red hot chili peppers getaway tour

VIP PACKAGES AVAILABLE

Subscribe with your email address to keep up with the latest RHCP news, events, and exclusives, including presale codes, via email.

Our website uses cookies and similar technologies for analytics and to improve your user experience. By using this website, you consent to the use of cookies. Read our Privacy Policy and Terms of Use to learn more.

The Getaway World Tour

The Getaway World Tour was the tour for The Getaway .

The tour began with benefit shows and North American festival dates in February 2016 followed by a summer festival tour with dates in Europe, Asia and North America starting in May 2016 and ending in August 2016. The headlining tour to support the album began in Europe in September 2016 and will last until the end of the year with the North American tour beginning in January 2017. Chad Smith has stated that the entire tour would last for at least 18 months. Like the previous two tours, Chris Warren will serve as a backing keyboard player while Nate Walcott joined the tour as a pianist and the band's assistant tour manager Samuel Bañuelos III provides additional bass on the track " Go Robot ".

• 1 Tour Dates
• 2 Performed Songs
• 3.2 Additional musicians
• 4 References

Tour Dates [ ]

Under construction

Performed Songs [ ]

Personnel [ ].

• Flea – Bass, backing vocals, keyboards (during "Hey, Bulldog" jam on 6/10/16)
• Anthony Kiedis – Lead vocals, bass (during "Hey, Bulldog" jam on 6/10/16)
• Josh Klinghoffer – Guitar, backing vocals, piano (during "Hey, Bulldog" jam on 6/10/16 and on "Your Eyes Girl")
• Chad Smith – Drums, percussion

Additional musicians [ ]

• Chris Warren – Keyboards, electronic percussion pad
• Nate Walcott – Piano, keyboards, trumpet
• Samuel Bañuelos III - Second bass on "Go Robot"

References [ ]

• 1 John Frusciante
• 2 Anthony Kiedis
• 3 Dave Navarro

• Manage Account
• Share on Facebook
• Share to Flipboard
• Share on Pinterest
• + additional share options added
• Share on Reddit
• Share on LinkedIn
• Share on Whats App
• Send an Email
• Print this article
• Post a Comment
• Share on Tumblr

Red Hot Chili Peppers Add 27-Date Spring Leg to The Getaway World Tour

The Red Hot Chili Peppers have added a 27-date spring run to their upcoming tour in support of 'The Getaway.' The new leg kicks off with an April 12 show at the Verizon Center in Washington, DC and…

By Billboard Staff

Billboard Staff

The Red Hot Chili Peppers have added a 27-date spring run to their upcoming tour in support of their 11th studio album, The Getaway . The new leg kicks off with an April 12 show at the Verizon Center in Washington, DC and runs through a June 30 date at the United Center in Chicago. The veteran funk rockers had already revealed the first leg of The Getaway World Tour run, which will launch on Jan. 15 in San Antonio and is slated to keep them in arenas through a March 18 gig at the Rogers Arena in Vancouver.

Red Hot Chili Peppers Announce 2017 North American Tour

The newly announced dates include stops in Atlanta, Orlando, Cleveland, Pittsburgh, Calgary, Ottawa and Kansas City, keeping the Chili Peppers on the road through June.

Newly announced shows:

Trending on Billboard

Apr. 12 — Washington, DC @ Verizon Center

Apr. 14 — Atlanta, GA @ Philips Arena

Apr. 15 — Raleigh, NC @ PNC Arena

Apr. 17 — Charlotte, NC @ Spectrum Center

Apr. 19 — Columbia, SC @ Colonial Life Arena

Apr. 22 — Little Rock, AR @ Verizon Arena

Apr. 24 — Jacksonville, FL @ Veterans Memorial Arena

Apr. 26 — Orlando, FL @ Amway Center

Apr. 27 — Tampa, FL @ Amalie Arena

Apr. 29 — Miami, FL @ American Airlines Arena

May 11 — Pittsburgh, PA @ PPG Paints Arena

May 13 — Cleveland, OH @ Quicken Loans

May 14 — Columbus, OH @ Schottenstein Center

May 16 — Louisville, KY @ KFC YUM! Center

May 18 — Indianapolis, IN @ Bankers Life Fieldhouse

May 19 — Cincinnati, OH @ U.S. Bank Arena

May 21 — Kansas City, MO @ Sprint Center

May 23 — Des Moines, IA @ Wells Fargo Arena

May 26 — Winnipeg, MB @ MTS Centre

May 28 — Edmonton, AB @ Rogers Place

May 29 — Calgary, AB @ Scotiabank Saddledome

June 18 — Quebec, QC @ Vidétron

June 20 — Montreal, QC @Bell Centre

June 22 — Hamilton, ON @ FirstOntario Centre

June 23 — Ottawa, ON @ Canadian Tire Centre

June 25 — Grand Rapids, MI @ Van Andel Arena

June 30 — Chicago, IL @ United Center

Daily newsletters straight to your inbox

More From Pro

Consortium acquiring believe now owns over 85% of shares, stock to be de-listed from indexes.

