. The Backside of Filmmaking: The Cast of Disney's "Jungle Cruise" Talk

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  6. Jungle Cruise (2021)

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VIDEO

  1. RCT3 Jungle Cruise

  2. Jungle cruise episode 1

  3. Jungle cruise best clip

  4. Jungle Cruise 2009 WDW

  5. Jungle Cruise Anaheim 2024

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COMMENTS

  1. Jungle Cruise (film)

    Jungle Cruise is a 2021 American fantasy adventure film directed by Jaume Collet-Serra from a screenplay written by Glenn Ficarra, John Requa, and Michael Green.It is based on Walt Disney's eponymous theme park attraction.Produced by Walt Disney Pictures, the film stars Dwayne Johnson, Emily Blunt, Édgar Ramírez, Jack Whitehall, Jesse Plemons, and Paul Giamatti.

  2. Jungle Cruise (2021)

    Jungle Cruise: Directed by Jaume Collet-Serra. With Dwayne Johnson, Emily Blunt, Edgar Ramírez, Jack Whitehall. Based on Disneyland's theme park ride where a small riverboat takes a group of travelers through a jungle filled with dangerous animals and reptiles but with a supernatural element.

  3. Jaume Collet-Serra

    Jaume Collet-Serra. Producer: The Shallows. Jaume Collet-Serra was born on March 23, 1974 in Barcelona, Barcelona, Catalonia, Spain. At the age of 18, he moved to Los Angeles and attended Columbia College Hollywood, working as an editor on the side. Upon graduation, he began shooting music videos and caught the eye of several production companies.

  4. Jungle Cruise (2021)

    Jungle Cruise (2021) cast and crew credits, including actors, actresses, directors, writers and more. Menu. ... director of photography: additional photography, Atlanta Unit Sid Sikes ... rigging grip Deon Slacks ... set lighting technician: second unit, Hawaii Unit Jared Slater ...

  5. Jungle Cruise movie review & film summary (2021)

    The most pleasant surprise is that director Jaume Collet-Serra ("The Shallows") ... "Jungle Cruise" has the look and feel of a paycheck gig for all involved, but everyone seems to be having a great time, including the filmmakers. In theaters and on Disney+ for a premium charge starting Friday, July 30th. ...

  6. Director Collet-Serra: Jungle Cruise is a film that the whole family

    22 Sep 2021, 12:29 pm. Jungle Cruise promises everything we associate with Disney titles: adventure, eye-popping visuals, and loads of action. For filmmaker Jaume Collet-Serra, who adapted this Disney ride into a live-action spectacle, it was essential to keep the essence and tone of the ride intact. "The Jungle Cruise ride is loved by many ...

  7. Jaume Collet-Serra

    Jaume Collet-Serra (Catalan: [ˈʒawmə kuˈʎɛt ˈsɛrə]; born 23 March 1974) is a Spanish-American film director and producer.He directed the horror films House of Wax (2005), Orphan (2009), and The Shallows (2016), as well as the Liam Neeson-led thriller films Unknown (2011), Non-Stop (2014), Run All Night (2015), and The Commuter (2018). Collet-Serra also directed the Dwayne Johnson-led ...

  8. 'Jungle Cruise' director Jaume Collet-Serra: "You want to be ...

    Jaume Collett-Serra: "The Jungle Cruise ride is a very famous and well-known ride. It's one of the original rides at Disneyland, designed actually by Walt Disney. So it's beloved by many people, not only because it's been there for a long time, but because it's one of the only rides that the whole family can enjoy together.

  9. 'Jungle Cruise' Director Jaume Collet-Serra Talks 'Black Adam'

    Johnson and Collet-Serra bonded in the depths of that on-screen jungle, to the point that the star recruited the director for his first superhero effort, the DC Films project " Black Adam ...

  10. Designing the World of Disney's 'Jungle Cruise'

    For director Jaume Collet-Serra, Jungle Cruise offered the opportunity to make the type of storyline he "loved as a kid, but had never gotten the chance to make, something like Romancing the Stone. Visually, I wanted to make a movie with a lot of scope. That would feel like you're on an actual journey through the Amazon.

  11. 'Jungle Cruise' Director Jaume Collet-Serra Levels Up With ...

    Johnson and Collet-Serra bonded in the depths of that on-screen jungle, to the point that the star recruited the director for his first superhero effort, the DC Films project "Black Adam ...

