cruise force the truth lyrics

Meaning of Cruise (Force the Truth) by Whitehouse

The song "Cruise (Force the Truth)" by Whitehouse delves into themes of manipulation, falsehoods, and self-examination. The lyrics express a frustration with the absence of details and facts in certain situations, particularly in relation to personal experiences. The song critiques the tendency to sensationalize personal histories or narratives without providing accurate representations of reality.

The lyrics also touch upon the idea of fantasizing or making up details to compensate for the lack of truthful information. This implies a desire for authenticity and a frustration with the prevalence of misleading or exaggerated narratives. The song criticizes those who profit from selling false stories and experiences, expressing a weariness with their deceptive tactics.

Furthermore, the lyrics raise questions about self-perception and personal behavior. They challenge the listener to reflect on their own actions, choices, and beliefs. The song suggests a need to question societal norms and expectations, urging the listener to consider the motivations behind their own desires and actions.

Overall, "Cruise (Force the Truth)" prompts introspection and encourages skepticism towards narratives that lack substance or integrity.

This meaning interpretation was written by AI. Help improve it with your feedback

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Whitehouse - Cruise Album

Artist: Whitehouse

Album: Cruise

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by Whitehouse

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I cannot praise this album enough. This album is absolutely terrifying! The many starts and stops creates this very h settling tension. Each start expands on the stopper idea previously. It’s like the music equivalent of walking through thick fog while passing out multiple times throughout trying to find a place to orientate yourself. There may or may not be something sinister in that fog, but you don’t want to stick around to find out. Bought the vinyl so I summon the fog demons through spe showhornwithteeth

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Whitehouse : Cruise

Extremist sonic terrorism from 'power electronics' pioneers and highly offensive fuckers Whitehouse...

It’s safe to say that Whitehouse are not for everyone. Their music – performed exclusively on three analogue keyboards – contains no

beats, no melodies and, to the uninitiated, no-discernible structure. Their lyrics are mostly obsessed with murder and violent sex and are screeched over knee-trembling noise by the group’s founder, William Bennett, the man who pioneered the ‘power electronics’ genre which has given us groups like Masonna and, to a lesser extent, the Digital Hardcore stable.

Listening to the thirty-something trio of Bennett, Phillip Best and notorious underground author Peter Sotos can make you feel in a way that no other group in the world can. You can feel soiled and outraged – you can also laugh hysterically and become exhilarated.

Over the last twenty years, Whitehouse have consistently overstepped the mark, both lyrically and sonically. Their deleted, 1983 album ‘Right To Kill’ was dedicated to serial killer Dennis Nilsen and their last album ‘Mummy And Daddy’ dealt with issues like child abuse in an extremely close-to-the-bone fashion. In the past, they’ve been accused of extreme misogyny, racism and even of having paedo-tendencies and but, hey, so has Eminem .

With ‘Cruise’, the band have pushed their ‘unique’ aesthetic even further, and have made what is, arguably, their most perfectly realised work to date. From the album’s brutal, buzzing, screaming ‘Cruise (Force The Truth)’ to the final ‘A Cunt Like You’ (the group’s magnum opus), ‘Cruise’ is at turns harrowing, hilarious, awe-inspiring and disgusting. Whatever the emotion, it’s always an extremely intense one.

The album’s centrepiece ‘Public’ is a sound collage made up by Peter Sotos of interviews with murder victim’s families, drug-addled street prostitutes and tearful abuse victims. It’s typically stomach-churning stuff, but when you consider the fact that Sotos took all this material from day-times chat shows like Oprah Winfrey, Rikki Lake or Jerry Springer – shows that we watch every day – you begin to realise what it

is that makes Whitehouse so terrifying and, at the same time, such an invigorating experience. Everything here is real.

If you like your noise records raw, uncensored and visceral, then it’s unlikely that you’ll find a better album all year than this. If easily offended and politically correct then we suggest you steer well clear.

Andy Capper

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