• By Glenn Peoples

Lasso Signs With WK Entertainment for Management, Reveals U.S. Tour Dates & Teases New Album

• By Jessica Roiz

Academy of Country Music Reveals Winners for Industry and Studio Recording Awards

• By Jessica Nicholson

Nashville Barroom Takeovers By Spotify, SiriusXM and Others Become Larger Factor at CMA Fest

• By Tom Roland

Scooter Braun Retires From Artist Management: ‘This Chapter Has Come to an End’

• By Marc Schneider

Billboard is a part of Penske Media Corporation. © 2024 Billboard Media, LLC. All Rights Reserved.

optional screen reader

Charts expand charts menu.

• Billboard Hot 100™
• Billboard 200™
• Hits Of The World™
• TikTok Billboard Top 50
• Songs Of The Summer
• Song Breaker
• Year-End Charts
• Decade-End Charts

Music Expand music menu

• R&B/Hip-Hop

Videos Expand videos menu

Culture expand culture menu, media expand media menu, business expand business menu.

• Business News
• Record Labels
• View All Pro

Pro Tools Expand pro-tools menu

• Songwriters & Producers
• Artist Index
• Royalty Calculator
• Market Watch
• Industry Events Calendar

Billboard Español Expand billboard-espanol menu

• Cultura y Entretenimiento

Get Up Anthems by Tres Expand get-up-anthems-by-tres menu

Honda music expand honda-music menu.

• Environment
• Real Estate
• Beer & Wine
• Cocktails & Spirits
• Openings & Closings
• Restaurant Guide
• Restaurant Reviews
• Top 100 Bars
• Top 100 Restaurants
• Celebrities
• Film, TV & Streaming
• Sex & Dating
• Concert Calendar

Concert Reviews

Local music, touring artists.

• New Times Pizza Week
• New Times Out to Brunch
• New Times Tacolandia
• Vote Now: Best of 2024 Readers' Choice Poll
• Arts & Entertainment
• Eat & Drink
• Shopping & Services
• Sports & Recreation
• Readers' Choice
• Best of Miami Party
• Classifieds
• Advertise with Us
• Flipbook Archive
• Newsletters
• Promotions & Free Stuff
• Where To Find Miami New Times In Print
• Sign Up/Sign In

Red Hot Chili Peppers Brought the Funky Ruckus to Miami

Newsletter Sign Up

Enter your name, zip code, and email, sign up for our newsletters.

Justin Timberlake Put on an Impressive Tech Spectacle in Miami

By Celia Almeida

In Defense of Melanie Martinez's Unconventional Pop Career

By Osvaldo Espino

Gen Z Can't Get Enough of Blink-182 and the Pop-Punk Resurgence

By Isabel Rivera

Las Nubes Pay Homage to Miami With Sophomore Album, Tormentas Malsanas

• View This Week's Print Issue
• Food & Drink
• Arts & Culture
• Things To Do
• New Times Events
• Advertise With Us
• Privacy Policy
• Terms of Use
• Voice Media Group
• Dallas Observer
• Denver Westword
• New Times Broward-Palm Beach
• Phoenix New Times
• V Audience Labs
• V Digital Services

Find anything you save across the site in your account

The Getaway

By Zoe Camp

Warner Bros.

June 20, 2016

Anthony Kiedis has had enough of your jokes, jeers, and general bullshit–and can you blame him? 30-odd years after his band formed, the Red Hot Chili Peppers frontman can’t catch a break. While we’re all sitting on our asses, cracking jokes about his hospitalization and his best friend’s rendition of the National Anthem , he and his pals are out there hustling—spreading love and #posivibes to stadiums worldwide, rescuing babies while doing Carpool karaoke with his bandmates , and getting inducted into the Rock n’ Roll Hall of Fame. Music isn’t a game to him–neither are carefully-placed tube socks. Appropriately, then, the Peppers’ first single from their eleventh album The Getaway, “Dark Necessities,” is no cheerful comeback celebration–in fact, it’s downright confrontational. “You don’t know my mind,” he sneers on the chorus, “You don’t know my kind.” Fueled by this self-awareness (subservient to a broader desire to shush the haters), the Peppers have come to set the record straight. ( Take that, Mike Patton .)