  12. The Cast of Disney's Jungle Cruise Talks Humor, Heart, and Adventure

    Actors Dwayne Johnson, Emily Blunt, Jack Whitehall, and Edgar Ramírez sat down in July to talk about their new movie, Disney's Jungle Cruise, when it first came to theaters and Disney+ with Premier Access. Dwayne Johnson, who plays skipper Frank Wolff, is also a producer on the film. He explains of his decision to climb aboard the project ...

  13. Dwayne Johnson and Emily Blunt in 'Jungle Cruise' Film Review

    Director: Jaume Collet-Serra. Screenwriters: Michael Green, Glenn Ficarra, John Requa; story by John Norville, Josh Goldstein, Ficarra, Requa. Rated PG-13, 2 hours 8 minutes. Everything about ...

  14. Jungle Cruise

    Join fan favorites Dwayne Johnson and Emily Blunt for the adventure of a lifetime on Disney's JUNGLE CRUISE, a rollicking thrill-ride down the Amazon with wisecracking skipper Frank Wolff and ...

  15. Disney's Jungle Cruise Movie: Release Date, Cast & Story

    Jaume Collet-Serra directs Jungle Cruise.This is Collet-Serra's first time working on a Disney film as well as his first time working with Johnson (they'll re-team for DC's Black Adam) and Blunt.Collet-Serra's specialty as a director has been in delivering tense, action-packed feature-length films to the masses.

  16. Jungle Cruise Review: A Light Adventure That Still Hits the Spot

    Director Jaume Collet-Serra delivers fun adventure with a light touch thanks to the charming chemistry of his lead actors. ... and Jungle Cruise is the latest to arrive from the Magic Kingdom. For ...

  17. THR Cover: How Dwayne Johnson Wooed Emily Blunt for 'Jungle Cruise'

    So when Jungle Cruise's taciturn Spanish director, Jaume Collet-Serra, was planning to fly to New York to hand deliver a script directly to Blunt at her home in Brooklyn, Johnson wanted to send ...

  18. On Set With the Cast and Crew of Disney's Jungle Cruise

    We had the incredible opportunity to visit the set of Disney's Jungle Cruise as the production roared to life with intricate locations, costumes, and characters, shot on the island of Kauai in Hawaii. We watched a scene being filmed, toured the set, and interviewed members of the cast and crew, including stars Dwayne Johnson and Emily Blunt.

  19. Dwayne Johnson Explains Why He Wanted 'Jungle Cruise' Director Jaume

    Dwayne Johnson worked with director Jaume Collet-Serra on 'Jungle Cruise' and loved his professionalism so much that he decided to bring him on board for 'Black Adam' too. by Johnell Gipson ...

  20. Jungle Cruise Cast: Where You've Seen The Actors Before

    Another British actor who could likely call Jungle Cruise the most high-profile credit on his resume to date (at least to American audiences) is Andy Nyman, who previously worked with director ...

  21. No Lion, the Skipper Is the Real King of the Jungle Cruise

    Dwayne Johnson as the skipper in "Jungle Cruise," based on the ride. Disney. By Kathryn Shattuck. July 29, 2021. In 1916 Brazil, Skipper Frank Wolff runs the cheapest jungle cruise on the ...

  22. The Rock's Jungle Cruise Gets a Director

    Like the Pirates of the Caribbean and Haunted Mansion films before it, Jungle Cruise is based on the classic Disney theme park attraction. Exactly what Jungle Cruise will be about remains to be seen since, as is the cast with most blockbusters nowadays, plot details are being kept close to the vest for the time being. This will of course not be Johnson's first starring trip to the jungle, as ...

  23. Jungle Cruise

    Jungle Cruise, formally named Jungle River Cruise, is a riverboat amusement ride located in the Adventureland themed section at various Disney theme parks worldwide. ... Jaume Collet-Serra, director of the 2021 film adaptation of the attraction. For years, ...

  24. Red One: Release Date, Cast, and Plot Details About Dwayne Johnson

    Red One reunites Johnson with his 2017's Jumanji: Welcome to the Jungle and 2019's Jumanji: The Next Level director Jake Kasdan, whose credits include the comedies Orange County, Walk Hard: The ...

  25. Amazon's Prime Video to Remove 13 Movies In 5 Days

    Rain Man (1988) Tom Cruise stars in this Barry Levinson-directed comedy/drama about a hustler (Cruise) who kidnaps his autistic long-lost older brother (Dustin Hoffman) when he learns their late ...

  26. Dwayne Johnson Slaps a Krampus In The Face in The Red One Trailer

    Hoping to turn things around, The Rock is joining forces with his "Jumanji: Welcome to the Jungle" and "The Next Level" director Jake Kasdan for "Red One," a film that was announced in 2021 and ...