Like*  2011's  I’m With You , ____The Getaway* marks a changing-of-hands in the Peppers camp: it’s their first album since 1989’s Mothers’ Milk without Rick Rubin behind the boards. While the producer's absence hasn’t stirred up the same anxiety among acolytes as John Frusciante did when he left the group at the end of the '00s, its significance can’t be understated. Sure, Frusciante's guitarist’s showy solos and funk prowess certainly played foundational roles in the Peppers' halcyon days, but as far as arrangements, engineering, sequencing, and overall sound were concerned, Rubin deserves equal credit for crafting the sonic blueprint that turned four horny goofballs from Los Angeles into kings of the global stadium circuit: crisp, crunchy, crass–and immediate.

Rubin's playbook has blessed the Peppers with a quarter-century of successful chart showings and tours, but it’s also left them sock-deep in a creative quagmire for the past several LPs, dragged down by blaring, untextured mixes and a fatal lack of boundaries in matters of alpha-male kabuki. Good thing they picked the right duo to help them clamber out of the pit on The Getaway : pop-smith extraordinaire Brian “Danger Mouse” Burton produced the record and co-wrote five of its tracks, with longtime Radiohead collaborator Nigel Godrich handling the mixing. If Rubin's uniform racket is engineered to tickle the reptile brain, then Burton’s approach to rock production–best illustrated by his recurring collaborations with the Black Keys–seeks to unite a divided audience through commonalities, developing frisson through the simultaneous overlaps and juxtapositions between genres, textures, and patches of negative space.

Unsurprisingly, The Getaway easily stands as the Peppers’ lushest album to date, a welcome reprieve from 25 years of cramped, inert, (and in the case of Californication , occasionally unlistenable) mixes. While their sonic tropes haven’t changed–what would a Red Hot Chili Peppers album be without Flea’s slappy solos, Kiedis’ staccato raps, or full-band funk breakdowns?–Burton's foggy, psychedelic palette marks a drastic shift in the presentation of those motifs, widening the gulf between the band's funk-metal past and their hang-loose, jam-band present. The producer’s usual cinematic flourishes (fervent strings, accentuated flange, melancholy keys) reveal his influence immediately, and occasionally excessively; The inert trip-hop arrangements showcased on “Feasting on the Flowers” and “The Hunter” (both co-written by Burton) could have come from the cutting-room floor after one of his Broken Bells sessions, while closing track “Dreams of a Samurai” suffers from a severe case of atmospheric bloat.

The Getaway proves far more successful when Burton steps back and lets the band funk around (with a little extra supervision, of course). Employing an organic approach similar to his winning strategy on Radiohead’s A Moon Shaped Pool , Godrich staggers the tracks so the band's grooves can breathe–and more importantly, so their instrumental prowess can be put to use for a change: especially the talents of guitarist Josh Klinghoffer, who joined the band after Frusciante’s departure. Whereas I’m With You delegated the axeman to a textural supporting role, The Getaway casts the newest Pepper as a proper successor to Frusciante, ramping up his duties as a soloist and backup vocalist. Klinghoffer's yet to surpass his mentor's technical skill and overall gravitas, but between Kiedis’ puff-chested posturing and Flea and Smith's explosive percussive dynamics, the guitarist's restraint provides a much-needed anchor.

By now, Peppers fans know better than to expect Pulitzer-worthy poetry from a goofy bard like Kiedis: his rapping continues to function primarily as a vocal extension of his bandmates' rhythm section, rather than a thematic vehicle (unless there’s some hidden metaphorical genius embedded in couplets like “Up to my ass in alligators/Let’s get it on with the alligator haters”; I’m certainly amenable to enlightenment). Considering how the Peppers’ hopes of escaping their comfort zone led them to Burton and Godrich in the first place, the album’s lyrical stasis scans as disappointing, if unsurprising. Less than two minutes into the album, Kiedis gives his first shoutout to Call-ee-phon-ya; from there, the perfunctory Golden State worship quickly plummets into The Californians territory. "Driving down Calexico highway,” he croons on “Encore,” “and now I know the signs for sure.” Stuart, is that you? At least he delves into some other topics, including sex with robots (from the silvery highlight “Go Robot:” “You’ve got to choose it to use it so let me plug it in/Robots are my next of kin”) and Brazilians ("I met a girl with long black hair and she opened up so wide,” he boasts on “This Ticonderoga”), Iggy Pop & J Dilla (on a song called–what else?–“Detroit”), and worst of all, a dance Kiedis calls “The Avocado.” He even proffers up a few life lessons, including the following nugget of wisdom: "We are all just soldiers in this battlefield of life.”

Were it not for these  issues and the B-Side's proliferation of yawn-inducing, stoned slow jams, The Getaway could have potentially bested  By The Way as the Peppers’ best work post- Californication.  By tapping into what made the Peppers Rock Hall-worthy–their instrumental potency, their extensive knowledge of funk, their willingness to laugh at themselves (to a point)–Burton and Godrich have gracefully, gently steered the band back on the right track. At the very least, this surprisingly complex album lends credence to Kiedis’ accusations. Maybe we  don't know his mind, or his kind–or at least not quite like we thought.

By signing up you agree to our User Agreement (including the class action waiver and arbitration provisions ), our Privacy Policy & Cookie Statement and to receive marketing and account-related emails from Pitchfork. You can unsubscribe at any time. This site is protected by reCAPTCHA and the Google Privacy Policy and Terms of Service apply.

• Red Hot Chili Peppers Live Archive
• Live Archive

Your browser is out-of-date!

Update your browser to view this website correctly. Update my browser now

Home › Live Sound

Red Hot Chili Peppers “The Getaway Tour”

By Steve Jennings

The Red Hot Chili Peppers—Anthony Kiedis, vocals; Flea, bass; Chad Smith, drums; and Josh Klinghoffer, guitar—brought The Getaway Tour to Oracle Arena in Oakland, Calif., in early March. Rat Sound of Camarillo, Calif., provided the complete production package. “This is my first tour mixing the RHCP,” says veteran FOH engineer Sean “Sully” Sullivan, center, with […]

The Red Hot Chili Peppers—Anthony Kiedis, vocals; Flea, bass; Chad Smith, drums; and Josh Klinghoffer, guitar—brought The Getaway Tour to Oracle Arena in Oakland, Calif., in early March. Rat Sound of Camarillo, Calif., provided the complete production package.

“This is my first tour mixing the RHCP,” says veteran FOH engineer Sean “Sully” Sullivan, center, with systems design and engineer Jim Locker, left, and systems engineer and P.A. tech Radek Lesa. “I replaced their longtime FOH engineer Dave Rat, who retired. We have two very different approaches to gear choices, as he was all analog and I am all digital. My point is to always use what you’re comfortable with and what makes you confident to get the job done.

“I’m mixing the tour on the Avid S6L and using AAX DSP onboard plug-ins: Cranesong Phoenix (tape saturation on pretty much everything), McDSP Vintage Comp (parallel comp on drum bus), MCDSP 6050 Ultimate Channel strip (guitar, kick, snares, VX, toms, keys and bass guitar), McDSP ML4000 (Mix Bus), Plugin Alliance SPL Transient Designer (bass guitar, kick and snare), SPL Twin Tube (bass guitar), Maag 4 EQ (lead VX), Sonnox Sony Oxford Reverb (Drum FX, VX FX), Sonnox Supressor (vocals), and SansAmp (hi-hats).

“I used to mix on the Profile, which had eight LED meters built in to the surface that I used for stereo group meters. The S6L has these, but they are tiny and not where I want them, so I had this rack built to house eight Dorrough 280D (inset), which are fed AES outs from a Stage64 at FOH. The source is my eight main groups.”

“Outboard plug-ins are all Waves Soundgrid via Multirack, connected via Avid MADI 192 and Waves MGB using two Extreme servers [one for backup], controlled by an Apple Mac Mini. I’m using onboard channel gates for all drums that are gated, and onboard compressors for vocal comps. Two Dolby Lake Processors for AES and Analog input redundancy drive the P.A.”

“I’m mixing monitors with a DiGiCo SD10, says monitor engineer Mark Vanderwall , left, pictured with monitor tech Carl Popek . “I don’t use plug-ins. I prefer to do everything internal. For outboard gear I have one 8-channel Grace preamp as a line driver for selected inputs.

“We have Shure PSM-1000s for transmitting to the band’s Future Sonic MG-6pro in-ears,” he continues. “Live mixes are sidefills (4x) Arcs, (7) Rat Superwedges, (2) Rat L wedges, Rat Supersub, (2) drum Buttkickers and EAW 12-inch micro wedges all powered by (9) Powersoft X4s.”

Anthony Kiedis sings into an Audix OM7, Flea into an AK OM-7, with an EV-967 for Josh Klinghoffer.

“Rat Sound from Camarillo, Calif., provides the FOH Control and Monitor Package for the whole world tour, and provides the P.A. system for all the U.S. dates. European tour dates were covered by High Lite Touring, Czech Republic,” says systems engineer Jim Lockyer.

“The P.A. system consists of all L-Acoustics products,” he continues. “Main hang is (16) K1 and (4) K2 per side; sub hang is (8) K1SB per side; side hang is (16) K2 per side; 270 hang is (15) Kara a side; Rat Cage is (24) LA-8 amps per side; ground amps are (3) LA-8 a side, (3) LA-12x; ground subs are (18) KS28, a total of 6-blocks-of-3 on end in cardioid. Front fills are (6) Kara; total wedges are Rat Sound SDW-22 4-way Active with 2x 12-inch, 1x 10-inch, 1x 2-inch (mid and high are concentric), powered by Powersoft X-4 amps.”

Guitarist Josh Klinghoffer has a Marshall Major with 1960B, miked with Shure SM57 and Audix OM-7, Fender Tonemaster and Tonemaster 4×12, with an Audix D3. ISO cabinet has a Heil PR-30, and the amp simulator uses two Radial J48 DIs.

Flea uses six Gallien-Krueger 2001RB heads, six cabinets, with Shure SM98 on 10-inch and 2 DIs.

Drummer Chad Smith

’s kit has a Shure 91 and Audix D6 on kick; Shure SM57s on snare top and bottom; toms are Audio-Technica AE3000; timpani is AT-4050 (x3); snare, roto toms and Octabons are ShureSM98s; cowbell and wood block are Audix M-44, and overheads are KM-184s. Pictured above right:

Drum tech Chris Warren.

Recording the Red Hot Chili Peppers’ ‘Unlimited Love,’ Part 1

Recording the Red Hot Chili Peppers’ ‘Unlimited Love,’ Part 2

Recording the Red Hot Chili Peppers’ ‘Unlimited Love,’ Part 4

Recording the Red Hot Chili Peppers’ ‘Unlimited Love,’ Part 5

Red Hot Chili Peppers Hit the Road with Eighth Day Sound

Recording the Red Hot Chili Peppers’ ‘Unlimited Love,’ Part 3

John Lennon Tour Bus Still Rolling After 25 Years

Thomas Rhett Tour Has A ‘Home Team’ Advantage

Things you buy through our links may earn  Vox Media  a commission.

Red Hot Chili Peppers’ The Getaway Is Their Best in Years

Even in youth, the Red Hot Chili Peppers sounded old beyond their years. In both its lyrics and gripping guitar performance, “Under the Bridge,” the punk-funk pranksters’ 1991 breakout single, pined darkly for the comfort of Los Angeles, a city that brought them success and drug-addled ruin in equal measure. This same dull ache for lost days has formed the sentimental undercurrent of many of the Chilis’ finest moments on record (see: “I Could Have Lied,” “Soul to Squeeze,” “Knock Me Down,” “This Is the Place”), and as they’ve inched away from the puckish P-Funk stylings of their early years toward a new classic rock, the quality of the music has hinged on how well the band could cut to the emotional quick. The band’s 2011 album, I’m With You, was a miss on a few counts: The writing felt wonky even for a lyricist like Anthony Kiedis, whose best turns of phrase please the ear phonetically but not always conceptually, and the music meandered as the band adjusted to new member Josh Klinghoffer, a tour hand who graduated to full-time guitarist when the Chilis’ off-and-on ax man John Frusciante left again after 2006’s  Stadium Arcadium . This week’s comeback album, The Getaway, sees the Red Hot Chili Peppers foregrounding a grace and maturity the music’s always stashed behind a veneer of irreverence and playful experimentation.

Bubbly as they can still be in their 50s, Kiedis, bassist Flea, and drummer Chad Smith are no longer the spry devils of their 120 Minutes days, a truth borne out last year in a skiing accident where Flea shattered his arm and nearly wrecked his ability to play music. The downtime ended up forcing a discussion over whether the band’s creative process had outlived its usefulness. They stopped writing music by jamming until a riff stuck and took a break from longtime producer Rick Rubin, whose crisp, stark production fit their wiry funk-rock years hand in glove. Taking Rubin’s place is Danger Mouse, the crack Beck, U2, and Black Keys collaborator whose knack for blurring the lines between rock and hip-hop has put him in high demand among aging rock acts anxious to loosen up and embrace the times. The knock about Mouse, though, is that his signature sound — a beat-infused guitar pop introduced to many when he affixed the Beatles’ White Album to a cappellas from Jay Z’s Black Album on the 2004 mixtape The Grey Album — is so specific that his collaborators’ sensibilities can get lost in the bells and whistles.

The Getaway doesn’t take the Chili Peppers’ sound to the chop shop; they’re still crafting agile guitar rock with a funk underpinning. But Danger Mouse does shake up old band habits and draw out an unfussed sweetness this band’s never held across a whole album. There are pianos stacked everywhere, in the swelling intro to lead single “Dark Necessities,” the dramatic coda to “The Longest Wave,” and the lilting breakdown in the sprightly rocker “Feasting on the Flowers.” Chad Smith’s drums aren’t just the band’s limber legs anymore: In “We Turn Red,” they boom like Led Zeppelin’s John Bonham, but the funk jam “Go Robot” keeps them taut as disco-era Prince, while “Feasting on the Flowers” gives them a programmed hip-hop feel. Klinghoffer shows range, too: Check the Hendrix tribute in the quick solo that opens “The Longest Wave” or the Beatles-esque tone he takes ripping one in the back end of “Sick Love.” The Chilis have covered wider stretches of musical ground than this on other albums, but The Getaway , in allowing the mood and subject matter of its songs to mold their production and instrumentation, has variety without resorting to the disorderly sprawl of Stadium and I’m With You .

All of this attention to feel is only as useful as its front man is adept at channeling it. Anthony Kiedis is poignantly self-aware here, from the warning in the lead single’s chorus (“You don’t know my mind / You don’t know my kind / Dark necessities are part of my design”) to smirking in the Elton John and Bernie Taupin collaboration “Sick Love” that “Sick love is my modern cliché.” Though the lyric sheet holds its share of filler bars and kooky sex raps (“Take me to the river where we do a little storming / Hallelujah, I feel it warming”), a pure, questioning sadness colors these 13 songs that transcends any of the occasionally absurd words that populate them, a result, no doubt, of the singer’s breakup with girlfriend and model Helena Vestergaard in the months leading to recording. This is a band whose finest records are essentially wistful glances back at dark times, though. The Getaway burns lifetime best friends Anthony Kiedis and Flea’s individual adversities for fuel and powers the Red Hot Chili Peppers out of a late career rut with their tightest, prettiest collection of songs in more than a decade.

*This article appears in the June 27, 2016 issue of New York Magazine.

• red hot chili peppers
• album review

Most Viewed Stories

• House of the Dragon ’s Blood and Cheese Moment Should Have Been Nastier
• The 2024 Tony Awards Winners
• Cinematrix No. 84: June 18, 2024
• House of the Dragon Season-Premiere Recap: Rat Race
• The Highs, Lows, and Whoas of the 2024 Tony Awards
• The Real Housewives of New Jersey Recap: House Lukewarming

Editor’s Picks

Most Popular

What is your email.

This email will be used to sign into all New York sites. By submitting your email, you agree to our Terms and Privacy Policy and to receive email correspondence from us.

Sign In To Continue Reading

Create your free account.

Password must be at least 8 characters and contain:

• Lower case letters (a-z)
• Upper case letters (A-Z)
• Numbers (0-9)
• Special Characters (!@#$%^&*)

As part of your account, you’ll receive occasional updates and offers from New York , which you can opt out of anytime.

• Statistics Stats
• You are here:

Red Hot Chili Peppers

Red hot chili peppers concert setlists & tour dates, 2022-24 global stadium tour, upcoming shows.

• Date and Venue Doors Scheduled
• Jun 21 2024 MidFlorida Credit Union Amphitheatre Tampa, FL, USA  –  Find tickets Add time  –  Scheduled: 7:00 PM Tickets Add time Add times 7:00 PM
• Jun 23 2024 Hard Rock Live Hollywood, FL, USA  –  Find tickets Add time Tickets Add time Add times
• Jun 26 2024 Coastal Credit Union Music Park at Walnut Creek Raleigh, NC, USA  –  Find tickets Add time Tickets Add time Add times
• Jun 28 2024 Veterans United Home Loans Amphitheater at Virginia Beach Virginia Beach, VA, USA  –  Find tickets Doors 6:35 PM  –  Scheduled: 7:00 PM Tickets 6:35 PM 7:00 PM
• Jul 02 2024 The Pavilion at Star Lake Burgettstown, PA, USA  –  Find tickets Add time Tickets Add time Add times
• Jul 05 2024 Riverbend Music Center Cincinnati, OH, USA  –  Find tickets Add time Tickets Add time Add times
• Jul 12 2024 Darien Lake Performing Arts Center Darien Center, NY, USA  –  Find tickets Add time Tickets Add time Add times
• Jul 15 2024 Budweiser Stage Toronto, ON, Canada  –  Find tickets Add time Tickets Add time Add times
• Jul 17 2024 Budweiser Stage Toronto, ON, Canada  –  Find tickets Add time Tickets Add time Add times
• Jul 20 2024 Minnesota Yacht Club Festival 2024 St. Paul, MN, USA Add time Add time Add times
• Jul 22 2024 Blossom Music Center Cuyahoga Falls, OH, USA  –  Find tickets Add time Tickets Add time Add times
• Jul 25 2024 Ruoff Music Center Noblesville, IN, USA Add time Add time Add times
• Jul 27 2024 Harley-Davidson Homecoming 2024 Milwaukee, WI, USA Doors 2:00 PM  –  Scheduled: 9:15 PM 2:00 PM 9:15 PM
• Jul 30 2024 Hollywood Casino Amphitheatre Maryland Heights, MO, USA  –  Find tickets Add time Tickets Add time Add times

Red Hot Chili Peppers at iTHINK Financial Amphitheatre, West Palm Beach, FL, USA

• Edit setlist songs
• Edit venue & date
• Edit set times
• Add to festival
• Report setlist

Red Hot Chili Peppers at Bonnaroo 2024

• Can't Stop
• The Zephyr Song
• Aquatic Mouth Dance
• Snow ((Hey Oh))
• I Like Dirt
• Soul to Squeeze
• Tippa My Tongue
• Me & My Friends
• The Heavy Wing
• Californication

Red Hot Chili Peppers at Isleta Amphitheater, Albuquerque, NM, USA

• Dani California
• Scar Tissue
• Right on Time
• Parallel Universe
• Whatchu Thinkin'
• Hard to Concentrate

Red Hot Chili Peppers at Utah First Credit Union Amphitheatre, West Valley City, UT, USA

• Here Ever After
• Blood Sugar Sex Magik
• Around the World

Red Hot Chili Peppers at Toyota Amphitheatre, Wheatland, CA, USA

• Universally Speaking
• Don't Forget Me
• Suck My Kiss

Red Hot Chili Peppers at The Gorge Amphitheatre, George, WA, USA

• Tell Me Baby

Red Hot Chili Peppers at RV Inn Style Resorts Amphitheater, Ridgefield, WA, USA

• Throw Away Your Television

Red Hot Chili Peppers at Tokyo Dome, Tokyo, Japan

• These Are the Ways

Red Hot Chili Peppers at KROQ March Two Re-Do 2024

• Danny's Song
• Black Summer

More from Red Hot Chili Peppers

• Artist Statistics
• Add setlist

Most played songs

• Give It Away ( 1060 )
• Under the Bridge ( 798 )
• Californication ( 793 )
• By the Way ( 773 )
• Can't Stop ( 659 )

More Red Hot Chili Peppers statistics

12th Planet 2Cellos 31hours 357 4GKZ 9sundays A-Meezing Coverband AC/TC Ace Bandage Acid Drinkers Addison Groove Project Aer Aidan Kogut Airbag Airi's Alesso [Alexandros] Aliados All Saints Alok DJ AM Amber Light Choices AN21 Andrea Gioe Andrew Weiss and Friends Steve Angello Anhedonic Earth Omar Apollo Aqueous Area Disaster Joe Atman Atomic Bomb Audiophile Austin Burke AV Acoustic Avicii Axwell Pedro Aznar Azzarok ÆONIAN B Wise Badfish Le Bal des Enragés Beach Slang Brenda Bee The Bensons Bjørn Berge Banda Betamax Between May and April Big Something

Showing only 50 most recent

View covered by statistics

Artists covered

[traditional] 45 Grave ABBA AC/DC Alice Cooper The Allman Brothers Band Syd Barrett The Beach Boys The Beatles Beck Bee Gees Jorge Ben Jor Berlin Chuck Berry Plastic Bertrand Big Star Black Flag Black Sabbath Blue Öyster Cult Blur David Bowie Jacques Brel Broadcast James Brown James Brown & The Famous Flames Jackson Browne Jeff Buckley Robert Burns Butthole Surfers John Cale G.C. Cameron Captain Beefheart & His Magic Band The Cars Nick Cave & the Bad Seeds Gene Chandler The Chantels Circle Jerks The Clash Jimmy Cliff George Clinton Leonard Cohen J. Fred Coots Chris Cornell Elvis Costello Crowded House Cynthia & Johnny O Miles Davis Delaney & Bonnie Depeche Mode Divinyls

View artists covered statistics

Gigs seen live by

28,729 people have seen Red Hot Chili Peppers live.

Felipe_Thiesen MrViscous Ethanmr909 AndySlash dustinwtf willsfc BoognishBoss ilikegyros haleymcc uks2h ryanpaschal Mizzark54 terrapin8654 JackHodde jlingram103 elijahg38 nicvolcano Cosmic_Lizard rileyp00p Jburks8806 FunCompany cade_s014 frusciante Zavs Bigorange2448 KenjiB WSpears cappotato accomplisch gosanc qpidcupid laadkins0 havebluu Sbauman27 blkmesa garrettmlemons ldalton Shadymon Magician xannairb_ jpeaseskis jojewels92 Jammers ytopher23 DavidK2023 Colebery trublsom Vansvier rhcp22 AnjaniZ

Red Hot Chili Peppers on the web

Music links.

• Red Hot Chili Peppers Lyrics (de)
• Official Homepage

Related News

Red Hot Chili Peppers Dazzle at Bonnaroo (and Nashville)

Setlist History: Red Hot Chili Peppers Live Debut Two in Portugal

Setlist.fm's Top 10 Tours of 2023

Red Hot Chili Peppers Add 2024 Tour Dates w/Kid Cudi, Ice Cube

Tour update, marquee memories: friedberg.

• Jun 16, 2024
• Jun 15, 2024
• Jun 14, 2024
• Jun 13, 2024
• Jun 12, 2024
• Jun 11, 2024
• FAQ | Help | About
• Terms of Service
• Ad Choices | Privacy Policy
• Feature requests
• Songtexte.com

• Lumina Night Walks
• Themed entertainment
• Ceremonies & events
• Experiential marketing
• Cultural & Educational
• Public spaces
• Arenas & stadiums
• Resorts & casinos

Red Hot Chili Peppers, The Getaway Tour

Red hot chili peppers in a multimedia jam session.

It was an honour to collaborate on the Red Hot Chili Peppers’ Getaway Tour. The fruit of this collaboration was revealed in September 2016 with the launch of the Peppers’ arena tour, in Budapest.

Moment Factory had the opportunity to work with TAIT’s kinetic light installation comprised of over 1000 Nano Winches and connected LED fixtures which hang above the band and the audience in sweeping waves of colour. It moves 60 feet vertically and as quickly as 10 feet per second creating 3D shapes, textures and movement.The installation was conceived with the band, TAIT and Scott Holthaus, as a way to bring fans even deeper into the music. So as the audience is surrounded by live sound, they also are immersed in colours and shapes inspired by each song on a new set list drafted each night.

For the largest kinetic installation produced for a tour, Moment Factory’s contribution included the design and creation of the content displayed in the kinetic installation as well as the LED screen behind the musicians. In collaboration with Scott Holthaus and Leif Dixon, Moment Factory designed a multimedia toolbox that crafts a dialogue between the playback and TAIT’s Navigator Automation Platform in order to create shapes on the kinetic installation. This ‘dialogue’ extends the band’s live presence and energy from the stage out over the crowd with an ever-evolving set of surprises.

The result is especially exciting because it creates a unifying, organic link between the installation, the audience, and the band. We were thrilled to contribute to an unforgettable fan experience while developing the next generation of live shows.

100 GECS, 10000 GECS TOUR 2

Muse, drones tour, billie eilish - where do we go the livestream, we do it in public.